I have always found the name Youth Dew silly and if someone asks about it or compliments it I feel silly saying it. That said, I like the juice. I've worn YD on and off over some decades, edp, parfum, body cream and bath oil (as parfum). Also used the yearly solid perfume compacts and long ago there was a YD cologne, which was my favourite form as it had a crispness that snapped your neck around when you smelled it. :D
YD always had a place in my repertoire until coming up on its 50th Anniversary in 2003. The bottles I bought were sometimes made in Canada, sometimes in the US. One bottle I bought I had to return, it just wasn't right. When I bought the anniversary gilded bottle it said made in Switzerland. Mistake again. It didn't smell right either. YD had lost the exhilarating floral opening and distinctive woody note that differentiated it from every other spicy oriental out there and it smelled generic and blah.
Fast forward to the other day when idling in a downtown perfume department I chanced to pick up the Youth Dew bottle and lo and behold it smelled a lot like it used to in the beginning. The bottle said made in USA. I had heard that Lauder had been "restoring" some original scents and wondered if YD was one of them. Whatever they had done to it, it smelled more like itself again. Bought the edp on the spot and am enjoying it once more. And add my voice to the chorus that says: Apply lightly, please!
I love ambrette and the note is very evident in Oud Saphir. To my nose there is somethng almost achingly intimate about ambrette. It seems to reveal the emotions of the wearer, which can feel vulnerable. The prior reviews describe Oud Saphir in all its notes very well. I had a similar experience to poppysrain: after I bought it I thought why? A year later I love it. Whereas I didn't "understand" the unusual notes (although there was something alluring that prompted me to buy it, which I did spontaneously after one sniff), they now seem to have truly come together in a harmonious whole. It has often happened that time has caused a perfume to blend into itself better and Oud Saphir has benefitted from this process. Very little is needed. It is potent and long-lastig. Beautiful stuff.
Is it perverse to like a perfume because it's "unmemorable?" That is how I find L'Île au Thé, refreshingly dry and citrusy, interwoven with tea and osmanthus, somewhat vague and difficult to pinpoint. Crossing paths with another person wearing it, I'm not sure I could identify it, even though I were wearing it myself. I like perfumes like that--elusive. They make me feel like I could go anywhere unimpeded. Despite an elusive quality, LIAT with a few sprays lasts all day on me. One day recently, after applying it in the morning, I received a compliment on it around 8pm.
Rbaker's review is much the way I experience Cuir Impertinent as to notes and longevity, although I am not familiar with the Creed for comparison purposes. Lasts over ten hours and with far less applied than most other fragrances I wear. The Mugler reps claim there are considerable natural oils in CI. I have no way of verifying that except to say there are zero harsh or chemical notes in any stage of the development on my skin, something I do experience with other Muglers such as the notoriously synthetic Angel.
The notes I have found for CI are: green note, spicy notes, hay, star anise, tobacco, amber, leather. I do also get the caramel vibe.
I absolutely love this scent. Its warm and cozy components come together to create a protective aura swirling around the wearer. Started wearing it in brisk November and it feels like one could never feel cold wearing this perfume. I'm curious as to how it will fare in spring when the weather turns warm.
Santal Carmin to me fulfils a niche different from some other sandalwoods. For a true down-to-earth sandalwood scent I go for Santal Majuscule, which to my nose smells like sandalwood I have held in my hand and inhaled. Santal Carmin is different. It is more like an idea of sandalwood that seems to hover slightly above the skin, floating around the wearer, with its supporting notes--lime, saffron, papyrus, vanilla, woods--adding a playful liveliness to the overall effect, light and airy. Yet it has good longevity. A few spritzes last all day on me.
Voluptuous yet restrained
When it comes to reviews I'm not much of a note cruncher. It's more about being transported by the aroma and how a perfume makes me feel. Rose Anonyme makes me feel great. In the past perfumes with pronounced rose and patchouli notes come across on me as somewhat aggressive but Rose Anonyme does not feel aggressive at all--assertive, yes, you know it's there, but settling into a soft personal aura with a very delicious patchouli note. It is somewhat redolent of the patchouli note in Angel but whereas after a while Angel's patchouli can seem pounding and repetitive, that in Rose Anonyme seems to float in and out elusively making you want more. The oud note remains mysterious to me. I know it's in there but I'm a beginner in exploring oud. It could be that what gives Rose Anonyme a perceived ethereal quality and keeps it from being heavy is its eau-de-cologne underpinning. I am also enjoying the matching soap, which leaves a light fragrance on the skin and the scent of which I find slightly "creamier" than the juice. So far it is non-drying and of course it smells wonderful in the bath.
Pros: A niche perfume that makes itself available
Cons: Pricey, what else is new?
Tomorrow I will be buying my sixth bottle of Beige since March of 2010, when I first started wearing it. Guess you could say I like it--read love it! I get all of the notes reported to be in there, but not always and not all on the same day. Different notes come up when they feel like it. Yesterday the gardenia was standing out, sometimes I smell the frangipani and then it can disappear for a couple of weeks before I smell it again. The aldehyde, heliotrope, vanilla and amber weave in and out, I love it when a blast of freesia appears--and so on, with the other notes as they come and go. Regarding the freesia, this is the only perfume containing a freesia note that to me actually does smell peppery like freesia.
I don't think Beige is perfect; sometimes it can smell a little plasticky in the drydown. To me it smells like an old-fashioned perfume from about 1911, composed with modern-day aromachemicals, thus the obvious synthetic notes. But I can overlook it when that happens because it is more than overbalanced by all the joyful bursts of aroma I get throughout the day and from one day--week--month--year to another.
I've read a lot of reviews of Jasmine White Moss on the net and quite often it seems criticized for what it is not rather than evaluated for what it is. In today's world it's not a chypre with real oakmoss, it's not Cristalle or Miss Dior or any of a number of other perfumes, it's not a French perfume by a great French perfumer, it's not a vintage perfume, it's not an indolic jasmine scent. What it is is a citrusy, green, floral, aldehydic "modern chypre" with a lot of zest and considerably more sophistication than other mainstream perfumes on the market today, with a tip of the hat to some French chypres of the late '60s and '70s. The latter vibe is something I thought I'd never smell again in a new perfume. I doubt we'll be having many if any classic chypres coming down the pike any more, and natural jasmine is meeting a similar fate to oakmoss. Given the reality, I'm delighted to be able to enjoy a perfume of today that has some of the elements of the zesty, woody variety of chypre (as opposed to the more smooth Mitsouko variety) translated into a very uplifting and enjoyable scent that I consider among the best of today's offerings.
17th August, 2009 (last edited: 22nd June, 2011)
Love Eau de Cartier. It makes me feel like I'm in a cool leafy forest with violets growing at the base of the trees. It is light in the nature of its scent but it lasts all day on me, close to the skin as mentioned by Vialman. There are very few scents that still smell fresh into the drydown and this is one of them. Got some nice compliments on EdC.
No. 19 is a truly wearable green. Love the way the galbanum, iris, leather and vetiver notes unfold. (Please add vetiver to the base notes.) Edt is like a forest with sunshine filtering through the leaves; parfum is like those parts of the forest where sunshine cannot penetrate. That's my take on it anyway. Edp's notes are more blended together and not as individually discernable as in the other two forms, IMHO. Thanks for the opportunity to review and for a great website!