Notes: roman chamomile, cistus oil, elemi, incense, vanilla, patchouli, palisander, ambrette seeds.
Avignon opens almost as grandiose in stature as the Palasi des Papes of Avignon itself; weaving a whimsical and evocative tapestry of dark smoldering warmth of Gothic-cathedral proportions, attributed to a vividly accurate star accord of smokey ash laden frankincense and myrrh.
With the image of warm sunlight shining through the colorful mosaic glass and those childhood memories of Sunday mass conjured and in full swing, comes the scents swirling and unraveling progressive stage of the opening; akin to the smoke emanating from a swaying thurible of the priest making his way from the vestry. This phase is by far my favorite, as it’s when Avignon’s wonderfully challenging burning and glowing resin is presented in its full glory.
Bertrand Duchaufour cleverly avoids pushing the boundaries to levels of burning and jagged austerity and realism, by taming and softening the edges with a bone dry vanilla and an enchanting and comforting Roman chamomile, which plays its role in setting forth a peaceful and meditative state; leaving a trail of dusty sweetness soothing out the bitter in a manner in which only lavender or chamomile can do.
This crucial step in the blending never creates a dichotomy of contradicting and conflicting elements, but rather strikes that meticulously inventive contrasting (yet harmonious) state, where the stark dry boldness of the heated ash is tempered and complemented with it’s polar opposite of light and warmth (a zesty elemi/vanilla/chamomile) which is key for the scents wearability in my opinion. Avignon remains very linear on my skin for the most part, with iso-e-super playing its role in imparting a rich velvety prominent texture and volume giving the incense accords a much needed lift in carrying the concept through to the very end.
After spending a portion of my childhood in a quaint little Catholic town in Southern Italy called Martina Franca, I became quite accustomed early on to the rich and enigmatic aroma of freshly burnt incense, which naturally was common place in the charming town. Although I’m not Catholic myself and have no religious affinities to the scent, I’m definitely partial to the smell of incense and Avignon is immensely enjoyable and evokes those fond childhood memories in spades.
In closing, I must confess. I really do love this one a lot, highly recommended! Finally I’ll add that after sampling the entire Incense series 3 line up, I can unequivocally attest that this one is the stand out and definitely up there with Zagorsk as having the best longevity and silage in the series.
I had picked the perfect day to review this scent...clod front moving in, chilly winds and grey skies. The fragrance itself is wonderful! With my limited experience in patchoulis, I found Avignon to be exactly as I expected. Not the nag champa smell from college, but a refined church-like accord. The sad disappointment came with the short longevity and minimal sillage. For me, it is a skin scent, and one I have to reapply after 3-4 hours. For these reasons, I cannot give it a thumbs up.
I haven't been in a church before so I don't know how they smell like but if church truly smell like this, I believe I've found my new goal in life. becoming a father! :D
This is a great classic with adding a little bit more dark flavor comparing to the usual classic fragrances.
The opening is a semi fresh, clean and kind of soft soapy aldehydic scent with great support of smoky incense, some resins and a little bit of sweetness in the background. very good balance between light and dark side.
While the opening is really good, the mid is even better and actually I love the mid.
In the mid the semi fresh and aldehydic scent settled down and incense and resinous myrrh notes became stronger. I can feel a soft powdery feeling in the background as well that gives the scent a very elegant and classy feel.
The mid is smoky, resinous and oily, slightly powdery with kick of mellow aldehydic smell in a smooth way that all together creating a beautiful and so elegant classic scent.
The base is a simple semi sweet smell with some smokiness in the background.
Projection is above average and longevity is around 4-5 hours on my skin.
Genre: Woody Oriental
This locus classicus of incense-based perfumery deserves every compliment it's gotten in the earlier reviews. Avignon doesn't bother much with the traditional top notes. Instead, it launches right into deep, smoky, incense that's infused with dried fruit, bitter citrus zest, and spices - perhaps nutmeg, mace, or cinnamon. Over the course of an hour the fruit, citrus, and spices gradually retreat, leaving in their wake a very dry frankincense-rich incense accord. At this stage, Avignon is rarified, transparent, and somehow distant, yet also very profound. The heart has a spiritual quality that vividly evokes the silent, cool interior of an ancient cathedral. Avignon remains in this groove for a long time before it starts to dry down into a faintly vanilla seasoned myrrh and cedar accord.
This scent is potent and long lasting, with plenty of sillage, and mercifully avoids the harsh synthetic tone that marks some of Comme des Garçon's more outré fragrances. It's not my favorite incense scent - that would be Dia for Men or Dzongkha - but it's certainly a great one.
The pine scent I always looked for. The comparisons to religious things really bore me as I don't get that (yes I've been to church and mass before). Very strong out the gate..also on the expensive side and hard to find in the US (just Lucky Scent). Morrissey wears/wore this so good enough for me!
Oh, yes, yes. Yes, I want to smell like this. Avignon has become my new favorite.
It vaguely (just for a moment) reminds me of Guerlain's Aqua Allegoria: Winter Delice, which has been my previous favorite. (I think it's the myrrh/resins I'm fixating on and loving.) And I still love Winter Delice with all my heart. But mmmmm, the incense in this -- and the fact that Avignon is in production! -- means that Avignon wins out.
And it really does remind me of Easter mass...
Maybe not "wearable" for all people, since not everyone would care to smell like a church, but I do.