Perfume Directory

Dia Man (2002)
by Amouage


Dia Man information

Year of Launch2002
AvailabilityIn Production
Average Rating
(based on 309 votes)

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About Dia Man

Dia Man is a masculine fragrance by Amouage. The scent was launched in 2002

Dia Man fragrance notes

Reviews of Dia Man

My second Amouage and I really like it. As others have said, it goes on with a big amber floral bomb. Not too floral to scare away the manly men out there, but very flowery in an oriental way. The initial 30 minutes smells like a super refined, modern "CK Obsession". There's really nothing to not love about the opening of this fragrance.

Then the real heart of the fragrance comes to the front - Cardamom. Lots and lots of Cardamom. Dia quickly becomes a warm skin scent that seems to perfectly balance and rotate between leather, Cardamom (and a note which isn't listed but is obviously there, sweet ginger).

It's a wonderfully classic fragrance - extremely wearable, expensive and rich. It smells modern so it's not dated and would be a safe fragrance to wear at any occasion. If I had to compare it to a mass produced fragrance I would have to say the dry down is very, very similar to "play intense".

Next to no projection so it's great for lovers of skin scents. Highly recommended.
29th November, 2016
bokaba Show all reviews
United States
Type: citrus/incense

Dia Man is an interesting fragrance no doubt. I enjoy light, airy eau de colognes, but Dia Man (in its current forum) is even too light and airy for me. The fragrance is very linear with little to no development.

The whole fragrance is nice citrus cologne with a smattering of fruit and frankincense that last perhaps 30 minutes. Very nice, but not worth the $$$.
11th November, 2016
Woody, spicy, smoky, citrus, floral---Amouage's Dia Man resides at the intersection at a variety of influences. For me, the opening of incense, cardamom, labdanum, and orange constitutes the majority of the experience, even though it settles into a woody base involving vetiver and patchouli and allegedly some leather. I don't get the plum sweetness specifically in the heart, as I was imagining it was the amber in the drydown that balanced out the harsher notes with some sweetness.

Overall, Dia Man feels easy to wear---not too floral to ostracize some men, but not too laden with patchouli, vetiver, or leather to scare aware other men, or women, from wearing it or at least enjoying smelling it on someone else.

Probably versatile enough to be worn year-round, it's also unisex enough to be considered unisex. It might be a little cloying for the summer and a little weak for the coldest days of winter, but apart from that, it ought to work for both sexes most days of the year.

I'm not sure it's unusually good, which is to say that I would immediately contemplate spending the cost of $150+ for 100ml on one of the discount sites (both FragranceNet and BeautySpin are comparable in this case), but I could certainly put this on a back burner as something I may want to acquire. Very nice, and very agreeable, but not so outstanding, which is why it could do perfectly well as a signature scent since it's not controversial at all. Still, in that respect, it leans ever so slightly to generic designer's men's fragrances. I do wonder if it's comparable to anything cheaper on the market, but who knows.

7 out of 10
06th September, 2016
After an excitingly promising open, this transitions into a smell that's just ok, and not something I would want to project, like an overly fragranced lotion.
03rd August, 2016
I just can't seem to find much that I enjoy in the Amouage line. Dia Man is much too floral for my taste. I've only worn it once, so to be fair, I'll try it a few more times before commenting further.
17th May, 2016
Dia Man by Amouage is stunning. Stunning! Not my favourite Amouage to wear “daily” and forget about it, due to its very subtle presence on skin (which for me would be a crime to miss, so I’d rather wear it when I’ve enough attention and peace of mind to appreciate it), but surely and by far, probably my favourite ever of their range as a work of... hell, there, I’ll say it: a work of art. I think it accomplishes a level of vibrant creativity and impeccable perfection no other Amouage ever did, except maybe for Ciel. But Dia probably pushes the limit even above that. It manages to be smoother, to subtract even more, to make an even more precarious, complex and thin balance perfectly stand still as a transparent ice sculpture. Just replacing ice with air. Others in their range are more easy to love, richer and more fulfilling maybe, surely performing better and thus being more appealing and easier to wear. But Dia Man is just something different.

On paper it is seemingly quite a simple, understated floral-suede-vetiver scent with spicy-green accents – and you could wonder where’s the deal. The deal is precisely in how Dia transform that mildly promising, yet probably not-overly-exciting structure into something completely amazing. And that sadly can’t really be described with words, which would only make it sound undeservedly boring. Or well, mines would surely. I could mention a mind-blowing weightlessness, a unique sense of natural refinement, an amazingly, almost hypnotic slow evolution bringing in and out vetiver, smooth smoke and posh powdery suede, quiet clean woods, delicate breezy flower petals (orris, peony, ylang) which you can almost feel agitated by some gentle wind, an incredibly crisp yet almost unperceivable sort of grassy-minty aroma breezing erratically through the notes as a fairytale ghost of an elf, a genius touch of silky fruitiness... but that would all make Dia sound “just as another good scent” – while it isn’t. Not because it isn’t good, obviously, but because it’s beyond a scent - it’s a world, really. I would add “totally unparalleled” if Hermès Cuir d’Ange didn’t exist, as in some way, I think these two scents share some connections – both in some notes (especially the powdery-suede treatment), in their stunning quality, and in their general texture and inspiration. But creativity-wise, Dia is probably a tad superior to that, as it dares a bit more in terms of minimalism and complexity. The palette is broader here, so to speak, but surely they share some roots.

Pardon this personal detour but in a way, Dia Man reminds me of some summer holidays I used to spend in Switzerland, Engadin valley, some years ago. I always admired and deeply enjoyed the sense of cleanliness, clarity, purity and almost unsettling calm you can feel wandering through the lakes and the Graubünden mountains in the summer season, together with the warm, cozy, subtle yet somehow also very austere, pragmatic, even slightly decadent neat elegance of many houses and cafés there. In my memories the world there was all green and blue with a sprinkle of flowers, a constant uplifting crisp breeze, a Swiss sense of restrained elegance combined with a deep, archaic love for nature and for the mountains, with their dark shades and primitive secrets (which a couple of clouds are enough to transform from heaven to the most frightening place on Earth). I mean, Nietzsche spent his holidays there, in Sils Maria’s village – you get what I mean. It’s not only about some fresh air and good food to seek some rest. It’s like wandering through human nature. Now ironically Amouage’s heritage hasn’t much to do with of all that (or maybe it has?), and yet the refreshing, soothing sense of sophisticated, almost meditative yet also very “civilized” raw naturalness is quite the same. Probably “natural elegance” hasn’t ever make so much sense as it would for Dia Man. And it’s something really beyond simple charm, or a simple “natural feel”. It’s truly the modulating smell of a whole ideal world in a bottle, a blend of crisp archaic nature and modern cozy refinement. And the choice of giving it such a discreet, subtle texture is just pure genius to me, as it really feels like a call to your sensitivity and intellect to appreciate it at its fullest. Brilliant!

14th February, 2016

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