I really like this fragrance, my favourite ELdO together with Rien. Immortelle seems to be at the centre here and subdued by floral and other notes. The notes seem almost fruity, but the sensation is likely due to iris and oakmoss, I suppose.
The fragrance's balance and end product is great! It is not 'fresh' in my opinion or 'green', but rather evokes autumn leaves and brownish/reddish colours in a soft aromatic way.
It does not change much of time, but that's fine with me. Perfectly unisex.
Doesn't smell like any of the listed notes in my opinion! I just read the note pyramid they have here on Basenotes, and I honestly don't know what the hell they are talking about. Myrrh, leather, benzoin - I give up, because I don't smell any of that.
Afternoon of a Faun is NOT an oriental, powdery, spicy leather as the notes might suggest. Nope, this one muscles its way into the green chypre category with an overall vibe halfway between a drenched forest and a bowl full of crushed iris roots. It’s described as an aromatic, spicy scent on Fragrantica and as an incense-leather oriental here, but actually, it comes off as a scorched-earth chypre.
It shouldn’t work. But the contrast of wet, bitter green iris and the dry woods is all kinds of addictive.
I love the way it takes me on a ride every time I put it on. It reminds me somewhat of a vintage No. 19 pure parfum I had from the 1950’s which had turned badly – it shares something of that singed woods and burned coffee smell the parfum had. But in contrast, Afternoon of a Faun smells really good to me.
Right away, the strangeness of the immortelle note is apparent. It adds a sticky, savory syrup note, like sugared hay boiled down in whiskey. This has the effect of injecting the chilly green halls of No. 19 with streaks of autumnal warmth. So, for once, you have a damp, mossy chypre that smells….warm, human, sunny almost. It makes this an exceedingly comfortable wear without sacrificing an ounce of its stylish swagger, like a pair of fabulous, wide-cut slacks that are both comfortable and capable of making you look like Marlene Dietrich.
I love, love, love the textures at play in Afternoon of a Faun too. The opening is sort of damp and glazed, like the patina from old wood that you’ve just loving rubbed with oil. The immortelle adds a spicy, vegetal syrupy feel, and orris butter a creamy, rooty smell and texture. It is sweet, but also dry and slightly spicy, like good old wood.
In the dry down, the most amazing transformation in texture takes place – it sheds any sticky or wet feel it may have add, and becomes dry and smoky, like ash smoldering in the grate. At this stage, the immortelle smells like slightly burned coffee, which is a wonderfully dry, aromatic smell that I really enjoy.
In fact, I feel comfortable characterizing this as a dry, smoky iris perfume with a significant green/woody aspect to it. It smells like a real chypre too, even without oakmoss, so hats off to the folks at ELDO for proving that you can still produce a fantastic perfume that smells like the real deal rather than a sad sack imitation of what once was.
I never thought I'd make this comparison, but this is the most Chanel-like of all the ELDOs. It opens with an oily green note, mixed with iris and a prominent rose, not unlike Chanel No. 18. Instead of drying down to 18's wonderful ambrette-musk accord, Afternoon of a Faun goes for immortelle. It makes sense, given ELDOs love of immortelle, but it's not as exciting as its use in scents like Eau Noire or Sables.
Very "proper", perfume-y, and lovely, but not what I want in an EDLO fragrance, when other companies (again, like Chanel) are doing it better.
Smells like a generic nightmare. Can't believe the price being asked for to purchase this.
The perfume-tells-a-story bit isn’t my bag. Why do we try so hard to push narrative onto non-literal experiences? As much as I love to write about perfume, the writing is utterly after the fact of the experience. Just let me smell my perfume and experience the state.
The poem, the music the ballet, the myth. Genug shoin! Afternoon of a Faun perfume doesn’t suggest fauns or any of the notions that a faun represents in mythology. But story aside, it is a brilliant perfume.
There have been a number of strategies to recreate or suggest the chypre accord without the bio-hazard oakmoss. Chanel 31 Rue Cambon bends a floral amber into the shape of a chypre. Annick Goutal Mon Parfum Cheri makes patchouli, a common chypre component, a stand-in for rather than a partner to oakmoss. de Nicolai’s Vie de Chateau Intense plays with the hay-like scent of coumarin to create a fougere/chypre hybrid. But Ralf Schwieger does a clever turn with Afternoon of a Faun.
Using immortelle, which I wouldn’t otherwise think to associate with oakmoss, he plays up the sandpapery, dusty feel of oakmoss giving us the tone and the shape of the chypre without explicitly trying to smell like one. The composition has a clear bergamot note, and an ambery benzoin if not cistus labdanum itself, so the rest of the chypre elements are in play. But immortelle, when matched with incense and myrrh implies that state between smokiness and resin that moss creates. Imagine that perfume notes are elements on the periodic table. Schwieger goes directly up one level to find the element that shares the same chemical properties as our element oakmoss and makes a new compound.
Rather then suggesting a chypre (31 Rue Cambon) or using chypre-like elements (treemoss and the new synthetics) Schwieger gives us a parallel universe chypre, and I for one couldn’t be happier. This could easily be a signature scent for someone searching for perfume monogamy.
from scent hurdle.com