Perfume Directory

Black (2013)
by Comme des Garçons

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Black information

Year of Launch2013
GenderShared / Unisex
AvailabilityIn Production
Average Rating
(based on 73 votes)

People and companies

HouseComme des Garçons

About Black

Black is a shared / unisex perfume by Comme des Garçons. The scent was launched in 2013

Reviews of Black

Remember in Taxi Driver when Travis Bickle burnt all the flowers he sent to Betsy, but they were sent back 'cos Betsy thought he was a nutter? That scene is how this smells - evocative, dark, menacing, tragic.

The black pepper smacks you in the face like Mike Tyson smacking you in the face if he were drenched in Black Pepper. Which he isn't. Or i assume he isn't. Who knows? But if he were then this would be the general effect.

A tremendous fragrance whose accords lend it something distinctly unique. It's not for everyone granted, but if you can search past the pepper and the tar and then appreciate the combination and the balance, you will be hooked.
30th April, 2016
Absolutely wonderful! A sharp blast of black pepper opens things up…and it just keeps getting better! With all of the “blackness,” it carries itself deftly, never overwhelming. This is never smoky, but dusty, like ashen coal? As things warm up, frankincense, licorice and cedar smooth things out. I’ve experienced birch tar overshadow when used, but not here! This is modern in construction, but very familiar in execution, and more versatile than one might think. I need to get a bottle! Thumbs up!
31st December, 2015
CdG made their own Body Kouros? Great!I love a good cedar and licorice. If this had rose as well that would really ice the cake for me.

Performance of Black could stand to be a bit better but it's an all-around likable scent which seems to unify the themes of Body Kouros, Bvlgari Black, Eau Noire, and Wonderwood. Just lovely.
25th December, 2015
Incense, pepper and woods done RIGHT! The leather and licorice is an added bonus folks! The Birch tar gives this a nice zesty feel. 7.5/10
17th November, 2015
I left Ireland for Bosnia when I was 22, without so much as a backwards glance. Over the following 16 years when people asked me if I missed home, I would always be startled and say yes – automatically – but it wasn’t quite true. I just never thought of home as being anywhere other than wherever I was right then.

I never realized that the gene for “home” was carried deep within my DNA until one dark night when I stepped out of a snow-stalled car into the deserted crossroads of a tiny village in Bosnia and was hit in the solar plexus by a waft of smoke from a coal fire.

Not just one – dozens of coal fires. All sending plumes of sweet-smelling smoke into the black, starless sky. In my mind’s eye, I could see walls covered with centuries of soot, men huddling round the heart smoking cigarettes, and the fingers of women putting more coal on the fire.

My mother’s fingers, black with soot. In that moment, every cell in my body ached to be back home, watching the familiar sight of her white fingers gingerly placing another coal on the flames, egged on by her always-cold children. Was she sitting beside her fire now, thinking of her first child, wondering if she was cold?

Comme des Garcons Black is the smell of home to me. It smells of coal dust, sweet woodsmoke, frankincense, dry cedar logs, licorice, and finally, in its dying moments, a salt-encrusted leather belt. Not of these things directly but of these things burned on a fire and sent out into the crisp, cold air of a Northern night sky as a single curl of smoke. Every time I spray it on, I experience a joy like that of launching into a sudden run.

If I were being picky, I’d say that the projection and longevity and projection of Black leave much to be desired. But I’m content with this in a quasi eau de cologne format. I’d be afraid that any attempt to make Black stronger would compress all the air out of its airy weightlessness. I like that Black takes the form of coal dust mites, shifting as you move; acting as your own personal force field.

I’ve long been looking for a smoky, woodsy birch tar fragrance that hits this exact spot – the coal-fire-in-Bosnia spot. I love Le Labo Patchouli 24 for coming close, but the vanilla syrup makes me pause, and Bois d’Ascese is far too dense and acrid. Memoir Man does smoky, charred woods and Frankincense beautifully, but it has a somber, sulky feel that might prove difficult. Black, to me, is what you might get if you were to put all these perfumes through a Photoshop filter and apply a filter to reduce the density by 70%. Black does indeed smell truly “black” but it’s more a sheer wash of color rather than a thick daub of oil.

I love it. It’s the first Comme des Garcons perfume for which I’ve been able to locate a heartbeat. I admire their modernist approach but something in their stripped-down aesthetic usually leaves me cold. Here there’s both an emotional core and a minimalism that’s entirely in keeping with the house signature. Maybe the heart bit is all me, but I do feel there’s something warm and human about Black.

02nd September, 2015
Well, guys, I've approached skeptically this CdG's fragrance but have to admit I'm well impressed. Actually, if you like a soft licorice vibe, sharp-dusty frankincense, dry and "liquid" spices and "pencil-shavings" woodiness overall combined in to a softly aqueous, paradoxically translucent (modernly synthetic) and finally musky-leathery-resinous accord, well you can't miss Black. Vetiver, with its rooty saltiness, is "basic/central" imo and expresses its substance in to an intensely woody wet way (with vague conjurarions about scents a la CdG Wonderwood). Also leather is influencing (especially in the second part of the evolution) and I'm not detecting a classic "substantial" leather but a leathery "aura" supporting incensey-peppery dustiness and cedary muskiness. The extremely dusty (peppery and yet incensey) opening conjures me for few instants the Durbano Black Tourmaline's incensey mistiness with the addition of a soft hint of liquorice plus a progressively rising (peppery-incensey) pencil-shavings effect a la Carbone de Balmain, Gucci Pour Homme I or Montana Graphite. In a short while vetiver comes on stage with its central woody-salty role. There is actually a really smooth incensey-cedary feel which counteracts the woody "saltiness" providing a general sense of "misty and ambiental meditative minimalism". I agree with Colin Maillard since there is a huge dose of Iso E driven incense, synthetic woods and "musky galaxolide" in order to provide a cedary-incensey sort of synthetic muskiness immensely soft/smooth and vaguely resinous-aromatic (birch tar). Finally leather (a rubbery sort of leather) grows up in effects providing a really modern and distinguished vibe. This "conclusive" sort of synthetic musky-incensey-rubbery-resinous
dry down conjures me more than vaguely the final Jacomo de Jacomo's evolution and this old-school fragrance (especially in its aromatic rubbery-incensey feel) could have been ideally (possibly) source of inspiration for the Black's inception. A great take on synthetic-leathery/woody olibanum quite versatile and charming.
14th August, 2015 (last edited: 18th August, 2015)

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