@the_good_life - Maybe you have the newer version? I found the vetiver to be too strong in the new one. The old formula is the bottle with the clove leaf or whatever symbol that is and it smells sublime! Unfortunately my bottle broke because I was so in love with it and all there is now is the newer versions and I can't find the older one anywhere! :'(
I may just be a paranoid old fart, but I would swear an oath in any court this was a different scent years ago, when I had a sample and loved it. What I just bought myself for X-mas (the new box) reeks of cheap soap laced with white pepper and is clearly chock-full of the laundry detergent aromachems I have everlong detested and always will. I couldn't possibly have liked THIS at any point of my fragrant career.
Before I actually tried this, I didn't know what to expect. Read a lot of reviews and was in limbo about getting it. Finally got a bottle and liked it. What took me so long? Starts of green and a little earthy. You definitely get the vetiver in this. That last about 20 minutes then it turns slightly floral. At one point this reminded me of Encre Noire Sport (which I happen to like). The drydown has a slight soapy vibe (may be the berry note). As others have mentioned, it does have a sour moment, but this is a very good fragrance nonetheless. 7.5/10
The mango and berries appear upfront and refreshing. Pretty quickly a really nice floral appears mixed with a nice light wood. There's good sillage and longevity like most L'Artisan fragrances. The wood and flower are what makes this exotic and the incense finishes it off well by being a little sweet. This is so intelligently made it's fun. The price isn't bad for something so interesting. If you like Silver Mountain Water you should give this one a try. Also if you like the matte quality of PdN New York I recommend this for the papyrus.
23rd November, 2014 (last edited: 22nd November, 2014)
This is the fragrance I use when I want to reset my nose or clear my head. There is something about it that induces calmness and stillness. It is a seemingly simple composition - dry woods, incense, vetiver, and a fruit note - but it has an ability to haunt me like no other. I really like the way that Duchaufour kept all the elements in balance so that the smokiness of the incense is moistened by the mango and the dryness of the woods balanced by the damp green rootiness of the vetiver. So, your nose perceives it as simultaneously dry and juicy, smokey-bitter and sweet, dusty and earthy. It's a marvel, really, and one that draws my nose to my skin in fascination time and time again.
Timbuktu has a cold, shadowy, dark sort of presence that sets it in direct opposition to another vetiver-based incense composition, Shaal Nur, which is sunny and extroverted. It is, like the name suggests, as mysterious and as exotic as the African continent. One of my brothers used to live in Chad (don't ask - he now lives in Syria - Syria for crying out loud!) and before the birth of my first child, he trekked out to a nearby village and after shopping around, bought a beautiful tablecloth that had been hand-embroidered by a cooperative of women from that village. When his thoughtful present got to me in Montenegro, all the way from Chad, I unfolded it and out of the corners of the folds fell this red dust. This dust smelled kind of like Timbuktu, and so wearing it is always a spiritual type of experience for me.