Perfume Reviews

Reviews by foetidus

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Total Reviews: 2353

Bentley for Men by Bentley


Not like the usual automobile fragrances. Bentley for Men is an nice leather scent – deep, brooding, yet light enough to be very adaptable. Its greatest weakness is its rather poor longevity. It’s a must try for those who like leather – i.e. people who are not me.
07th February, 2016

Serpentine by Comme des Garçons


Much like Comme des Garcon’s Odeur 53, Odeur 71, and Garage. Serpentine is a continuation of a winning concept: the idea of presenting an olio of miscellaneous odors in an interesting and coherent fragrance. I’ve enjoyed all the odeurs… I find Serpentine my favorite of all of them. I particularly like this one because it is fresh, clean, and up-lifting – for most of its run. Serpentine opens with aldehydes and “oxygen,” I love aldehydes and I sort of depend on oxygen, so how could this opening miss? The fresh green cleanliness is remarkable. It’s the kind of accord that, upon smelling it, a person is obliged to breathe it in greedily. …Love those aldehydes… the opening lasts for much longer than most openings do.

As the opening morphs into the heart notes, Serpentine takes on a warmer (less oxygen-green) aura with a background asphalt note. The asphalt note is not at all dominant so it balances well with the original character of the fragrance, and the oxygen-aldehydes are still quietly coming through the heart notes. At this point, the fragrance has taken on a soapy ambiance not as enjoyable to me as the opening, but still something I find very comfortable to wear. From here, the movement is a gradual accumulation of labdanum and woods which do a decent job of representing the general atmosphere of a city’s pollution… Still, surprisingly gentle, soapy, and highly wearable.

Odeurs 53 & 71 I found intellectually interesting and important. Serpentine I find not only interesting, but majorly enjoyable. I purchased it two days after I first smelled it.
07th February, 2016

Just Cavalli Blue by Roberto Cavalli


Pleasant aquatic/fruity scent… a bit minty, a tiny bit flowery, a lot peppery. Sweet in a slightly screechy way. The “screech” is likely from the artemisia note which is a little too raw because it’s out of place when used with the pepper... the aromatics are a bit too characterless.

Nothing new here, but the whole fragrance is fresh and pleasant. Longevity is about average.
07th February, 2016
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Incense Oud by By Kilian


At first sniff Incense Oud appears to be one of those love-at-first-sniff fragrances… how could anything smell this good? Incense Oud presents firm, remarkably refined accords …impressively smooth, elegantly resinous, impeccably balanced. The opening / heart presents a delicate but impossibly complex accord that is lightly aromatic, softly resinous, richly and broadly wood /spice centered. Of the long list of notes, I can definitely identify oud, rose, geranium, cardamom, pepper, cedar. I can believe musk, patchouli, and labdanum. Once or twice I’ve thought that I smelled a hint of papyrus. I’m sure I don’t smell frankincense. The other notes… who knows?

Although the opening carries a beautiful elemental force, the remainder of the scent is simply a not-so-gradual reduction of the intensity of the original accord… or slight variations thereof. Incense Oud is incredibly beautiful in a gentle, refined sort of way - as opposed to the more dramatic, more rustic ways of several of the other rose-oud-resin offerings.

It ends its fleeting existence as a vague skin scent, leaving me quite unsatisfied because of its teasing coyness and lack of longevity. Yet I’m voting a thumbs-up for its contemplative, other-worldly quality.
07th February, 2016

Notturno Fiorentino by Bois 1920


I miss the opening bergamot. To me it opens richly with a dignified black current and floral accord quickly joined by an excellent shadowy cedar. The black current provides some of the higher vibes to the accord. It could be argued that the florals – (jasmine and rose, of course) are missing, but I think they are present in disguise… they form the central platform beneath the black current / cedar accord. The cedar carries deep resinous rumbling, which is assisted, I suppose, by a black pepper note. I hardly get any “sweet” from any of the accords. The result is almost visceral… “ALMOST” because this is, after all, a Bois 1920 fragrance.

The sillage is equite light which also should come as no surprise - also because this is Bois 1920. The performance of Notturno Fiorentino is typical of the other Bois 1920s I’ve reviewed: a subtle, almost hidden resinousness, more dignity than playfulness, limited sillage, good longevity as a skin scent. Notturno Fiorentino to me seems more unisex than feminine. It’s a very good scent if its subtle characteristics are acceptable to the potential purchaser.
07th February, 2016

Mistral Patchouli by Atelier Cologne


Remarkably aromatic. A super dose of aromatic emanations open the top: possibly some of the aromatics are from the star anise and the incense, but the main contributor to the potent aromatics is the geranium – an aromatically virulent form of geranium. And it lasts.

As the geranium tones down I get a little platform sweetness from the iris and together they form what I suppose is the aromatic floral heart of Mistral. Gradually the patchouli begins to grow – or at least I suspect it’s the patchouli… this patch is not at all typical; it’s an semi-earthy green pathchouli, obviously working in conjunction with the base’s vetiver, the patch and vetiver are sweetened a little by just the right amount of benzoin. I love it. After an hour or two of this base, I get a small taste of the salt note that others have mentioned.

Mistral Patchouli is quite remarkable in the delivery of its accords. From the dramatic aromatics of the opening through the salty crystal transparency of its base, it is an intriguing olfactory journey.
07th February, 2016

Grand Amour by Annick Goutal


Plenty of flowers in the opening: lily, honeysuckle, and hyacinth at first then rose, jasmine, and to my nose the strongest one – mimosa. I believe that Way Off Center used the perfect word to describe what’s going on here: “cacophony.” This is absolutely NOT a typical Annick Goutal fragrance. It is missing the usual delicate hand. The opening gives me nothing but a glob of “florals” and at this point my spell-check underlines the word “florals” as if even the spell-check knows there’s something wrong with the floral accord. Okay, I have been analyzing the opening by sniffing Grand Amour close to my skin: At a distance from the skin, the fragrance’s projection uncomplicates itself a bit and manages to become a little less confused… At a distance I no longer smell confusion: I smell “ehh.”

I’m relieved a little when the movement begins into the heart notes, but find that this is a false security. The accord seems to morph into a condensed, concentrated form of the opening accord. It isn’t at all transparent in the opening; it now becomes positively opaque… a solid blob of compacted mimosa. And there it stays… seemingly forever…

I own and highly value several Annick Goutal fragrances. Not this one.
07th February, 2016

Opus III by Amouage


Complexity is the primary characteristic I find in Opus III. The opening is aldehydic, green, neutral, warm, and spicy. It lasts well and provides a fine sillage. My difficulty with it is that it’s not very interesting… But it is complex – I could easily get lost in its maze.

The heart is floral. The only note that I can clearly pick out is violet, the rest of the floral notes are lost on me, which for me makes the heart accord not very interesting. The base is a neutral / wood / sweet platform with the aldehydic violet still fliting about. Again, complex but dull.

I don’t know what happened to Amouage with these Opus fragrances – they seem entirely out of character from Amouage’s usual offerings.
07th February, 2016

Encre Noire Sport by Lalique


I really enjoy the original Encre Noire so I made a blind purchase of this Sport version, and I did not make a mistake. I wasn’t planning to, but I actually prefer this sport version: it has a tamer ink note; also, the potent resinousness of the vetivers has been reduced. These reductions make Encre Noire Sport much more subtle in performance. It is more versatile than the original version.

Encre Noire Sport is easy to recommend: If you liked the original, you will likely enjoy Sport. If you disliked the original, you will probably not enjoy this. Oh, and in this case, the name “sport” really means “reduced strength.” I will not use this as a sport fragrance…
07th February, 2016

Versace pour Femme Oud Oriental by Versace


Freesia and heliotrope and violet, oh my! I wonder why they included “oud” in the name of this oriental. All I get is huge floral triad that lasts for a couple of hours. I don’t smell the saffron that might have toned down the flower trio; I don’t even smell the roses. This floral accord linearly hangs on from the opening through the middle, losing some potency, but being hardly affected when in the base it is touched by a diminutive patchouli and a modicum of leather. With the development of the base, the leather turns out to be hit and run, while the sandalwood and oud are missing in action as far as my nose is concerned.

Versace por Femme Oud Oriental is a disappointing fragrance in total. The masculine version of Versace Oud is a decent fragrance, but this one is just superfluous.
07th February, 2016

eo01 by Biehl Parfumkunstwerke


Totally, delectably woody-gourmand (but not foody) opening. a complex spicy-fruity accord hovering over a woody platform. The fruit are primarily citrus but with a strong mitigating, screech-lowering coconut which seems more coconut husk than pulp or milk. This is one of the first coconut notes that I’ve enjoyed in fragrances… The spices – cardamom and a restrained nutmeg are quite neutral and provide heft and substance rather than typical spice-drama. Also aiding the spices in neutralizing and maturing the sweet top level platform is that discreet platform of wood wafting in from the mid and base levels.

Neutrality and texture continue dominating the middle level of a tamed-rosewood / floral. Again, like the spices of the opening, the florals exude texture rather than drama. I guess “neutrality” is the word for this level – it has lost the gourmand reference of the opening and even that hint of vanilla that had been suggested. As undramatic as it is, I keep being drawn to sniffing and enjoying it. It is enjoyable even with a large part of the middle’s “neutrality” includes its reduced sillage. It doesn’t broadcast as well as the opening.

Speaking of not broadcasting – the base is quite recessive, too. And too bad; it is an excellent complex wood base. I don’t get any sweet in the base. Besides the wood setting of sandalwood, cedar, vetiver, and patchouli, about the only identifiable note I get is a sparkly but not sweet cinnamon. The base is rich and sophisticated, but it could definitely use greater projection.

I love nearly everything about eo01 by Biehl Parfumkunstwerke, but its extreme discreetness gives me pause in completely surrendering to it… I see it as having a place as both a sophisticated office scent and a warm sensual body fragrance for either gender. Its beauty is almost silent.
07th February, 2016

L'Homme Parfum Intense by Yves Saint Laurent

It seems to me that the intent of an “intense” version should actually present a stronger, more concentrated version of the original. To me that L’Homme Parfum Intense defies that logic: it’s about as intense as a typical shampoo… and about as generic. I gotta say, though, that L’Homme Parfum Intense isn’t all bad. The opening suede-orange accord is one of those accords that people say smells like cardboard – which in this case is not a bad smell – just uninspired. But after a while it’s more correctly referred to as boring, weak, and inconsequential. Suede-orange cardboard doesn't do much for me.
23rd September, 2015

Black by Puredistance

Puredistance Black - I’m not sure I know what I’m smelling but it’s nothing that I connect with… It’s not concrete. It’s definitely not abstract. And it’s not abstract-concrete like CdG’s Odeurs 53 or 71. Elements of the scent seem vaguely familiar, but not familiar enough to identify them. Lucky Scents’ blurb suggests that P-D black is presenting the smells of childhood… but I don’t feel it tickling anything in my deepest memory banks… Puredistance Black is warm, but I don’t really get leather, booze, aminalics… yet I certainly wouldn’t argue about those…

Now, about 45 minutes into it, I get a growingly disgusting element that hits me very much like heavy leather or birch tar does… Yes, that is definitely there filling up the background and precluding this from all possibilities of my purchasing it… yup, birch tar is there, so this will be quickly coming off my skin.

I wish I could say that this was a noble experiment – but I’m feeling neither success nor frustration – this fragrance is simply too non-intriguing for me to bother thinking about any more.

I don’t find Black at all unique or intriguing. It is simply a somewhat linear, conglomerate accord… very much in structure like the ‘90s Calvin Kline’s best sellers, except that this one is not synthetic smelling nor screechy.
28th August, 2015
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Carbon [6C] by Nu_Be

What a surprise! The last Nu_be fragrance I tested – Nu_be Mercury – made me nauseous. This one, Nu_be Carbon, is not only tolerable, it’s quite desirable. It opens spicy and bright – ginger, cardamom, chili pepper, iris and resins. They are all there in an effervescent, wearable accord. It is a seriously spicy-resinous accord, and yet it is not over-the-top… and it is beautifully refined. This first accord lasts about an hour with ebbing sillage, and then continues on as a heart and base with an iris / sandalwood texture backgrounded by a soft ginger / cardamom. This subtle, elegant textured aspect lasts for another two or three hours on the skin (longer on clothing). It eventually tapers to a dry sandalwood / maybe-floral conclusion – I love the smell. I’ve smelled the heart / drydown before – it was a local product – it was my favorite body wash when I lived in Taiwan – it was called… “Carbon.”
28th August, 2015

Paul Smith Man by Paul Smith

The citruses of the opening are about the only interesting element of the fragrance. The yuzo and bergamot, nicely helped by the star anise are rather dusty (very good description, Darvant) and unclear, thanks to the combination of violet, incense, and patchouli notes already encroaching on and dominating the opening citruses. The accord is noticeably synthetic, particularly suffering from a lack of better quality material. The violet continues on into its middle level, becoming the dominant element in the remainder of the fragrance to my nose. Not at all original and boring … don’t like it at all.
28th August, 2015

Heir by Paris Hilton

Bergamot and a synthetic leather in the opening… Hard to say what else… maybe lavender and fir… very, very hard to diagnose. I can’t readily identify individual notes in Heir… it is one big blob of confusing smell. The fragrance is not very strong and it doesn’t go anywhere or do anything except get weaker and weaker in its hurried descent to a a quick death… not at all a tragedy. Anyway, it is not a disagreeable scent. Its major ailments are an incurable case of boring and an short life span.
28th August, 2015

Baladin by Nicolaï

Aromatic herbal opening – very nice accord of mint, grapefruit, tarragon and thyme, citrus and three herbs I wouldn’t have thought would work together –. It’s remarkable how fresh it is and yet warm remains warm. I guess the warmth comes from both the tarragon and leather notes. The accord is enjoyable, nondramatic, grounding.

When the leather and vetiver take over, I pretty much begin losing the fragrance. The accord becomes quite reticent to my nose, searching deeply for it, I find the accord pleasant, but I would find the accord more interesting if it came through a little more strongly for me. As a skin scent, I don’t think it’s compelling enough – a soap or moisturizing lotion could accomplish the same thing. Baladin started out well, but ends in a fizzle.
28th August, 2015

Quartz by Molyneux

From the descriptions of Quartz pour Femme in these reviews I would guess that there have been a few reformulations since 1977: the version I am testing is, I believe, the most current version and the notes listed on the package are:

Top: Lemon, Mandarin, Bergamot, Grapefruit. Middle: Iris, Jasmine, Lily of the Valley, Honeysuckle, and Rose. Base: Vetiver, Sandalwood, Patchouli, and Tyrolean Moss.

My nose is in agreement with the notes listed on my package. I get a light, refreshing citrus opening followed by a floral heart on a rather delicate chypre base. At all three levels of the pyramid, the feeling of the fragrance is 1) a simplicity unusual for a chypre IMO, 2) a freshness that, strangely, smells chypre-ish, and 3) a generic boredom that is very unusual for me to find in a chypre – (I usually love chypres).

Quartz is very nicely structured. It is pleasant. It has easily controlled sillage. It has decent longevity. It is not synthetic or plastic. But it could be much more interesting. It has, as Naed_Nitram says: “long, clean corridors.”
28th August, 2015

Antihéros by Etat Libre d'Orange

Wow! Lavender overload. A high quality lavender explodes out of the bottle. It is a little musky, I think, which contributes nicely to the quality. The lavender tones down, as a normal lavender does, to a point where it acts smoothly in conjunction with the musk and cedar. The new accord is far too normal for Etat Libre d’Orange fragrance – it is also rather generic… excellent quality and very pleasant, but not unique. Later, the woods move further into the accord, and the lavender is pretty much gone.
Antiheros lasts quite well for a lavender fragrance; the initial lavender blast is temporary... it settles down nicely. The remainder of Antiheros is quite discreet and perfect for a pleasant, quality office scent. I enjoy the fact that this fragrance doesn’t add vanilla to the lavender – I dislike that combination. Lavender isn’t my favorite, but this one deserves a thumbs up.
28th August, 2015

Light Blue pour Homme Living Stromboli by Dolce & Gabbana

Rather attractive opening accord – a sharp, sweet, aquatic, plus a direct lychee note provide for a likable simplicity. I don’t get musk, per se, but there is something sweet augmenting the lychee’s sweetness. The movement to the “floral” middle makes for a bit lowering of the timbre of the opening… the scent has come to operate at a lower sharpness level. I’m not sure I can identify either the iris or the Osmanthus, and the deeper timbre doesn’t do much to lessen the aquatic character of the scent, which by now are getting a bit annoying because the aquatics are even more synthetic that most aquatic notes. The base lowers the vibrations of the fragrance even more, and to the point where I feel the scent has finally settled into a comfortable feeling… the aquatic has finally given up, much to my relief. Light Blue Living Stromboli is pretty much an average aquatic. I don't have very high expectations for aquatics, so I'm going neutral on this one.
28th August, 2015

Tam Dao Eau de Parfum by Diptyque

I own and love the first Tam Dao, and I’m well aware that it is not really a sandalwood fragrance… it is a cedar fragrance. As far as sandalwood goes, this EdP is much, much closer to the real thing. This is a classic Mysore sandalwood and it is superb… Although this is not a SOLO sandalwood, it features a clean, creamy sandalwood note that plays no games. On my skin, the sandalwood rules, assisted by a quite subtle cedar. The other notes – lime coriander, ginger, musk, vanilla, and amber play only minor support roles to the sandalwood – noticeable but non-interfering with the sandalwood. The wood accord has a gentle projection and a rather short longevity. Outside of that understandable and forgivable flaw, this is pure sandalwood enjoyment. I doubt I’ll be wearing the EdT very often anymore.
28th August, 2015

No. 5 Eau Première by Chanel

I recognized this as similar to N° 5 at first sniff – must be the aldehydes… there’s quite of hit of it, but they don’t last long before the opening settles down to a more-modern-than-no. 5-tenor. The floral (rose and jasmine) heart is beautiful… and of the quality I would expect from Chanel. I think what makes the heart so outstanding is the influence of a delicate vetiver from the base upon the balanced, quality rose / jasmine accord. The base is a simple, clean vanilla and vetiver – excellent... might be a little too transparent for my tastes, still I cannot fault it. N° 5 Eau Premiere is simply beautiful and it's a more casual and wearable presentation of the original N° 5: This is how flankers should be made.
28th August, 2015

La Vaniglia by Bois 1920

They do rock! Lively opening… aromatic and strangely rich. The listed top notes – citrus, mint, and pepper – don’t account for the depth of the opening. It must be that the patchouli and incense from the heart accord are showing up upon spraying, giving the opening a wood / resinous platform for the bergamot and mandarin to do their citrus stuff and the amazingly restricted mint to provide just enough contrast to make this rocking top of the pyramid.

Oddly enough, it’s the mint that first backs off of the top accord leaving a citrus, pepper, patchouli and restrained incense to form the dominant accord of La Vaniglia along with a clean vanilla note from the base.

I don’t smell much of the pepper of the opening – I never do. I don’t smell the heart’s listed ginger– I don’t miss it. I don’t get much incense, but I would swear that there’s more than a touch of labdanum or myrrh with amber shadowing the whole fragrance – I haven’t decided which, but it is there!

Such a pleasant, satisfying scent this is. My first thought was that an accord this pleasant, light, and clean can’t possibly last very long, but its longevity is average – more proof of the myrrh.
28th August, 2015

Duo Women by Azzaro

Very fruity opening. And the fruity nature sort of continues into the floral heart notes by means of the passion flower and orchid, so it remains sweet and rather yummy. This is pretty much of a pleasant linear scent from the opening to the base where it turns patchouli / cedar woody and generically but pleasantly sweet. Nothing extraordinary about Duo Women except its unusual bottle. Nice fragrance.
28th August, 2015

Animale Temptation Man by Animale Parfums

Temptation begins with an enjoyable citrus / coniferous accord accented by a clean lavender. Nice… but after fifteen minutes, there’s a dry period when not much seems to be happening… I suspect it’s when the musk has moved in (I am anosmic to some musks). The fragrance basically dies for me at that point, only to be picked up again about twenty minutes later when a peppery wood scent takes over the aroma duties. I guess this accord is the “exotic woods” accord – it’s quite nice, but it is extremely reticent. This base accord hangs on for an hour or so as a subtle skin scent.
Temptation would have been a good scent if it had a bit more substance at its core and a little better projection at the end.
28th August, 2015

Opus II by Amouage

A pleasant woody, spicy, amber reinforced by a quality (but recessive) frankincense note in a non-distinctive fougere structure: If you think that’s worth $350, go for it. Me… I’ll pass…
28th August, 2015

Opus I by Amouage

I don’t know… Opus I comes to me as one big glob of miscellaneous fragrance. Yes, it’s rich – might even say “opulent,” but I don’t sense any distinct form or function to its presence – it’s a big glob of a what I have come to feel is a disagreeable aroma. As hard as I’ve tried, I can’t ascribe an identifiable persona to the fragrance. It’s like Opus I is saying “opulence is enough…” I have problems with several notes in fragrances – leathers, birch, violet, and water lily – but there is nothing in the list of ingredients of Opus I that I tend to dislike. I can’t explain my aversion to this particular smell. Opus I is quite sweet; it is not really pleasant smelling; it is strong; but mainly for me it’s 350 dollars worth of “no thank you, I prefer not”…

Now I have to go and wash this off now…
28th August, 2015

Fate Man by Amouage

Woods, resins, deeply dry spices, frankincense, absinth, and cistus… this is serious stuff – about a serious as I’ve experienced in years. I’m rather intellectually awed by the opening, but as interesting as it is, it’s also a bit intimidating, I find that the saffron makes the undertone a tad too grungy for my tastes – but, unlike some of the other reviewers, it isn’t the cumin that I dislike – it’s the saffron… I still appreciate the depth, spiciness, and resins, but I’d enjoy the excellent Absinth note even more without the saffron.
The middle accord cleans up things for me. Again the accord is resinous, but this is the smoother resin. The aggression of the opening has ameliorated in the presence of everlasting flower, frankincense, lavandin, and copahu which come through cleanly, clearly, and richly. The accord is more intimidating that loveable, but it keeps drawing me back into its miasma.
The base presents more variety and depth and less resin than that which preceded. First there is a controlled sweetness that arrives by means of tonka bean and licorice, providing just enough sweet to broaden the diminishing resin. Then the excellent labdanum, cedarwood, sandalwood, and musk join in to complete the basenotes. The drydown is extremely long lasting and one of the best accord I’ve smelled in ages. I love the concept of this scent… but I’m not so sure about wearing it. I feel it might be too intimidating.
28th August, 2015

Curve Kicks for Men by Liz Claiborne

When I saw the note pyramid which included almost everything but the kitchen sink, I expected a synthetic bomb and I cringed before I applied it to my skin. I didn’t need to cringe – it’s not that bad… in fact, it comes across as a more or less pleasant scent. It’s synthetic but the synthetics are tolerable.
In spite of the seventeen ingredients mentioned in the pyramid, Curve Kicks seems a bit thin to me. If all those notes are there, you can’t prove it by me. The top accord depends on aquatics, mint, and ginger with a tiny help from some citrus synthetic. It’s not bad… but I can tell immediately that there is not enough substance in the accord to keep it going very long – in fact, “lack of substance” is the main problem or the entire fragrance.

The middle accord hands itself over primarily to the cedar note – and, oh yes, there’s a little labdanum synthetic underscoring the cedar. Very little amber there – it’s not too sweet, and I applaud that, what sweetness appears, seems to come from a light, pleasant musk. Again, the main problem with this accord is its lack of solid olfactory substance.

The base peters out way too quickly. What I can catch of it is a neutral wood base sweetened by a mild musk. It’s okay, but very generic, quite synthetic, and a bit too short-lived. I would think that this should probably be more than a skin scent. I noticed what sentimus said about Iceberg Twice, so I got out my bottle of that… He’s right on all accounts – Curve Kicks is similar to Iceberg Twice; it is less complex, with poorer sillage, and less lasting power than Iceberg Twice; and Iceberg Twice does not have the synthetic aura that Curve Kicks has. Still Curve Kicks is not terrible – but there are many, many better ones out there.
28th August, 2015

Ocean Rain for Men by Mario Valentino

To say the least, Ocean Rain is very interesting scent. It is green, citrus, lavender, artemisia, and three-day-old sweat. I’m not sure how I respond to it except to say I am a tiny bit disgusted and a lot intrigued. After a couple minutes, when I pick up the marine notes of the middle accord, it’s fairly clear that the sweat comes from some combination of those marine notes in conjunction with the thyme, cyclamen, and artemisia. It’s not pretty… but I am still intrigued.

The marine notes grow to prominence for a while in the middle accord but relatively soon backs off to a spice / floral accord. Here’s another built-in conflict: the thyme and to a lesser extent, the recently introduced fir seem to contradict the tone-value of the florals – rose and cyclamen. The conflict is very real when sniffed on the skin but the sillage reacts differently… it carries a shifting pattern of florals and dry spice with the marine notes faded a bit into a cool background – it’s actually an impressive experience.

Ocean Rain’s drydown is a light amber / leather /moss affair that eventually becomes a slightly resinous skin scent: rather rich, rather masculine with moderate sillage and moderate longevity.
28th August, 2015