R de Capucci (1986)
by Roberto Capucci

Not going to give a "wordy" review due to some very accurate reviews here already. Suffice to say, I love this scent on my husband! It brings out my more amorous side...and it lasts for hours! (The scent, that is.) ;) I'll even wear it on occasion.

6th June, 2011.

It is difficult to find any real beauty within R de Capucci, but I do admire its deft use of ingredients. Despite the presence of lemon and bergamot in the opening, it is not a refreshing phase, more a dense accord incorporating the greener elements. It is a very assured and confident beginning, rich, deep and creating something spare and efficient. As it develops, it feels as if the notes are closely calibrated, ensuring everything remains tight and contained. There are no big shifts leading into the heart notes, just subtle changes of emphasis. It retains its dark green presence, and it almost acquires a liquorice quality during this middle phase. Where RdC really begins to get my attention is in the drydown, as it is here that the fragrance become more expansive and receptive to other influences. Much less tight than before, there is just sufficient softness from the amber and tonka to render the leather free from any harshness. The moss and leather blend has been very competently done, and the resulting balance and harmony is impressive.

The sillage and longevity are more than acceptable, and it never really ceases to exude a sense of austerity and efficiency. It is not decorative or expressive, more a temperate dark green presence that ensures that the wearer exudes a sense that they are not trying too hard. I like that once in a while

22nd March, 2011.

The dryness of the lavender and citrus on top of R de Capucci has promise, but my early-stage complaint is that it doesn't hold. After five minutes, the bracing and dessicated aromatics give way to a sweet powder and soft sandalwood, with the barest hint of moistureless greenery on the periphery. Some say the powder is tempered by the greens; I find the soft, woody heart too overpowering. This is the definition of "perfumey" to me, albeit a pleasant scent. If I want stark lavender that slips into softness, I'll just use Pour un Homme de Caron. The lavender is much better rendered, and the vanilla musk closing is far classier. Meanwhile, R de Capucci has appeal for being faultless, obscure, and classically composed. I guess it's good for the office, but frankly I think you run the risk of being labeled "cologne guy" by your coworkers.

7th January, 2011.

I discovered this scent in Philadelphia in 1987 and have worn it since. It became my signature scent and in that time many were intrigued by and complimentary of the scent, but none could every place it. I true masterpiece and mark of the genius Capucci!!!

I used to be able to order 5-6 bottles of the splash and 1 or 2 of the spray online at a time, but now it is very difficult to find, except for the spray. Needless to say, I am very disappointed.

If anyone out there has run across the original R DE CAPUCCI splash (not the knock-off), please send me a notice of where.

Thanks

3rd October, 2010.

What's not to like? It's a lemony lavender turning to a leathery amber. Like others, this one reminds me of something...in my case it reminds me of New York, PdN. This somehow has more clarity...it's less muddled and is slightly more masc. I find New York more whatevergender. A good solid any day (seems very affordable) classy choice. Not operatic in any way.

28th May, 2010.

I know nothing about this house. Received a sample of this and was enchanted from the first dab from the vial. Though it came out in the 80s, it seems to occupy a landscape all its own. While RdC contains a lot those big 80s notes (oak moss, leather, patchouli, aldehydes), it never feels dated as it hides its age well.

The opening has a tremendous green note of unknown origins; it’s certainly not a green grass or leaf note. Could it be the aldehydes at work? I ponder these mysteries when my mind drifts. The middle is a bouquet of roses, carnations, and jasmine. This floral blend is elegant, nuanced and subtle. The base is anchored by a big yet relaxed oak moss with touches of leather and patchouli. This could’ve ended up in a disaster on the proverbial disco-dancefloor, but instead it is light (and good) enough to sweep that lady off her feet in the office lunchroom. Wear it and feel its elegant aura. Oh yeah, it’s cheap and Oliver Creed wishes he created it.

28th January, 2010.