A must have for those who want to connect with their sensuous side in an olfactory way.TRUTH by CK is an ode to Femininity and reflect your Style and Living.Perfectly balance blend of Fruits and Green notes with subtle Woody under tones. Scrumptious, Delightful,Intelligent,Elegant, Refreshing,Cute,Modern and Lovely.
Lemon and Bergamot are combined in the top notes which embrace the heart notes of Patchouli and Peony and Finally a Sweet and Woody base notes due Vetiver,Sandalwood and something like Vanilla that create a beautifully awakening scent every morning.It also complements the natural scent of women.
TRUTH is soft enough for even the most sensitive person as dont make headache yet it is strong enough for others around you to enjoy.It reminds me odor of a damp forest after a rain.Great for SPRINGTIME and Everyday use however i found a Elegant touch of Romance in it that makes TRUTH nice to share with your Lover in Intimate moments.
Longevity?Very Good on my skin.
The first thing that hits me is soap, followed by something quite strong and floral. Honeysuckle? Not a big fan of this at application, as it's rather sharp.
An hour later it's got that open, round "refrigerant" smell - I don't know how else to describe it, perhaps synthetic? The floral is still there. Reminds me a bit of some aqua scents I've tried in Sephora.
Genre: Woody Oriental
Few scents from Calvin Klein appeal to me, but Truth is more interesting and pleasant than most. It also smells very, very familiar to start with, but I can’t place it. Herbaceous green and citrus top notes smell so much like something I know. What? What???? Wait, I know! The top notes are Annick Goutal’s Le Chèvrefeuille. In fact, Truth’s opening gambit echoes the signature Goutal citrus and green floral motif that appears in varied form in Folavril, Eau du Sud, and Eau de Ciel, as well as Le Chèvrefeuille.
Truth sweetens and becomes more opaque over time, as powdery amber, vanilla, and discreet woody notes establish a relatively lightweight oriental motif beneath the green floral accord. Properly engineered, this gambit of juxtaposing two apparently incompatible olfactory constructs can establish exceptional vibrancy and sustained interest in a fragrance. Angel, Tubéreuse Criminelle, Aramis, Sublime, and Yohji Homme all work their own variation on this trick with great success. Scents that get the balance wrong wind up as train wrecks – Montale’s Aoud Ambre comes to mind. Truth manages quite well, maintaining a highly charged, yet ideally poised balance between its bitter, herbaceous green floral and sweet woody oriental components. There are times when Truth can smell a bit chemical, but it is never boring.
While by no means a shy or ephemeral scent, Truth is tactfully modest in its power and projection. Carefully balanced potency works very much to Truth’s advantage, as a more aggressive stance would risk emphasize the somewhat chemical quality of its green floral accord. As executed, Truth is clever, engaging, and good company all around. It also strikes me as no less gender-neutral than Calvin Klein’s determinedly unisex CK One.
Let’s start with scent and truth. Bamboo? Wet Woods? Silk tree flower? Seems a bit insincere from the start, I’d say. If you’re going to list ridiculous note without a trace of botanical truth, why not branch out from botany and list notes like fractiousness, regret, serenity or stasis.
But I love the way Truth smells. It shows a wonderful and converging use of synthetic tones. There’s a green woody sappiness and a tart fruit/musk combination that both extends and redefines the ‘freshness’ that defines the middle of the road of designer fragrance. The result is a beautiful ambiguity without a hint of tension.
As with all fragrances, I tried this one on a couple of times before buying it.
I have now learned that it is NOT always the most reliable thing to do (although it still beats the alternatives, of course).
Perhaps I should have tried it in more than one shop, because clearly their bottle was aged or something. The drydown was much more to my liking than it is now that I am actually wearing it from my own, brand new bottle.
I love the opening: it's so fresh and sprightly, with those joyous citrusy notes! It reminds me of a big, happy smile - fresh and sweet, not cloying and contrived.
Then, after 10 minutes or so, comes the part that I love the most.
I am not sure which note it is that produces it, but suddenly it all settles down and morphs into a glorious chrysanthemum scent - still very fresh, but in a pleasantly composed, "ladylike" manner, not unlike the smile of La Gioconda. ;)
Personally it reminds me a LOT of the middle phase of Donna Karan's DKNY, only it has a whiff more of substance.
This phase lasts for about an hour.
Then, the fragrance gradually develops into a sweeter and more vanilla-like drydown, with a distinct "greasy", oily undernote.
I am not too crazy about that part. I don't HATE it, but I am not sure I would have bought this scent if I had smelled the same drydown on the two occasions I tried it in the store.
Still, I am not sorry.
Its sillage could be better, but it's certainly good it's not obtrusive.
Its longevity is OK, but of course I would have preferred that middle note to be present for longer.
I would also have preferred CK to use the traditional nomenclature. Their current composition sounds contrived and is no more descriptive than the "old fashioned" way.
Still, it is a very nice and remarkably versatile fragrance. Perhaps not one of the greats of all times - but it's certainly much more appealing to me than 90% of the perfume production in the last decade or two.