
Almost too good to be a designer scent and not a niche, boutique, artisanal and limited edition fragrance - all in one.Alongside very few masterpieces, one of the fragrances that, even if all the other fragrances were wiped out, it would the truthful and credible image of how an odeal masculine fragrace should be and smell. The opening is clean- cut, enjoyable and lightful, it still does nnot compare itsself to the depths and richly fulfilling sensations yet to come. It's a slight lemon sherbet known i know from Versace Blue Jeans, however less casual and sweet, oddly one of the few cases where the almost edible hints of citrus, more prcisely citrus tea,, sweeets, or even syrup is not plain, blunt, unimaginnatibve or repulsive, but bears a certain solar playfullness even with a hint of ( tough not listed among the ingredients) invigorating neroli essence. To sum it up- that rare, almost unlekely turning point when citrus scented sweets are not artificial or ill-smelling, but lush and making the most of the balanced and pungent acidity of this note. The mixture between citrus and a chypre, spicy and woody drydown is nothing new and if placed close to Chanel pour monsieur, Givenchy Gentleman, Armani PH, Hugh Parsons yellow edition,
Roberto Capucci, Eau Sauvage and even a few Creeds, the resemblance would be quite obvious- a fine, carefully used citrus notes, creating the perfect introduction for a conservatively elegant, stylishly crafted combination of florals, wood, piney and leathery notes. Also, the resemblance to Acqua di Parma and Colonia Assoluta struck me- it has a variety of interpretation of the citrus ingredient- mellow, sharp, crisp; however, longar lasting than Acqua di Parma and less heavy and more subtle than Colonia Assoluta.
The middle notes are powdery- aromatic discreet floral found also in Pour Monsieur, as well as
Ungaro II and III.
After this extended introduction, i still think that the drydown is the focal point. It is one of the few spiritualized Orientals or tobacco smells around, stimulating and appealing not only to the senses but even the mind. Just before it would end as Oriental and sensual, as warm and smoky as Antaeus, Opium or Drakkar Noir, it adds an extra, more fragile and also complex, more versatile and elusive note of exotic spice, even forest fruits- especially berries-
and balsamic mossy notes. And if Drakkar already counterbalces and lightens up that tobacco note with that enthralling intellectally stimulating effusiveness, Rive Gauche goes a step further- the very citrus note mentioned above adds to the tobacco drydown, the classic robust manlyness, a both costly yet also familiar soapy touch. It's that barbershop feeling also noticed in other rewievs, that nostalgically remembered feeling of how yesterday's barbershops used to smell, of corse soapy, drenched in eau de cologne, high quality and very natural( therefore quite costly) shaving and haircare products, of resiouos, conipherous and camphorous essences.
So, a long-lasting classic with a sparkling, solar, uplifting soapy citrus quality, a scent worthy of
luxurious, exclusive yet comfortable and inviting barbershop, dignified and tastefully opulent longes. A scent made for both daywear as it suggest maturity and unquestionable speriority and seriousness yet without being stereotypical, prudish, snobbish, generic, annoyimg or pushy, yet mysterious, creative, even artistically accomplished to be suitale for the evening, having both the sophistication fit for the most formal occasions yet enough charme and originality in order to be the highlight of the most bohemian uncommonly undeground artictic and intellectual sorroundings ( usually reserved for insiders only).
A true insider of the fragrance world, witty, mannered and one of the happy few accomplished scents.