Reviews of Tubéreuse Criminelle
by Serge Lutens Les Salons du Palais Royal Shiseido

Tuberose is a very interesting note. For a long time, I thought it was a piercingly sweet floral, and perhaps the flower is extraordinarily sweet in real life. Not so real tuberose absolute. Rather, it carries a heavy aroma like rotten flowers and rubber. Perfume being what it is (a recreation of natural smells) the method for putting the sweetness into the tuberose absolute is to add it back via chemicals--or the few sweet natural substances that are strong enough to compete with it. That is why perfume that uses tuberose absolute is always sweet. Without these additives, it would be ghastly. No one would wear it. No more deviating from the point, on to the review of Serge Lutens Tuberose Criminalle. My favorite aspect about this house is that the perfumers often avoid side-stepping the natural smell of the main accord. Instead, they ramp it up with supporting notes. This perfume is no exception. Dispite all other notes, it still smells like natural tuberose absolute. Another beautiful example is Iris Silver Mist, which smells very nearly exactly like orris butter. So, if you like tuberose, you must try this one before you can claim any familiarity with the note. Either that, or buy a sample vial of the absolute--but you'll never wear it.

Vibert's commentary on this fragrance is stellar! A masterpiece indeed, but let me interject....

I will never wear this scent. It is not at all what I wish to smell like. A thumbs up though, as it merits applause!

The opening so often described as "gasoline" or "rubber" seems to me a strong dose of eucalyptus, wintergreen, camphor, or menthol. It's cool, sharp, and bracing, like a good slap in the face with a frosty mitten. Pairing these sinus-clearing top notes with the voluptuous sweetness of tuberose is a stroke of genius - perhaps even the cleverest thing Sheldrake has done.

On its own or in combination with other white flowers, tuberose can be positively oppressive. Cut it with clear camphor, and it's outright refreshing. Unisex, too, as far as I'm concerned. Tubereuse Criminelle wears closer to the skin than some other tuberose scents, with moderate sillage and projection. It lasts a solid six hours on my skin, with a creamy vanillic drydown. The persistent cool menthol notes make this the first tuberose scent I turn to in hot weather.

Tubereuse Criminelle is not the same kind of room-filling diva as Fracas, nor does it share the soft, unearthly luminosity of Carnal Flower. It is very much its own animal. It's surely not for everyone, and it probably takes some nerve to wear, but if you can get into its peculiar groove the rewards are rich.

At first it smells like gasoline + Ben-Guy rheumatism ointment. But after a few minutes I can scent a beautiful chewing-gum-like fragrance, reminding me of bird cherry flowers (Prunus padus), which have so unique, narcotic, "indolic", deep aroma. Love it so much!

I love this one, but it's out-of-character for me - a huge, rich femme fatale tuberose, earthy and sultry. I hate BWF's (those big voluptuous florals give me a headeache), so why not this one? For me it's because this floral lives in the earth and doesn't try to breath air. I still don't care for the menthol/rubber opening, though it does set your nose to accept what's coming. I was so relieved when that heavy black note dissipated, I eagerly, almost greedily, devoured the comparative sweetness of the tuberose. Before I realized it, I was mesmerized by the heavy, indolent earthiness of this unapologetic mud flower.
I tried Chanel Gardenia next to it - no contest. Fracas - nope. SL's Datura Noir - no. The Frederic Malle tuberose, and several others with formidable reputations. They were all debutantes playing at being femme fatales next to this true lady of the night.
An interesting note: I was playing with my essential oils, and accidentally put together a rubbery 3-note accord similar to the opening of TC, which involved oakmoss, hyssop, and ylang-ylang.

I don't know if a guy could pull off this one- the Tuberose is quite ripe in the drydown. And you'd have to be a very, er, singular type of girl to pull off the opening- a fire at a tire plant being fed by Vicks Va-Po-Rub. It's brilliant, and in it's way beautiful, but more performance art than perfume.

Yes, I'd still wear it!

Knize Ten/Etro Gomma on acid in a wild tango (or pogo if you like) with Commes des Garcons at an underground party in an abandoned garage. If you are an adventurous type, this one's for you. Rubber and rose somehow make a perfect match, with the tuberose note actually cleaner, sharper and truer in my opinion than in most other tuberose scents my GF has worn (Caron, Malle and Piguet) except maybe Creed's Indiana, which is equally impressive in its own right but not as intriguing. The only Lutens I've been tempted to wear.

I've heard much about this one, especially about its topnotes. Gasoline. Rubber. Menthol. Asphalt. Anyway, I ordered a bottle... and: everything is true. The weirdest topnotes I've ever smelled. Imagine you're filling the tank of your truck at a shabby petrol station... the smell of burnt rubber, hot asphalt and gasoline all around... in your truck you have one of those cheap air refresheners that smell of spearmint mouthwash. That's how Tubereuse Criminelle starts. Now I understand why it's called "criminelle" - it has a dark, strange character. Just shocking. But then the tuberose breaks through. It pushes the strange odor of gasoline away and you get the irradiance of an incredibly beautiful floral scent. The tuberose in here is powerful, but not creamy and damp - it's bright, juicy, uplifting and refreshing. Truly wonderful - and the only tuberose-centered fragrance beside Carnal Flower that's totally suitable for women and men.
For sure, a somehow eccentric scent, but totally addictive and at least worth a try. Normally, I wouldn't give "thumbs up" for a fragrance with these awful topnotes, but the heart and the base make good for the beginning. A masterpiece.

An alarming hospital top note makes one panic , long before the flowers appear. It is so akin to anti-bacterial disinfectant or mouthwash as to scare away most people. I am convinced not many stake it out for the drydown. But it’s their loss.
Because after that phase soft flowers emerge not with the piercingly sweet nature of most tuberose fragrances , nothing like Fracas( although I appreciate the blending ) or Blonde or Herrera , which is good in my book as I get suffocated by them. Also lily is evident? That probably accounts for the softness and butteriness , I guess. And there is warmness too. A sensual drydown that is most unexpected after the initial blast.

Like Marlen Dietrich’s name according to Jean Cocteau , but in reverse : it starts with a whip stroke , ends with a caress.
For sadomasochists and people appreciative of The Agony and the Ecstasy

a cold sharp metallic pharmaceutical start silenced by a cold tubereuse shy to show its true colour. a Masterpiece