The opening is quite unique: A well-made combination of lemon citrus with a lovely oakmoss - beautiful. The oakmoss over also different: not at all harsh or sharp, unusually mild and soft. Later on in the drydown a pleasant white musk is added, and the citrus recedes after the first hour.
Unexpectedly, the citrus reappears after another hour or so, albeit in an attenuated intensity, but at that stage the whole scent is very close to my skin and remain so until the end.
I get fairly soft sillage, adequate projection and five hours of longevity on my skin. The quality of the ingredients is marvelous.
The initial impression is very convincing in its simplicity, and this is a great, discrete summery office scent for those who do not like oakmoss in its classic and more forceful variety. 3.5/5
A most unusual creation. It begins with a sharp, dry burst of camphor, followed by a marriage of citrus rind and root vetiver, strands weaving around each other, bolstering each other up, floating in space to form a fragrant cloud. A friend notes a combination of coriander and mint, which would explain the camphor note.
Turin gave it four stars and honored it by placing it midway between the classic Guerlain and Carven vetivers.
The drydown removes the sharpness and dryness, leaving a warm, green root vetiver with softer citrus notes. A very nice addition to the vetiver family.
For better or worse, Racine is one of the more conventional scents to come out of this house. It is a polite vetiver, spiked with citrus and resting on a base of mellow woods. This makes it ideal for office wear, but if you're looking for a more aggressive and original take on vetiver you'll have to try Route du Vetiver, Etro's Vetiver, or Frederic Malle's Vetiver Extraordinaire.
A nice scent indeed. The opening is fresh and pleasant, mostly pungent spicy lemon, with a slight camphor feel at the base (some linalool feeling like in many insecticides), on a really nice, dense and quite dark base, with mossy/earthy and sweet/mellow notes of, respectively, oak moss and sandalwood (the same exact sandal note you get - enriched and amplified - in Santal Noble). And, of course, vetiver: great, thick, tasty vetiver. With a bit of white musks perhaps – something soft and mellow. So basically the axe is citrus-vetiver-oakmoss-sandalwood. A bit retrò, but not that usual, as many "eau de colognes" tend to me more classic and light, avoiding this oakmoss/wood dark, organic and earthy vibe. With some floral notes also, so it's quite domesticated and elegant - earthy, but not "raw". This composition reminded me a lot of some Parfum d'Empire fragrances, or better, the way round – probably MPeG is one of the ispirations of Msr. Corticchiato. An elegant personality with a vibrant natural twist. The drydown has a persistent citral/verbena note which I don't enjoy much, but apart from that, it's really nice.
After sampling my way through a ton of MPG's, this is definitely one of my favorites, but I'm a sucker for vetiver.
From the very top, that chypre smell is evident, especially a slightly fusty old-fashioned bergamot. But the star is definitely the vetiver. There's a fusion of lemon and ginger that smells like sparkling 7Up at first, but after an hour or so, it's all about the vetiver, insistent and green and peppery and flanked with a toasted almond smell that I really enjoyed. A rather dark geranium slowly slipped in and grew in prominence until the base, which was a rather dark mix of patchouli and geranium over mossy chypre elements, with the vetiver still humming along in its new, darker surroundings.
All in all, a very good traditional vetiver. It's weird - there are so many of these that even when I really like one, it's hard to get excited about it. Seriously, there are a lot of these and they're all really good - I could go broke buying all the vetivers that I like. Definitely a thumbs up, but without something to really set it apart (like Encre Noire's smoke or Le Labo's filthy animalics), I don't feel like I have much use for a whole bottle.