Phileas (1984)
    by Nina Ricci






    Reviews of Phileas


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    Showing 1 to 6 of 16 reviews.
    positive 15 Positive Reviewsneutral No Neutral Reviews • negative 1 Negative Reviews

    rbaker's avatar
    rbaker


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    Complexity with a fougère development

    The top notes are citrus with bergamot, herbal green notes, and the bitterness of juniper berries, all drowned in large doses of aldehydes. Still, is is a very good mix. The drydown becomes first class: carnation, patchouli, vetiver and pine, a classic middle phase. That merges into a base with amber and some tobacco, but the most predominant feature of the second half is a classic, intense oakmoss - delicious! The quality of the components is exceptional, the blending superb, silage and projection very good, and the longevity is stellar - over ten hours. One of Nina Ricci's best!

    12 August, 2013

    Andrè Moreau's avatar
    Andrè Moreau
    Italy Italy

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    A true masterpiece. An aromatic scent that evolves through the hours, showing a different vibe each time. two thumbs up aren't enough.

    02 April, 2013

    Late-Hit's avatar
    Late-Hit
    United States United States

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    Yum! The previous reviewers have captured the 'essence' of Phileas quite well, and so I can't add much except this:

    The only currently available fragrance that immediately came to mind when I smelled it the first time was Wrappings by Clinique... although it certainly resembled a few others upon reflection.

    Something to add to your collection, if you can find it.

    29 January, 2013

    Naed_Nitram's avatar
    Naed_Nitram


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    Reticent , delicate, serene, and slightly mysterious, Phileas might seem to give the lie to the belief that a fragrance with celery as a dominant theme could ever be a thing of beauty. Fragile and misty, it seems to somehow combine the impression of dew on a leaf in a kitchen garden with the aroma of some bare and exquisite ballroom which has just been freshly cleaned - delicate oudoor smells of early morning mingled with the smells of highly civilized interiors. The later developments of Phileas continue in the same vein but with a gradually stealing warmth. Too generous spraying can give a slightly animalic tinge to these later stages. Phileas does have something in common with dry herbal fragrances like Yatagan and Sud Est but it is altogether more refined and sophisticated. I also see the partial affinity with Oscar Pour Lui mentioned by the estimable PigeonMurderer's review.

    22 March, 2012

    Zut's avatar
    Zut


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    I still have the miniature they gave me as a sample in Paris the day it was launched. Althought I did not like this fragrance at first, it grew on me rather fast. In a way, Philéas reminds me of Yatagan by Caron. They share the pine needles, vetiver, patchouli and leather notes and both of them have that phantom celery note that is not mentioned in either olfactive pyramid. Although I love Philéas, I can understand why it did not catch on. This is certainly not an easy fragrance to wear. However, those who can wear it well will most definitely make heads turn.

    18 January, 2012

    alfarom's avatar
    alfarom
    Italy Italy

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    This is a rare gem! A sadly discontinued fragrance of immense beauty. Phileas is quite a complex composition that opens with a considerable amount of aldehydes, citruses and juniper for an overall effect that is at the same time stark, freshly-green and almost powdery/soapy. Patchouli rapidly makes its appearance joined by other spices (a light cinnamon), coniferous notes, leather and tobacco. In this phase Phileas reaches its peak of beauty with its perfect balance between the classic powerhouse style and an incredibly sophisticated elegance. In the drydown I get a lot of resinous notes (labdanum), pine (again), and a subtle cedarwood laying on a slightly metallic amber. Compelling and unique.



    This is a very hard to find fragrance, so if you're lucky enough to find it, don't miss the chance to get it. Complex and definitely overlooked.

    A masterpiece.

    06 May, 2011 (Last Edited: 14 February, 2012)

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