An interesting first minute-or-two of juicy mandarin, light peach, vodka, and fennel all very quickly settle into a dull smell that reminds me of a vaguely peppery sheet of blank paper, or possibly the vegetal smell of a flower without an odor.
Besides a belabored metaphor or a modern art piece about the smell of unscented things, I don't see the point of this. The opening citrus is done better in Eau de Mandarin Ambre, and the odd peppery vegetal paper smell is fully fleshed out and better executed in Eau de Gentiane Blanche. The osmanthus is barely more than a wisp of peach. If this had been anything other than a Jean Claude Ellena, I wouldn't have spent so long trying to convince myself to like it.
Osmanthe Yunnan opens with a really vibrant, yet gentle watercolour blend of thin, lively, slightly sour and quite realistic green notes with a subtle fruity flavour and a juicy sweeter heart (tea), fruity-sugary accents (apricot) and a light, but drier base accord mostly comprising suede and something earthy. A minimalistic “haiku”, expressing Ellena’s talent at his best: a graceful, perfectly harmonic, terribly refined miniature painting with a really few notes and a palpable feel of calm, a rarefied, bright, icy transparency reminding you of a cold, but sunny winter morning. A subtle powdery-sweet accord provide some sense of colorful warmth. Not much else to describe, as Osmanthe Yunnan is really more a silent, intimate and cozy harmony of green-to-white nuances on a darker shade of suede (and perhaps something woody). Really delicate - perhaps too much, and more than ephemeral; but fantastic until it lasts.
A lovely, warm, natural floral...
A really lovely fragrance which captures the nuances of the osmanthus plant, and gives the impression of hot tea. It's a very warm and slightly fruity fragrance, and I think this comes from the apricot mixed with the osmanthus itself (osmanthus flower is purported to smell like apricots and Jean-Claude Ellena often uses similar note pairings to enhance the effect of a single note). He has paired the apricot with the osmanthus in the same way that he paired liquorice with lavender and other similar combinations.
The tea and freesia make the fragrance light and airy, with a tang of orange and hint of leather which blends really well with the skin. Overall I like it, and I do get the impression of China with this. For example drinking tea in a Chinese garden in Yunnan surrounded by osmanthus bushes. Or equally a cup of osmanthus tea. I think that is the impression I get from this.
Definitely a floral fragrance of unmistakable quality, yet as with all Hermèssence creations, this one stays close to the skin. Worth trying for sure!
The crystal clear peachy-floral top notes of Osmanthe Yunan are simply beautiful. Their luminous quality brings to mind Menard's exquisite but hard-to-find L'Eau de Ryokuei, and the resemblance is maintained for quite some time after application. Osmanthe Yunan is the slightly sweeter scent, and is less suggestive of bright water, though neither of the two can be called "aquatic" in the usual (Calone soaked) sense.
Osmanthe Yunan eventually diverges to follow a path lined by soft, fruity white flowers, with a powdery olfactory texture and vanillic highlights in the far background. Like many of the Jean-Claude Elléna scents I've tried, Osmanthe Yunan works primarily as a skin scent, with very little sillage or projection. It has the trademark Elléna transparency, but not the austerity of his "masculine" compositions like Declaration or Terre d'Hermes. For a fruity floral scent to avoid the grating, cheap candy artificiality that plagues most of this tribe is quite an accomplishment. On the other hand, Elléna has softened the fruity floral accord so much in his quest for sophistication that the end result is oddly shapeless.
If you want spring blossoms reflected in a crystalline pool, seek out the more sharply focused L'Eau de Ryokuei. If it's the soft textured peaches and apricots you're after, I think you may be better served by more substantial scents, like Mitsouko and Chinatown, that set their lactonic fruit against a characterful chypre structure.
I understand the "milky tea" summary Turin gives this scent, but not its five stars.
For me this is a very light smoky tea leather scent, slightly sweet, which is the peach note.
Average, undistinguished, way too expensive for what you get.