Mediterraneum is a pleasant light green semi-oriental creation (initially launched by Proteo Profumi and later branded by Versace), a pleasant fragrance di per se but something surely unoriginal since it is pratically a lighter more "anosmic making" version of the original "antecedent" masterpiece Romeo Gigli Uomo by Gigli (being Mediterraneum substantially an unsuccessful derogatory Gigli Uomo's photocopy-attempt). A common foundation on a vast array of identical floral-hesperidic-spicy-herbal-oriantal notes as aldehydes, bergamot, lemon, mandarin, terragon, lavender, jasmine, rose, carnation, cinnamon, fir, labdanum, benzoin, oakmoss, styrax, musk, amber, patchouli, tonka, vanilla, sandalwood etc. etc. creates a basic common spicy-boise aroma which is anyway in this case less articulated, durable and elegant. Gigli is indeed more complex, well rounded, mossy-boise and structured (with a more massive spicy presence and a further presence of structuring notes as rosewood, cedarwood, honey, ripe fruity notes as plums, grapefruits and rosewood). Whilst Gigli is more oriental, resinous, romantic, multicolored, musky and woody, Mediterraneum is dustier, breezier (more hesperidic) and soapier. I get the spicy association of cinnamon, cloves, amber and greens but it is not so warm and exotic while more space is in here reserved to light greens, orange (citrus more in general), woodsy notes of mountain and florals (with the addition of geranium and ferns). A nice aromatic green juice anyway pleasant and easy to wear.
To my knowledge this is not a Versace product. I bought this and couldn't have been more disappointed. Very heavy opening and it stays that way.
This opening blast is very well done; a mix of bergamot, orange and tarragon with an aldehydic undercurrent that holds them together very nicely. This is not a full-in-your-face opening blast; it is a tad muted but nonetheless a lovely summery mix of top notes.
The drydown continues the traditional pathway with the emergence a moderately sweet vanilla and never really moves into the foreground on my skin, and is complemented by the addition of a pleasant jasmine. This is mingled with a floral mélange of geranium band carnation, and this floral character defines the heart notes well.
Already gradually developing in the middle phase, woody and ambery styrax notes move into the fore in the base, and entail a shift into the darker and edgier sphere, underlines by a darker but not-too-harsh patchouli impression. At that stage it starts losing intensity and richness, and the base peters out slowly. Nonetheless, this base shift towards the darker region makes this an overall more somber creation; a characteristic it shares with Versus.
I get moderate sillage, very good projection and seven hours of longevity on my skin.
Very nice on cooler summer days, and composed of high-quality ingredients without ever being too generic. 3.5/5.
Back when I was a naïf before discovering Basenotes, this was my signature fragrance. I absolutely loved it and wore it nearly every day for a few years. As I discovered frags for real, I came to see this as an embarrassment and abandoned it. Recently, however, I suffered a twinge of nostalgia and picked up an inexpensive copy on eBay. After testing for a couple of weeks, I've come to a new view about this fragrance.
Med opens with lots of orange, rich, sweet, juicy oranges that are done really convincingly. There are floral notes in the background and they quickly overwhelm the orange with aldehydes. The notes just speed through with this fragrance, in moments, even the floral notes are gone, replaced by woodsy notes and very nice geranium.
This fragrance is sweet, not in the sense of a gourmand, but sweet nonetheless, there are no dry or bitter notes to speak of. Even the woods are done sweetly. Despite this, I don't find it cloying. It's not an overwhelming sweetness, but, the notes are not balanced by anything to counter the sweetness. In a way, this is not a very challenging fragrance, perhaps this was what attracted me as a beginner.
The sweetness starts to dial down with the addition of rose and ferns, but the vanilla base appears at about the same time, somewhat blunting what could have been a neat transition. As it continues into the base notes, sandalwood appears and it looks like it's going to end up as a typical comfort fragrance, a warm, sweet mixture of vanilla, sandalwood, amber, and patchouli. It's heading straight for thumbs middle territory.
Then something happens to change all that. The frag suddenly starts turning green and much dirtier. Styrax and benzoin make their appearance along with what smells to me like a dirty musk, though the note is not listed. The sweetness is not gone, and the two sides move back and forth in terms of prominence as the scent continues to dry down. The animalic qualities of the frag make it far sexier than its early notes would suggest. Suddenly, the scent goes from merely comfortable too interesting, and a bit daring and dangerous. The dry down offers a delicate balance between sweet and dirty that I find really charming and compelling.
While I remembered the oranges and the sweetness of the opening, I didn't remember this surprise ending from my earlier wearings, perhaps reflecting my general cluelessness at the time. Old me bought it for the sweetness, present me will continue to wear it from time to time, not out of nostalgia, but for the nifty dry down. Thumbs up.
Smells like a light version of Le Male mixed with some bright citrus when you first spray it on. After about 15 minutes, pleasant spices start to develop. This has good projection. I smell the spices from a distance, light Le Male when I put put my nose close. Lasted about 3 hours on me before it faded down. I can see myself wearing this from time to time.
The amount of follow-the-leader played by the designer fragrance market is disconcerting. At the time, Mediterraneum seemed like a Minotaure ripoff with its featured note of sweet orange. A decade-and-a-half later and this looks like more of an individual compared to the current landscape.
I'm not especially fond of the opening of Med, nor of the orange-heavy center section. Where Mediterraneum shines is in the drydown. Like a well-crafted story that seems a bit scattered until the final sentence ties it all together - the drydown presages, by three years, the drydown of Opium Pour Homme.
I could go with a neutral thumb, but for the cheap price and the solid longevity and nice drydown, I'll give this the benefit of the not quite reluctant thumbs-up.