Fragrantica lists the notes as follows: Top notes are south african sage and italian iris; middle notes are french narcissus, jasmine and moroccan rose; base notes are singapore patchouli, sandalwood and vetiver. Fabulous Fragrances II by Jan Moran lists the Top Notes as Marigold and Iris, and includes Civet in the Base
This is a perfume that goes straight to the heart-literally. It possesses none of the usual Top Notes that bring an airy, bright note to a perfume. It is a beautiful and boozy blend of deep florals and spice. I do imagine there is Marigold, as the perfume has a spicy note throughout that is very pervasive and tingly. I also suspect there may be neroli oil in there somewhere. The Rose is most certainly Damascean, as it is deep and warm. Jasmine provides a syrupy sweet quality, all of which is mounted atop a predominantly Patchouli and Sandalwood Base. The resinous Patchouli continues the hard-driving nature of this scent into the drydown, but it is tempered by the soft round incense of the Sandalwood. There also seems to be some Vanilla in the base, but the Vetiver is nowhere to be seen, likely overwhelmed by the other power-notes. I imagine without it, though, the drydown would seem almost too hippie for modern taste.
A very grownup and wintery perfume. It wears very well and remains strong even in this cold, arid climate. Nicely done, with good balance and a compelling composition. Very daring to use the difficult marigold and the temperamental Narcissus in one perfume
A dark, sophisticated, luscious, creamy and elegant perfume smelling like a darker version of Paloma with more patchouli. Although often classified as an Oriental, I experience it more as a rich patchouli-laden ambery chypre. This is not a perfume to be worn in the spring and summer, but maybe to an evening at the opera in the fall and winter.