Arpège (1927)
    by Lanvin




    Average Rating: 4

    Based on 333 ratings
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    Arpège Fragrance Notes

    Arpège information

    Arpège is a women's fragrance by Lanvin. The scent was launched in 1927 and the bottle was designed by Armand-Albert Rateau

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    Reviews of Arpège


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    Showing 1 to 6 of 66 reviews.

    JackTwist's avatar

    United States United States

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    Way Off Scenter puts it perfectly: "Poor Arpège. As a dark, weighty, floral chypre, it belongs to a fragrance genre now so out of fashion as to be positively gauche. It lands on the skin potent and massive, arriving quickly at its central structure of a thick, rose-dominated floral accord and deep spices (the pyramid lists coriander, I smell cinnamon and nutmeg,) over an intense, earthy chypre. To contemporary sensibilities this sort of composition is liable to smell ponderous, “perfumey,” and hopelessly dated…"

    Although that reviewer goes on to praise it as does almost everyone on this page, I must be the first and so far only dissenter.

    I found it to be harshly tweedy with dry, heavy florals, most unpleasant and sharp. This is the way perfume should not smell. Yet, its popularity for almost 90 years and its iconic advertising slogan "Promise her anything, but give her Arpege" puts me in the obvious minority on this one.

    My scent pyramid on Arpege is more extensive than the one above:

    Top notes: Bergamot, Peach, Neroli, Honeysuckle, Iris, Muguet, Musk
    Middle notes: Rose, Jasmine, Ylang, Coriander, Mimosa, Tuberose, Violet, Geranium,
    Genet, Iris, Camellia
    Base notes: Sandalwood, Vetiver, Patchouli, Vanilla, Benzoin, Ambergris

    No wonder it smells dense, it has practically every note of its day in it.

    Turin gives it four stars and calls it a "unisex classic."

    It repels me, but no doubt it is due to my own scent profile, not that of the world at large.



    08th October, 2014

    acelightning's avatar



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    This was the very first scent I ever wore on a regular basis - my voice teacher brought me back a little vial from France when I was 13! But that was the original formulation, back in 1961. I wore it as my "signature" fragrance until it suddenly became almost impossible to buy in the US - sometime in the 1990s, I think. (I switched to Lancome's Magie Noir, but that's another story.)

    When I went looking for a new "signature" fragrance last year, I tried something that came in a familiar bottle labeled "Arpege". Alas, it wasn't at all what I remembered, and it smelled terrible on me. Why did they do that?

    14th September, 2014

    ckmia's avatar



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    On me, this smells like a baby diaper if that baby ate nothing but jasmine. And yet I love it.

    It goes fecal on me in the best possible way, dry, thick, indole, raspy, cold and dressy. It smells so vintage to me that it comes across as modern.

    This could be said of Fracas as well, but on me Fracas is a screeching, needy, diva, attention-whore. Arpege, with its similarity to First by VC&A is more refined, confident and romantic.

    It makes me feel rich.

    29th August, 2014

    Way Off Scenter's avatar

    United States United States

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    Genre: Floral

    Poor Arpège. As a dark, weighty, floral chypre, it belongs to a fragrance genre now so out of fashion as to be positively gauche. It lands on the skin potent and massive, arriving quickly at its central structure of a thick, rose-dominated floral accord and deep spices (the pyramid lists coriander, I smell cinnamon and nutmeg,) over an intense, earthy chypre. To contemporary sensibilities this sort of composition is liable to smell ponderous, “perfumey,” and hopelessly dated, but it’s really a better scent than that, and deserves to be judged on its own terms.

    Even when met with an open mind, Arpège has a conspicuously awkward episode in its early development. Not long after application the floral accord mounts an enormous crescendo, during which an unfortunate combination of waxy aldehydes and a crudely artificial rose note makes for an embarrassingly crass, dowdy impression, the olfactory equivalent of Edna Turnblad answering the door in her housecoat. (I’m talking the Divine version here, not the scrubbed and sanitized John Travolta.) Then, somewhere between a half an hour and an hour’s air time, a sweet, smooth amber settles in to bind the ingredients and tilt the composition into balance. What remains is an appealingly spicy and somewhat sweet oriental-tinged chypre, that while still bulky and opaque, nevertheless manages a staid brand of poise and grace in motion.

    The remainder of Arpège’s stay is very pleasant, especially once the ambery, mossy drydown sets in. In fact, the drydown exudes such elegance and understatement that the earlier clumsiness is forgiven, if not entirely forgotten. For those tolerant of its anachronistic style and patient enough to experience Arpège in its entirety, this grand old survivor offers some tempting pleasures.

    08th June, 2014

    2nosedtwin's avatar

    Netherlands Netherlands

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    Lanvin – Arpege(pre-formulation)
    A clean and tight perfume with a 'classic' structure that’s floating by like the Titanic on open sea - majestic and gracious. It got a compressed and concentrated feel about its aromatics with a great balance between flavour-efficiency and airy-expression; accelerating slowly with a smooth, trapless transmission from top, to mid and base. Very fresh and full flowery-flavored with the main-stage being taken by tuberose, beautifully accompanied by an orchestra of the other flowers, glowing and pulsating their flowery notes, dressing up the tuberose. It floats on a resinous-creamy sandalwood/patchouli/vanilla-base with powdery-iris and greeny notes: which already projects its light and warmth in this perfumes’ early start. Arpege is an incredible harmonious and very smooth blended perfume with a powerful, yet very elegant flow to it - never hurried, always in a constant pace that shows grace and dignity, wrapped in a mystical mist of knowing where its heading. A poetic masterpiece with no weak points and due to exquisite blending far more ‘easy’ smelling than how complex Arpege in reality is.

    26th May, 2014

    Midnight_lulu's avatar

    United States United States

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    This rich, resinous, warm glow of a fragrance, is like the olfactory interpretation of a black, velvet cocktail dress. It's a theatrical, grande dame of a fragrance, with memorable personality, while not being shrieking and era-bound. It has the distinct, signature factor of a 1980's scent, like "Poison", with the reserved, whispering softness of a hotel soap from 1933 and the flamboyant, celebratory feel of the 20's scent that it is.

    To me, the name "Arpege" couldn't be more perfect for this crackling fireside of a blend. It smells of beautiful places and joyful, social events. It smells like the dry, aged wood interior of a piano, with its polished keys. It salty-dry, yet soapy powdery scent of styrax, feels like a clean woman, dressed in a cedar-stored velvet gown or dress, warming a little, under hot lights. The creamy florals smell like the best, hard-milled, cold cream based soap. The shadowy -- almost murky -- textured greens, like herbally vetiver, evoke the feeling of standing on a veranda, looking out to the moonlit garden and grove of trees (with hidden benches, for snuggling lovers!) below. The dry, smooth, crumbly resin base notes, reminds me of the polished, sweet smell of violin rosin.

    While "Arpege" contains some truly lovely, apricot-creamy florals, it's really a scent for those who love woods, resins and shimmering aldehydes. It's similar to "Mitsouko", in that it has a mossy, layered undertone of greens, herbs and tonic but where "Mitsouko" feels more like a bouquet of greens, ferns and incense, "Arpege" is mostly just sweet woods, shimmery, metallic florals and bitter incense.

    That lovely, slightly bitter, dry bite is why I would settle on classifying "Arpege" as the quintessential "Oriental", while the wet, earthy mossiness of "Mitsouko" sets that squarely as "Chypre". Both have a similar heft and a romantic, otherworldy presence and feel curated, like a trunk of World travels but "Mitsouko" is sleek cat, mystery, while "Arpege" is glamour -- with a kick of sweetness. "Mitsouko" is Louise Brooks in "Prix de Beaute", while "Arpege" is Janet Gaynor in "A Star is Born".

    31st March, 2014

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