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  1. Dzongkha

    In two of Roudnitska's late masterpieces, Diorella and Le parfum de Thérèse, the dominant motif - or the goal of his perfumery explorations was the famous over-ripe melon accord. And by the time he came to compose Dzongkha, Bertrand Duchaufour seemed to have already arrived at the rotting heart of Roudnitska's olfactosphere and established it as his Base Camp.

    Dzongkha accepts the premise, or the promise, of rotten fruit, but then, like all great students, Duchaufour does his damnest ...
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