
When Amouage first emerged oh those 25 years ago, it was noted for (OK, notorious for) outrageous pricing, rare, high quality ingredients, engaging noteworthy noses, and ridiculous snob-appeal advertising. The fragrance market has since changed, and so has Amouage. Thanks to the current craze for "prestige" designer scent lines, you can now pay as much for scents from Comme des Garçons, Armani, Hermès, or Christian Dior as for Amouage Gold or Dia. Meanwhile Amouage moved (stooped?) to chase a younger, hipper market with "clean, fresh" scents like Arcus and Cirrus. These were less individual than the earlier offerings, and even eschewed or downplayed Amouage's signature frankincense note.
Last year's Reflection duo were a positive development. They were composed by outstanding noses (Roucel, Sieuzac), showed much more originality than Arcus or Cirrus, and won some favor from bloggers and critics. (Pace Luca Turin.) Now, hot on their heels, come the two Jubilation offernigs, the first since a new artistic head announced a major change in direction for the house.
So how does the male scent, Jubilation XXV, relate to the rest of the Amouage line? For starters, the frankincense is back. With a vengeance! Like the early Amouage releases, Dia, Gold, and Ciel, Jubilation also has a kind of blatantly floral heart that is uncommon among men's perfumes.
Jubilation has little in common with Gold's abundant aldehydes, sweet heady white flowers and civet. It is also a much thicker, darker, and woodier fragrance than the buoyant Ciel. Jubilation XXV is a more closely related to Dia for Men than of any other Amouage offerings. Yes, Jubilation is thicker, sweeter, and more opulent than Dia, but their frankincense/floral/leather accords run parallel, if distinct courses. With Reflection, Arcus, and Cirrus, Jubilation has nothing in common.
If Jubilation marks a change for Amouage, it's more of a course correction than an outing in a novel direction. Jubilation XXV comes from Bertrand Duchaufour, the same nose that gave us Timbuktu and Dzongkha, and represents another stage in his exploration of incense. Jubilation starts out as a spicy incense blend, including frankinsence and myrrh along with cinnamon, coriander seed, cloves and maybe even a slight touch of oudh. At first it reminds me of Dzongkha, but it starts out sweeter and less smoky. Floral elements are clearly present, but they are closely blended and hence difficult to distinguish and identify.
Jubilation grows smokier as it develops, and soon reveals a very dry leather note. It dries down to a base of leather, woods, and incense with a healthy dose of iris root that again brings Dzongkha to mind. The drydown is also notable for its successful integration of immortelle. With its air raid siren volume and peculiar refusal to blend, this note tends to overwhelm any composition it appears in. Not Jubilation XXV. Here the immortelle is so exquisitely modulated that it melds seamlessly into the base notes, lending the structure depth and mystery without drawing undue attention to itself. If you enjoy frankincense compositions like Avignon or Dzongkha but want something just a bit more mellow and easy to wear, I expect you will like Jubilation XXV. It’s not a revolutionary fragrance or a blockbuster release, but I consider it an easily wearable and distinctive scent of obvious high quality. In fact, I believe Jubilation XXV represents a return to form for Amouage after a string of less-than-distinguished introductions.