A dry floral-fruity chypre, subtle and warm.
This is to my mind quite unisex, easily worn by both men and women, but only on a personal and intimate level. I agree with another Basenoter that this not suitable for the work place.
A much more successful version of Lutens' Feminite du Bois, created by the same perfumer (Pierre Bourdon), than the original or any of its flankers within the Lutens line.
A rarity in this modern world of thin scents, this is a fine throw back to a past world of rich, warm perfectly blended perfumes, more reminiscent of the 1940s than 1995, the year of its birth.
One of Dior's finest scents and very affordable.
My wife has used this as a day scent for work for years. I think I've purchased about 4 bottles over this time. She has just broken the seal on the latest. Very Feminine. Peaches, Cinnamon, Vanilla and the sweetest my girl has worn, thank goodness. Not a fan of sticky, sugar candy popular current. On her.
Chanel 5 and now Bois des Ilses are her faves current, however I will always associate this Dolce EDT with my Beau.
21st February, 2016 (last edited: 09th January, 2017)
If I had to describe Dolce Vita with one word it would be "golden". This is regardless of the bottle and packaging.
I have a strong connection with south eastern Europe. Dolce Vita manages to incorporate many naturally occurring from that part of the world very artistically. There are the aromatic wood notes, sweet fruit as well as spices. The result is quite abstract and not at all edible.
Ultimately, this may not be entirely high-brow, but not everything has to be. It is still much further away from being trivial. In fact when following up on several comparisons with Serge Lutens' FdB many people found it unworthy of that comparison, especially in its most recent edition.
I discovered the fragrance in 2007 and sadly didn't buy it until now. But I find it unchanged apart from a now relatively short life-span on the skin.
To me it's extremely beautiful, very unusual in the current boring climate, and definitely a happy scent.
I came onto this fragrance late, after it had been reformulated. Whatever it was before, and however it's dissed now, the wonderful thing about the current Dolce Vita is its bright sunny character. There are few that make me smile like this one. There are ones more complex, I suppose, more well-done, but not many with a happier personality. Worth a month of psychoanalysis.
The peach-apricot floral really comes out on my skin, with a golden yellow cordiality. Some background hay gives a warm outdoor languidness, that dryish note that speaks of hot sunshine. Combined with the voluptuous but not sugary fruit, it gives an air of the height of summer. This isn't a garden scent though, or a rustic one. No soil, no green leaves, thankfully no cliches of boring overdone wood or trite vanilla. This is that moment of sitting in the sunshine of an outdoor cafe, next to a large pot of blooming heliotrope, with it's sweet, charming character, eating a bowl of peach flambé with a friend - convivial, urbane and urban. It's golden open character brings to mind Theorema, though Dolce Vita is freer and less food-oriented. This one is more about the pleasure of food, that air of sophistication that speaks of the enjoyment of the good things in life, whatever that means to a person, but even more the enjoyment of life itself.
It has a warm heliotrope powdery drydown, mellowed by a touch of wood and a fuzz of vanilla. This one dodged three bullets. In the present moment of ubiquitous woody drydowns, vanilla, and sugary fruit, this incorporated all three but speaks of none of them, which was refreshing.
21st April, 2015 (last edited: 04th May, 2015)
Genre: Woody Oriental
In Perfumes: The Guide, Luca Turin tells us that Dolce Vita started life as one of Pierre Bourdon’s variations on his Féminité du Bois for Shiseido before he submitted the formula to Dior, and I smell no reason to disbelieve the account. Granted, Dolce Vita is a lot more “féminité” and a good deal les “bois” than the original, with more obvious floral notes and powder decorating the original’s core accord of cinnamon, fruit compote, and resinous cedar. Dolce Vita is sweeter, milder, and much less incisive in character than the Shiseido. Until the drydown, where the cedar and spices assert themselves more clearly, Dolce Vita hews closer to a conventional fruity-floral oriental style than to the paradoxically rich, yet transparent woody oriental nature of its predecessor. Given that both Féminité du Bois and Donna Karan’s related, but somewhat grittier Chaos are both back on the market now, I wouldn’t be inclined to chasing after the comparatively bland Dolce Vita.