Rarely can a perfume be so daringly flirtatious and yet as cool and tingling as Chanel No 19.but cool and tingling doesn't mean citrusy in this case.far from it.amidst florals.it's a paradox as it doesn't smell flowery either.in fact this novel formula doesn't recall any exciting smell in particular and we would be hard pressed to pigeonhole,it's that independent. Sophisticated,Rich,Cool,Confident,Classic;Impressive and Very French.
It's a little strong at first but the dry down reveals a soft,smooth woody with hints of moss and leather and a powdery floral overtone that emphasizes,fulfills the personality.it's the scent of a sassy,chic woman who knows her own mind comforting and evocative as well as classic and avant-garde.it's classic that manages to feel modern at the same time,and it's best suited for women of strength and character.a must try for floral green lovers.
Longevity?Superb on my skin.
I own a small amount of vintage juice from the 1980's. What a marvelous scent! As a dry chypre, it is quite suitable for a man to wear.
The signature green note of No. 19 is announced through galbanum, which adds a nice touch to the citrus opening. Among the floral notes, rose and iris are prominent, but all the florals are very attractive in the mix. Never sweet. Restrained and dry, with hints of wood. Very elegant and classy. Dry-down has lovely light musk, salty-minty moss and hints of leather. Yet I must stress that the scent is never heavy or dense, and wears very well through the day.
Chanel's last creation, with perfumer Henri Robert, was almost as big a hit as her iconic No. 5.
Robert, as Roja Dove tells us, tempered galbanum, bergamot and neroli with orris. The chypre base of sandalwood, oak moss, leather and musk, similar to Robert's nephew's Caleche, tempers the muguet, rose, jasmine and hyacinth.
Turin calls it a "green floral" and gives it four stars. He says it may be one of "the cruelest" of the hard scent motifs. He notes the "silvery hiss of its nail-polish-remover beginnings to its poisonously beautiful green-floral heart." "Haughty and immune to sweetness, with a somewhat antiseptic air…."
Barbara Herman notes its "diluted, earthy, vegetal transparency" with "incredibly subtle leather and woods." Appropriate for "the evil witch from Snow White."
One wonders why such an austere, cold, hard, unforgiving scent is praised by anyone, let alone the olfactory experts, and why it was a hit.
My impression was that of an effervescent dry leather, which disappears almost instantly, leaving nothing in its wake. An emperor's new clothes scent - praise is for Chanel, afraid to be found wanting in taste, to say, it's not very nice at all.
Top notes: Galbanum, Neroli, Bergamot, Hyacinth
Heart notes: Jasmine, Rose, Muguet, Orris
Base notes: Vetiver, Sandalwood, Leather, Musk, Oak Moss
I get a strong rose-dominated top note with galbanum, bergamot and floral notes, mainly hyacinth and a wtouch of lily-of-the-valley. Later ylang-ylang is added. This top is rich, intensive but not too cloying and well blended. Alas it collapsed on my skin after the first hour, giving way to a scent very close to my skin and has a touch of white musk with cedarwood. Initially good silage and projection with over three hours of longevity. Neutral but might be quite different on someone else. This review is for the most recent EdP version.
My citrus period is over. I realized that after countless efforts to find a deep hesperidic EdP to satisfy my taste, I had started to appreciate instead the depth of some perfumes labeled as green-woody-balsamic. I loved Charmes & Feuilles by the Different Company, and currently cherish Fille en aiguilles by Serge Lutens. So I started testing so called green perfumes and No. 19 was so often mentioned that I gave it a go yesterday at my local department store. I was blown away by its character and tenacity. At times I find it a bit too floral for my taste but it is so well made and of such a high quality ingredients that it is no wonder it has lasted the test of time so well. A must-try for perfume lovers.