Perfume Directory

Gold Rose Oudh (2013)
by Tiziana Terenzi

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Gold Rose Oudh information

Year of Launch2013
GenderShared / Unisex
AvailabilityIn Production
Average Rating
(based on 22 votes)

People and companies

HouseTiziana Terenzi
PerfumerPaolo Terenzi

About Gold Rose Oudh

Gold Rose Oudh is a shared / unisex perfume by Tiziana Terenzi. The scent was launched in 2013 and the fragrance was created by perfumer Paolo Terenzi

Gold Rose Oudh fragrance notes

  1. Top Notes
  2. Heart Notes
  3. Base notes

Reviews of Gold Rose Oudh

Oudh, right off the bat. It overpowers this, for me. Patchouli, then an earthy, dirt undertone moves in. The rose is smothered for a time, then it shines. I get lots of pepper. The rose is kind of "dark" here. The base reveals a bit of sweetness with amber and woody sandalwood. Gold Rose Oudh reminds me of quite a few other perfumes I've either sampled or I currently own.
23rd September, 2018
Stardate 20160914:

A rose oudh that is better than the synthetic smelling Montales and Manceras. I doubt they use real oud but whatever they use does not smell as synthetic as others in similar price range.
For those who want to try a good middle eastern rose oud for cheap, this is it. If you like this you can move on to real rose and real oud.
14th September, 2016
Co-worker commented that something "smelled like her grandpa". Yeah, that was embarrassing.
26th May, 2016
There is a little bridge to cross here – Gold Rose Oudh could easily have come from Montale’s line-up, the oud in particular is familiar from Montale rose-oud pairings. Over it? Ok, then we can talk about this in its own right.
With a name like that, I fully expected GRO to be an ode to olfactory bling. But while it has its tacky and trashy side, it is also a properly realized composition, not just gold-plated posturing.
The power trio at its core is an attar rose, oud that is warm and rounded (as opposed to piercingly dry and spiced-up) and an overdose of patchouli. Chouli-phobes need not fear, however, as the hippy juice here morphs and blends with the other two players rather than asserting itself, offering mainly intensity to the rose’s sweetness and a kind of marzipan-like quality to the proceedings. There’s a light trickle of something honeyed around it all, which weaves in and out of one’s perception. The other main note is a dusty sandalwood aromachemical (also common to many Montales) that comes up from behind into full visibility in the later stages; it works well with the rose and oud, offering stability and a bit of distance to the intensity, so it is not surprising that it is so often used.
Gold Rose Oud is strong, but it does not overpower, it is dense when sniffed up close but not when perceived as part of the perfume’s throw. Ultimately it treads familiar, tried and tested territory, but if it is territory that you haven’t explored before this is as good a place as any to start.
29th January, 2016
rbaker Show all reviews
United Kingdom
On my skin oud and patchouli are the two dominant players that constitute the dual leitmotif defining this scent and remaining present throughout its whole development. Initially bergamot is added, but it can only provide a bit of initial freshness amongst the two main players. The patchouli is a top-of-the-range, dark, brooding yet well defined patchouli, with a stem-like wood impression and a fairly harsh peppery spiciness, reminding me at some stage of Tom Ford's purple patchouli - just with less violet character. The oud is also dark, deep, rich and so convincing that I wonder whether a touch of the natural stuff might have been added, although given cost and rarity as well as the unholy obsession with laboratory synthesis amongst today's perfume producers that is hardly ever done these days. One lives in hope! The oud is very convincing and of prime quality.

In the drydown a rich, velvety and softly dark Bulgarian rose arises, the third of the main actors on this olfactory can stage. A very good and convincing rose this is indeed.

The drydown keeps up the high standard that is present so far. An ambery impression that is unlike the usual synthetic thin versions of it, and a sandalwood note provide the foundation of the base, with a dark and spicy musk continuing the theme form the beginning. Touches of honeyed and tonka sweetness round off this olfactoric magical tour.

Performance is nigh stellar: strong sillage, great projection and ten hours of longevity on my skin.

The house of Tiziana Terenzi is truly focusedly niche, but this is the first of their fragrances that I sampled that bears hallmarks of convincing stature: high-quality ingredients, very well blended whilst maintaining structure, and one of the few oud product in that recent deluge that is worth taking seriously. 3.5/5

31st July, 2015
This fragrance is another add to the list of oud, rose and patchouli combo (something like Montale Black Oud as a good example) with exactly the same DNA and smell but something here is different and that's very heavy dose of patchouli that stays strong all the way through.

The opening is a very pungent and kind of aromatic patchouli note along with some oud, very soft rose in the background and small dose of sweetness.
If you've tested many oud plus rose based fragrances, the opening will be something completely familiar to your nose but as I said patchouli here dominating completely over the scent.

As time passes oud is almost gone, patchouli settles down a little bit but still it's the dominating note while rose gets stronger and scent gets sweeter in vanilla/amber way.
Smells fine and in my opinion more masculine than "Black Oud" because of stronger and more earthy patchouli note but it's still something the same.
There is nothing new and different about it.
Projection is strong and longevity is 8-10 hours easy on the skin.
17th April, 2015

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