Perfume Directory

Nuit de NoŽl (1922)
by Caron

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Nuit de NoŽl information

Year of Launch1922
GenderFeminine
AvailabilityIn Production
Average Rating
(based on 229 votes)

People and companies

HouseCaron
PerfumerErnest Daltroff
PackagingFťlicie Bergaud
Parent CompanyAles Group

About Nuit de NoŽl

Nuit de NoŽl is a feminine perfume by Caron. The scent was launched in 1922 and the fragrance was created by perfumer Ernest Daltroff. The bottle was designed by Fťlicie Bergaud

Nuit de NoŽl fragrance notes

Reviews of Nuit de NoŽl

A frame in time...

It's a freezing and dreary day. Not just every day however. It's Christmas Eve. And a proper one I might say, since there's a lot of snow around. And what's more, I got all lucky in my "thematic" shopping this morning. I stumbled upon a near mint antique bottle of Nuit de NoŽl in a flea market, complete with its jade shagreen case, tassel and stuff, and since I've always thought of it as one of the most elegant packagings ever made, I grabbed it without further ado. I guess that wishing it was full too, would be sort of pushing my luck.
With a solid piece of history in my coat's pocket, I think that having a couple of drinks while sniffing it wouldn't be such a bad idea on this cold winter day.
So, pretending that it's 1922, I enter an old bistrot in the city's most popular square, and order a glass of fine cognac.
From where I am, I can see a girl sitting on the stairs of a building's entrance, lying opposite to the bistrot's side windows.
A cascade of fiery red hair is bursting from her beanie.
She's like a torch burning in the snow...
She has placed her bag on the cold and wet marble and she's sitting on it. She holds a small paper bag in her hands and looks excited. I wonder what the cause of her exhilaration could be. I take a sip of my cognac and smile.
What she takes out of her small paper bag makes my heart miss a beat. I recognise the plain black-capped rectangular bottle. Or, to put it better, I recognise its label. She opens it and dabs a few drops on her wrists and on the sides of her neck. Now if this is not a coincidence, then it has to be fate signing at me.
Encouraged by the spirit of the day, I decide to be a little more daring than usual and find out which of the two.
...
"I'll show you mine if you show me yours."
Her amber eyes widen with surprise.
"What?..."
"Your Christmas Eve."
"What about it?"
I sway my bottle in front of her eyes.
"Hey! This has the same name, but it's so more beautiful and looks so old. What is it?"
"The grandmother of yours. Care to meet her?"
She accepts my offer for a drink. After all it's freezing outside.
...
"Oh my God... This is magical..."
Although the perfume is long gone, its soul is still lingering. And sometimes an echo can be louder than the sound itself.
She remains silent with her eyes closed for quite a while. Although I suspect where she might have been drifting, I ask her anyway.
"I was trying to imagine some of the hands that once held this bottle and some of the words that were whispered because of its content being worn. Anyway, my bus leaves in four hours. Can you stand me being ecstatic for this long, oh my noble stranger?"
"Noble stranger" is how we agreed calling each other, to maintain some of the mystery that is weaved with this special and magic day.
But in any case, I tell her that I could possibly stand her more likely for four years, if she could be that dramatic the whole time.
She smiles.
"OK, my turn now."
Although she has it dabbed also on her wrists, she lifts her hair, tilts her head, and invites me to sniff her neck. This upretentious and impulsive gesture warms my heart. But I guess this is what this girl is all about, warming people's hearts.
I go for the sniff, and...
I don't know if it's her gesture, the perfume itself, the surrounding festive atmosphere or any combination of them, but what I smell almost brings tears in my eyes.
I struggle not to kiss her neck, but it's my apparently cold nose tip that spares me the struggle, cause it touches her skin slightly and startles her a bit.
She steps back and sees my nearly teary eyes.
"Hey you dummy... Stop spoiling me! Do I smell that good?"
"You smell like the angels working in Heaven's pastry shop, while a forest wood fire is roaring in its fireplace..."
...
She won't stop giggling and laughing heartily for the whole three hours we'll spent together. She won't stop sniffing her wrists either. She looks so happy and carefree.
It's time for her to leave and catch her bus.
We walk outside and we stand for a while, staring at each other.
I don't know what to say.
She doesn't seem to know either.
She hesitates for a moment.
Then she leans towards me and with her frail hand tracing my cheek, her lips brush mine for an instant.
And by this fragile token of affection, I know that her scent will remain on me forever.
She turns her back and starts to walk away.
After a few steps she stops and turns her head back.
"I'm Maria!" she shouts, before vanishing in the crowd. I stand still among hundreds of people who are walking around me hastily. I light a cigarette and lean my back against a wall.
I close my eyes and try to imagine what she might be thinking when she went outside for a couple of minutes to buy a pack of cigarettes.
I close my eyes and try to imagine her surprise when she'll discover the flacon in her bag...
...
I hope you're happy beautiful Maria, wherever you are.
I never saw you grow old. I never saw you become distant. And you never saw me either.
Your icon remains immaculate in my mind, just like this little wonder that made our paths cross, that cold winter morning, 28 years ago.
Your laughter is still ringing in my ears.
And like a friendly and beloved ghost, you shall visit me once more this year, on the same day that I will allow myself a dab of the perfume that is you.
Forever young... Forever happy...
Forever my Maria from the Christmas of 1986.
My beautiful Maria of Nuit de NoŽl...
30th November, 2015
rbaker Show all reviews
United Kingdom
A vintage sample:
The top notes are delicious: jasmine and a balanced rose, with an overaching ylang ylang impression forming a great triad. A sweetness is present throughout the development of this scent, but is is never overly sweet, is never dominating and is never cloying.

In the drydown it leaves the floral side and a lovely and smooth sandal tone emerges, and later a wonderfully smoothly warm glowing amber takes the centre stage. It is here that the name makes sense; it is s bit like a winter day when passing the open door of a bakery, with warm air and the aroma of brioches in the air, with whiffs of spices added - a mild and gentle mossy note with olfactoric glimpses of cinnamon is present too.

The performance is outstanding, with moderate sillage, good projection and a sensational longevity of thirteen hours on my skin. This product is exceeding well blended of ingredients of the highest quality, and bears the hallmarks of a grand classic, a warm and comforting winter-cum-Noel scent without the usual festivity clichťs. 4.5
22nd August, 2015
Genre: Woody Oriental

The contemporary Nuit de NoŽl is a sweet woody oriental scent with a floral heart and a hint of gourmand edibility. As sometimes happens with relatively rich, dense scents, Nuit de NoŽl effectively does without distinct top notes, and delves right into an accord of vanilla, spices, orange blossom, soft, creamy woods, and a bit of iris. Time brings out a rose note with a touch of the peculiar yeasty quality I smell in certain live Gallica and Damask roses. The resulting olfactory arrangement suggests flowers and baked goods, which I suppose is consistent with the holiday theme.

I sense a distant kinship with Vol de Nuit here, but Nuit de NoŽl in its present form is a sweeter and simpler scent, with less prominent iris and without the edge contributed by the Guerlainís galbanum and herbal green notes. In stark contrast to so many contemporary scents, Nuit de NoŽl actually gains power, depth, and nuance in its drydown. Itís at its best three or four hours after itís applied, when a beguiling animalic musk warms the unctuous vanilla, amber, and sandalwood base notes. Happily, the drydown lasts for hours, with persistent sillage and a firm but unobtrusive presence.

Thereís been much talk of decline in Caronís feminine scents since Luca Turin and Tanya Sanchez savaged most of the collection, but Nuit de NoŽl still smells to me like a quality fragrance. Itís comfortable and versatile, with a development that belies its comparatively neutral opening. Try this if youíve enjoyed classic woody orientals like Vol de Nuit, LíHeure Bleue, or Bois des őles.
21st June, 2014 (last edited: 22nd June, 2014)
When I first exposed myself to this scent, it was in the form of the original parfum strength - and I never smelled a viler scent in my life. Take a tweed coat and a fur coat and throw them on a bonfire and then inhale deeply. The very worst thing I'd ever smelled that came out of a bottle.

The reformulation that is now available is a much toned down affair - this is now just a "very nice chypre," the sort of thing you would give a beginner to sniff and wear to introduce him or her to the chypre scent. Neither bad nor good, just acceptable.

I never understood how the original sold - or how it got that absurd name - Xmas Night should smell like pine, leather, vanilla, berries - not like a bonfire gone wrong.

22nd April, 2013
This is a review of the extrait.

I find it wonderful, a powdery chypre with a big shot of carnation and jasmine. The clove feels like an extension of the carnation, and the subtle woodiness (I would never have guessed it was supposed to be pine) feels like like a subtle woodiness that's part of the chypre structure.

Like many of the Caron extraits, Nuit De Noel has that specific temperamental quirk where the powder note is strong enough to knock out your nose almost instantly, so it's quite easy to put on too much and run around thinking you smell of lovely subtle flowers while unknowingly choking everyone around you with monumental sneezy powder sillage. I prefer to dab on a single drop. Then, the wonderful flowers and woody greens may be a bit more in the background, but the powdery old-school aldehydes give it a wonderful depth and I feel like I'm smelling the whole thing.
22nd December, 2012
There was a television commercial for make-up that aired when I was young. It tried to sell the viewer on the notion that nobody would even know you were wearing make-up! Not too bright, I took this to mean that make-up did nothing whatsoever. I thought if nobody notices, why wear it? To this day, Iíve never understood make-up.

Nuit de Noel strikes me similarly. It smells identifiably Ďperfumeyí yet on the level of perfume, it comes off as forcefully non-descript----intentionally under-recognizable. It is a soft chypre, soft like a seat-cushion filled with marshmallows. It doesnít evolve over time so much as it fades into the skin. Once on the skin, though, it doesnít disappear. It gives the impression of of something ostensibly hidden but easily found. Itís the person playing hide and seek who heads for the nearest tree, then hides behind it, peaking out often to see whatís happening.

Low wattage, low sillage, if you close your eyes, it might smell like either a tiny spritz of perfume or a whole lot of make-up. Great for a man if youíre willing to accept the implication.
30th November, 2012

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