For those who have a perfect sense of perfumes classic leather, considering the price this one can be considered an outstanding choice. when this kind of scents had a top position among older men.so it is natural novice persons who don't have sense the essence of this scents and no understanding of past masterpieces,excited to see new leathery perfumes and for them to be considered a masterpiece for example Potion Royal Black. for me this one is nostalgia in a bottle as it reminds me my father who he is a unique gentleman. Deep,Bitter,Woody,Earthy, Extremely Luxurious and Powerfully Recognizable.
This absolutely classic men's fragrance makes a strong initial impression due asurprising greenness of lavender,bergamot,basil and green notes that leads the scent to an extreme bitterness elegancy in the heart of dark and deep rose,spice,artemisia, cloves and cedar.last note:the power of darkness underlining a sensual masculine trail of classic leather, sandalwood,oak moss, musk,labdanum and vetiver.this unforgettable scent exudes impeccable style and fearless for a real GENTLEMAN just like MY FATHER.i really love the dry down.this is perfect for formal occasions in cold weather.
Longevity?Great on my skin.
Van Cleef & Arpels pour Homme is a fantastic leather fragrance with timeless feel and appeal. Like many fragrances from its era, VCA pH has a cacophonous array of notes and needs a few wearings to have the merest grasp about its depth and facets. It opens up on the skin with a beautiful dark green spicy soapy vibe with leather and deep woods lurking underneath; there is the citrus and the lavender, but completely overshadowed by this central green, dark spicy vibe. This opening in itself is cerebral, and arresting like few others. Then the green vibe subsides a bit. The fragrance moves into its heart phase. A dark, brooding masculine rose note presents itself, with the leather and the woods now more prominent. This rose note is almost a mystery- it takes at least 10 wearings to feel it. But once discovered, it is there every time. The fragrance is now a glorious cornucopia of leather, woods, spices and florals while simultaneously retaining its vague soapy theme. It is deep, dark, unmistakably masculine, and even brooding. The projection is good at first and then dies down, but the fragrance has great longevity. Even as the hours grow weary, its aura is perceived in the air around the skin.
Van Cleef & Arpels pour Homme’s conventional bergamot and lavender top notes are deceptively subtle given the power this scent unleashes after a half an hour on the skin. By that point Van Cleef & Arpels pour Homme has arrayed cedar, leather, patchouli, and vetiver atop a dry mossy wood foundation. It’s the vetiver and patchouli that dominate for some time, placing Van Cleef & Arpels pour Homme firmly within the realm of “gentleman’s club” scents, epitomized by “Vintage” Tabarome, and also occupied by Macassar, Baladin, and Équipage.
This whole style is unfashionable right now, but even so, I don’t think Van Cleef & Arpels pour Homme represents the best its genre has to offer. Scents like Jules and Lauder for Men exhibit a similar gravity, but with more conspicuous animalic accents that make them less staid and stodgy. In its favor, I can say of Van Cleef & Arpels pour Homme that it avoids the belching, buttcrack-showing crudeness of Macassar. On the other hand, it really is more than a little dull. As it ages, Van Cleef & Arpels pour Homme bounces back and forth indecisively between leather chypre and heavy fougère, before settling into a comfortable, but hardly distinctive, moss, cedar, and patchouli drydown. OK, I suppose, but no match for the finest in its class.
To me VC&A PH is elegant and sophisticated, it sort of conveys a certain 'savoir vivre'.
It's a classic dark scent with a very appealing 'Old World' aristocratic feel. A bastion of a certain way of life.
It's a beatiful rich, dark classic gentleman's scent that I love to wear.
In short it's the Château Lafite of the world of gentleman's fragrances.
I remember once trying an experiment in 'persistence of vision'. You stare at a flag like a tricoleur, or a union jack, or the stars and stripes, for about two minutes without moving, and then turn and look a t a blank white wall. On the wall, you see the flag, but with all the colours and tone values reversed, like a negative.
I think the same phenomenon is at play here, in the olfactory sense. As the fragrance evolves, the disappearing first wave leaves behind it a perceived negative. This negative seems to work well as an accompaniment to the emerging bitumen and charcoal of the base. This fools you into thinking you smell good.
However, try this: spray it on something in the room. Leave the house for the day, and come back several hours later. Sparing yourself thus the olfactory fatigue and 'persistense' effect, you walk into the developed fragrance unmitigated.
Old peoples's homes. Decay. Cough syrup. Dandylion and Burdock cordial. Wizened academic with elbow-pads. Smoker's curtains. A mantelpiece with a plastic quartz carriage clock beside photographs of cats. Coffee-and-cream slacks and cardigan. Mothballs. Post office. The man who collects the twist ties from loaves of bread, because they might be useful one day.
To smell yourself as others smell you.