I came onto this fragrance late, after it had been reformulated. Whatever it was before, and however it's dissed now, the wonderful thing about the current Dolce Vita is its bright sunny character. There are few that make me smile like this one. There are ones more complex, I suppose, more well-done, but not many with a happier personality. Worth a month of psychoanalysis.
The peach-apricot floral really comes out on my skin, with a golden yellow cordiality. Some background hay gives a warm outdoor languidness, that dryish note that speaks of hot sunshine. Combined with the voluptuous but not sugary fruit, it gives an air of the height of summer. This isn't a garden scent though, or a rustic one. No soil, no green leaves, thankfully no cliches of boring overdone wood or trite vanilla. This is that moment of sitting in the sunshine of an outdoor cafe, next to a large pot of blooming heliotrope, with it's sweet, charming character, eating a bowl of peach flambé with a friend - convivial, urbane and urban. It's golden open character brings to mind Theorema, though Dolce Vita is freer and less food-oriented. This one is more about the pleasure of food, that air of sophistication that speaks of the enjoyment of the good things in life, whatever that means to a person, but even more the enjoyment of life itself.
It has a warm heliotrope powdery drydown, mellowed by a touch of wood and a fuzz of vanilla. This one dodged three bullets. In the present moment of ubiquitous woody drydowns, vanilla, and sugary fruit, this incorporated all three but speaks of none of them, which was refreshing.
21st April, 2015 (last edited: 04th May, 2015)
Genre: Woody Oriental
In Perfumes: The Guide, Luca Turin tells us that Dolce Vita started life as one of Pierre Bourdon’s variations on his Féminité du Bois for Shiseido before he submitted the formula to Dior, and I smell no reason to disbelieve the account. Granted, Dolce Vita is a lot more “féminité” and a good deal les “bois” than the original, with more obvious floral notes and powder decorating the original’s core accord of cinnamon, fruit compote, and resinous cedar. Dolce Vita is sweeter, milder, and much less incisive in character than the Shiseido. Until the drydown, where the cedar and spices assert themselves more clearly, Dolce Vita hews closer to a conventional fruity-floral oriental style than to the paradoxically rich, yet transparent woody oriental nature of its predecessor. Given that both Féminité du Bois and Donna Karan’s related, but somewhat grittier Chaos are both back on the market now, I wouldn’t be inclined to chasing after the comparatively bland Dolce Vita.
Rarely is peach so beautifully represented as in this composition. The supporting cast was perfectly arranged to make the star shine that much brighter. I feel this might have been a friendly yet trite piece, had it not been for the cinnamon and sweet woody backdrop wonderfully amplifying the fruit's natural essence. It's very well constructed and super pleasant. Dolce Vita is a simple scent. If you like the idea of apri-peach over a bed of cinnamon, sandal, and white petals, this will delight you.
I fell in love with this scent when I was still at university. I still love it and wear it on special occasions. It has a feminine and light but still powerful demeanor. Not for the workplace, as it can be very distracting.
Most scent last on my skin for a very long time, about 10-12 hours.
My other half finds it "acidy" the first couple of hours.
A very classy and joyful aroma! Sweet cinnamon, a concoction of peaches and abricots plus a hint of cardamom. Extremely lady-like, perfect for evenings, deep passion in a bottle! :)
Floral cinnamon 3/5 stars
It is really the magnolia that initially stands out on my skin, with a peach note following. In the drydown a somewhat synthetic cinnamon appears, and later heliotropes with vanilla dominate the base, but not cloying. Overall subtle with limited silage and projection, and about three hours of longevity. A lighter Dior.