
*Philosykos* starts of with a vegetal leafy greenness that is persistently but unobtrusively astringent and that captures better the complexity and totality of the fig tree's various scent possibilities--fruit, wood, and leaves--than any of the other fig fragrance on the market. While many fig-based fragrances can often seem leaden, the figginess of *Philosykos* is, from start to finish, handled with such aplomb, with such a lightness of touch that one marvels at how it simultaneously manages to remain fully present yet understated. The only other master perfumer who does this consistently with ingredients is Jean-Claude Ellena--I am thinking especially of the vetiver note in his Vétiver Tonka--and, yes, Olivia Giacobetti was already, IMO, when she created *Philosykos* at the age of twenty three a master perfumer. It’s remarkable to consider that just two years earlier, at the age of twenty one, she had created another marvel, the first truly fig-based fragrance, L’Artisan Parfumeur’s *Premier Figuier*, her first major fragrance if I’m not mistaken.
As the initial top notes of *Philosykos* dry out, the middle notes reveal a fig accord that is rounded off with a hint of creaminess that some have a called a “coconut” note. While there’s certainly no coconut oil present in *Philosykos*--it smell nothing like those highly aromatic sun tanning lotions loaded with “coconut” fragrance--“coconut” is a good descriptor of this particular type of creaminess which functions in *Philosykos* to keep the leafy astringency in check. Early into the middle note phase of the drydown, there also appears what some have called a “peach note”, though I tend to experience it more as a nectarine note, which, like the coconut note, functions to keep the leafy astringency in check but also keeps the fig note buoyant and stops it from becoming leaden and oily as tends to happen in many less deftly handled fig-based fragrances.
Well into the drydown, the astringent vegetal figginess begins to abate and is replaced by a basenote accord that’s light and sunny, musky and figgy at the same time, but it’s a muskiness that's not really derived from any animal musk; it's more of a non-animalic white musk, but even that’s not a sufficient description; it’s not really a white musk. One might even go so far as to say that it’s more of a fully mellowed out figgy lavender note, without any of lavender’s sharpness present; that is, it smells only like the memory of a beautiful fully mellowed-out lavender note with traces of fig. I am thinking, here, especially of the way D’Orsay’s *Arome 3* lavender note mellows out to become something more than just the aromatic sharpness of the initial lavender. *Philosykos’ drydown is a lot of things, but more than anything else it’s joyous, transparent, and transcendent.
Finally, don’t look for the white cedar (Thuja occidentalis) listed in Diptyque’s official description of this scent to make an appearance in the basenotes. White cedar is nothing like the Texas Cedar or Atlas Cedar notes that are used frequently in men’s fragrances as standard basenotes. White cedar, or cedar leaf oil as it is commonly known, can be pungent and balsamic, bitter, sharp and fresh, and even camphoraceous. It is a principle ingredient in Vicks Vap-O-Rub©. The white cedar is more than likely used to give complexity and amplitude to fig note effects in *Philosykos*, which achieves such effects so artlessly. Such an achievement is even more laudable when one remembers that there is no such thing as fig essential oil or even fig leaf oil. Fig leaves are abrasive and sticky and have a sappy, milky liquid in them that is an irritant, and they don't smell figgy at all. In fact, figs themselves don’t smell figgy. The tend to have a bland, barely detectable vegetal smell to them. It’s only in the preserving of figs in jams that the aroma we identify as a fig is brought out and intensified, and so it’s important to note that the complex fig note one smells in *Philosykos* is a marvel of aromachemical invention and Olivia Giacobetti’s art, and *Philosykos* is the paragon of such invention and art.
While science and art are definitely behind the genesis of this paragon, the experience of *Philosykos* is the experience of Nature, of airy, fleeting summer fruit and vegetal greenness softened, mellowed, transfigured, purified, and made white by late afternoon Mediterranean wind and sun. It is the fig tree, its fruit, and its leaves magically transformed into breath.