
They are two product under L'Occitane's L'Oranger rubric, L'Oranger *Orange Leaves Eau de Cologne* and L'Oranger *Neroli EDP*. They are two entirely different fragrances. The review that follows is a review of L'Oranger *Neroli EDP*.
L’Occitane *Neroli EDP* is the least L’Occitane of the L’Occitane range, which typically contains pleasant, competently-made, quality fragrances based on a larger than usually percentage of natural ingredients. They’re mostly well-crafted fragrances, but they’re definitely not what you’d call edgy. L’Occitane’s *Neroli EDP*, however, is edgy; it’s very edgy. It begins with a very sensuous, decidedly floral, and feminine neroli note. What is the difference, you might well ask, between a feminine and masculine neroli note? I see the difference as follows: a masculine neroli note is one you find in the “barbershop” renditions of neroli such as Penhaligon’s *Castile*, or Czech & Speake’s *Neroli*. In these two fragrances, the neroli note has the freshness and lightness of orange flower water and a syrupy thick viscous “nosefeel”. It’s always a buoyant, happy, and clarion note, uplifting and refreshing. A feminine neroli note is decidedly more dense, without being syrupy and has an exotic, even otherworldly feel to it. It’s has a thinner and more complex, even prickly, nose-feel than its masculine counterpart; it has a more ether-like, elevated floral component, which is dense and heady and which approximates the heavy, floral, ether-like, headache producing quality of some higher grades of ylang ylang essential oil.
The neroli in L’Occitane’s L'Oranger *Neroli EDP* is edgy in the sense that it pushes one’s olfactory responses to the edge with an oriental-like sharp, bitter, but vibrant exoticness which is accentuated by a very thin, exceedingly dry, non-resinous cedarwood kind of note with which it is interlaced and which persists well into the drydown, as does the neroli note, which still remains discernible in the drydown when its edgy, ether-like qualities abate and are subsumed into a coumarin prominent, quieter, powdery, tonka bean and dry cedar finish. It’s really beautiful and intoxicating in an impressively weighty, sensual way, and it has incredible sillage and longevity. In this sense, it begins to approximate the qualities of parfum. A word of warning at this point: go very easy with this one. More than 2 or 3 sprays and the fragrance will become unbearable on the wearer. As I said earlier, it’s very un-L’Occitane like, and it’s quite spectacular. When you’ve reached this level of art, questions about whether it’s actually a women’s fragrance or a man’s fragrance fail to apply. It’s both, and like all true works of art, it’s universal.