Après L'ondée (1906)
    by Guerlain




    Average Rating: 4

    Based on 404 ratings
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    Après L'ondée Fragrance Notes

    Après L'ondée information

    This floral-powdery scent was designed to recall the joys of a walk in the country, the sunshine after the rain, and walking barefoot through wet grass.

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    $108.40*
    100ml EdT
    (*converted from GBP 69.30)
    $103.23*
    100ml EdT
    (*converted from GBP 66.00)

    Reviews of Après L'ondée


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    Showing 1 to 6 of 71 reviews.

    rbaker's avatar



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    I tried the perfume first and then the EdT and I like both:

    On my skin the anise and the citrus component form a great and harmonious dyad, which very soon is transformed into a delicious floral drydown with jasmine and a light summery rose in the foreground. Later a very delightful hawthorn emerges, light and happy, like an even lighter and brighter version of Creed's Aubepine Acacia without the wood. In the base a touch of tonka is added, but this scent never develops any sweetness outside that of the natural fragrance of a wet field of lowers après l'ondée - rarely has such an evocative name be more suited to the fragrance it represents.

    Overall this is mainly a wonderfully composed and exquisitely blended floral scent, a whisper of natural elegance and floral beauty, and really nothing more that floral - that is enough for me. It is a fragile and ephemeral fragrance, with soft sillage and poor projection on me, and an overall longevity of three hours on my skin (perfume - an hour less for the EdT). The performance of this natural beauty is more that of an Eau de Cologne needed frequent reapplication; it is ideal where a discrete scent is required like the office.

    A simple, paradigmatic classical floral creation. 4.25/5.

    16th December, 2014

    ClassicFan's avatar

    Canada Canada

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    It begins with a powdery iris and anise with some floral. If the rose is there it’s very much in the background. The violet appears but the sweetness is subdued by the powdery iris note. It’s very understated compared to Bois de Violette and stays close to the skin but blooms out beautifully in the dry down. It’s like Habit Rouge was mated with Green Irish Tweed and all the wood and leather was removed. The sillage is okay and longevity typical of Guerlain. It’s like a powdery violet (GIT style) after the rain and definitely smells old like Habit Rouge or Acqua di Parma because of the iris and possibly the Hawthorn. It's does have the effect of sending you back in time 100 years.

    23rd November, 2014

    kingofengland's avatar



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    I recently compared the Eau de Toilette with the perfume, no longer available due to regulatory restrictions. My nose is not the most sensitive in the business but my impression is that the special dewy freshness has been successfully captured and preserved - possibly even enhanced, in the E de T. There is an excellent review of the reformulation challenge on MonsieurGuerlain by a knowledgeable expert who laments the loss of the richness of the original. However the rather heavy sweet basenote which characterises many perfumes of this era is no great loss it seems to me. The only problem I have is that since learning the fragrance contains anisic aldehyde and realising the implications in terms of a kinship with Faberge's Brut, I cannot help thinking of Brut whenever I now smell Apres l'Ondee.

    24th September, 2014

    Infini's avatar

    Wales Wales

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    I would like to be able to give Apres L'ondee a thumbs up: I love it as it comes out of the bottle, when it smells of beautifully powdery and slightly peppery violets, with quite a hint of L'Heure Bleue. Unfortunately it quickly turns into a very nondescript white floral, with a strange, almost oily note. If only this change didn't take place, Apres L'ondee would be one of my favourite perfumes (Shalimar does similarly odd things on my skin too). I'm afraid I'll have to give Apres L'ondee a neutral

    10th August, 2014

    Colin Maillard's avatar

    Italy Italy

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    Not much to explain or emphasize about Après L'ondée, but here's my take on this beautiful piece of culture and history. The opening is already pure classic sumptuosity, here declined in a cozier, fresher and more sheer way. Green, botanical and vibrant, neoclassic and sinister, shady but radiant. The notes span from diverse floral nuances (the powderiness of iris, the animalic earthiness of carnation, the romantic juiciness of rose, the "pollen" yellowness of mimosa) to a resinous-almondy accord of tonka, amber and benzoin, to citrus hints, herbs and woods. A manual of gracefulness - describing the notes is not really enough to deliver the beauty of this perfume. Classic, but completely modern, even more than other classic scents, thanks to this cozy, intimate, melancholic but also bright sort of transparency and lightness. Like a sort of "prehistoric" attempt to accomplish a rendition of the concept of sea (as the name suggest), just in a more poetical and romantic way, playing with the colours, the brightness and daintiness of certain notes. Needless to say that every bit of Apres l'ondée exudes also class, sophisticacy, evanescent and graceful sensuality. The longevity is in fact not that long, although the drydown, despite being close to skin, is incredibly beautiful and graceful, perfectly fitting the general mood of closeness and melancholic intimacy. Timeless!

    9/10

    09th August, 2014

    Way Off Scenter's avatar

    United States United States

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    Genre: Floral Oriental

    The anise and violet opening of Après l'Ondée is a thing of simple beauty: faintly melancholy, wistful, yet paradoxically bright and transparent. The composition soon turns very powdery, and with that more conventional and "perfumey." This is the stage at which my wife says Aprés l'Ondée smells like her mother, though not in a bad way. The scent never gets too heavy, and a light, clean musk and vanilla show themselves in the delicate drydown.

    The whole olfactory experience vividly evokes another time and place: sophisticated, civilized, and ever so slightly ironic. Perhaps a certain age in Paris, or old Vienna just before its empire fell. I can see how it might not appeal to many modern women, but Après l'Ondée is a monument to classical perfumery.

    08th June, 2014

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