It’s not the first tea scent inside the Yves Rocher collection. The fans of this brand would remember Fraîcheur Végétale Thé Vert launched in 2003. Both build around a recognizable green tea accord introduced by Jean-Claude Ellena in Eau Parfumée Au Thé Vert for Bvlgari in 1992.
According to my personal classification the whole Un Matin au Jardin line belongs to a category of the “morning colognes”, the light fresh waters with low staying power. So they can be sprayed directly after waking up to give my morning a nice boost and disappear by the time I go to the shower.
Thé Vert acts like a refreshing sip of green tea with lemon served outside on the background of the spring garden. Fresh air, energizing smell of citrus and a lot of bright shades of green. Sometimes I even smell a whiff of fresh white blossoms brought by a gust of wind (a small reminder from Cerisier en Fleurs). A faint transparent woody background completes the picture. This cup of tea works like a good tonic filling me with joy and energy for the day. The staying power is extremely low. I don’t know whether I can finish drinking my tea before Thé Vert is almost gone. I can barely smell it in an hour. But I am still happy to have it as a morning cologne.
Gives me a nice illusion of lilacs in the aura, but closer to my skin it keeps to be harsh and synthetics (as if the lilac is starting to break into its building blocks). Not using it as a perfume, but one or two sprays on a curtain or a scarf near me (and sometimes under my cloth or just on my hand) gives me nice whiffs of lilac in the moment I start to miss the blossoming lilacs during the spring (I call it my personal intimate moments with a fragrance :) ). As a man I wouldn't wear it outside - too feminine and a bit old fashioned for me, but still like the lilac inside.
I'd say - try it on your skin before you buy and don't let the advertising to tempt you. To my nose it doesn't smell anything what is claimed. No champagne, no white flowers, no leather. At least not as I know them through my own experience. I smell a very big purple raspberry "fruit" cooked into a jam with a lot of sweet white musk (somehow the image similar to what I get from The Body Shop Raspberry line). It's very dense and sticky and suffocating to me. But definitely give it a try it if you like the modern fruity-musky tendency (I smell it a lot in Celebrity scents). In that genre it's pretty good - rounded, has a good volume and free from unpleasant aberrations. But only if you like the fruity jams.
To me it's definitely a "Beauty and the Beast" scent. It has a terrible start and a beautiful sensual heart. It starts with a very strong and rather unpleasant aromatic note reminding me a celery suffering from profuse transpiration. My impression of the smell is as if this celery note clamorously runs in front of the scent and swings with an ax like wild prehistoric man. But if you let him to loose his energy and fall down, you can get a path to the heart of the scent combining classic rose and patchouli combination. Very sensual, ultimately feminine and thrilling. It smells like a romantic music played on cello. Love that a lot. I sprayed the perfume once on my wrist, but it stayed about three days on my sleeve. The scent is not subtle, but rather loud and dramatic. The beginning is terrible, but the end is beautiful and long lasting.
A nice duo of rose and tuberose. You take the tuberose from Cèdre by Serge Lutens, but without the woody cedar. Or animalic tuberose number 3 by Histoire de Parfums and make it free from animalic notes. Than you mix it with a fresh lemony pink rose and voilà - you get the Rose Alexandrie...
Yes, the tuberose makes this parfum more sweet and sultry than you may expext from a rose. If you are a tuberose fan, give it a try. The price is probably the least appealing factor of this perfume.
In the begin lavendel is accompanied with a cool breeze, later in the hart it’s aromatic and in the base it is mossy-woody. But all the way long it’s just about lavender from top to base. Rustic and nonchalant. Smells like a lavender soap, but gives rather a clean and groomed impression. It smells simple, but not cheap on my skin. To me it’s a perfect perfume for a lazy Sunday or on vacation somewhere in South France – it gives a relaxed feeling when nothing has to be done and all the time is free for whatever you’d like to do. Rustic, peaceful and nonchalant. On the other hand I also think it would be a good perfume to wear in the office – clean impression, soft and helps to keep your head cool. So, if you like lavender than it's a nice one to try. It's more powerful and crispy than Lavender from Yardley. And it's less sweet than lavender's by Caron. But if you don't like lavender - well - you might smell an old lady as other reviews mention :o).
Calèche recalls associations with spring because of its combination of cool aldehydic chypre with green notes and warm woody bases. I don't get much of a chtpre here. The base is more woody than mossy. Interesting is a salty note in the bases (probably what people call urine) that comes from vetiver with musk and oakmoss in the absence of patchouli and vanille. The combination of aldehydes and iris makes this perfume pretty powdery that may be experienced as "old fashioned". The floral bouquet is classic combination of Jasmine, Rose and Lily-of-the-Valley, supported by iris. In this fragrance the first party is played by aldehydes and woody powdery base. The flowers are on the background. It becomes warm on the skin, but reveals not a sweet, but sulty warmth that may smell a bit strange. No leather on my skin. Smells good on a male skin, especially after aldehyde and powdery notes are settled down and the warm powdery woody base start to play.
Interesting scent - completely in style of Serge Lutens with its pronounced sugary sweet exotic oriental base. To me it opens with incense, burnt sugar and smoke combined with a balsamic coniferous breeze of fir needles. It's deep and introvert. For me it's a perfect autumnal scent to walk in a park or forest - somewhere you can be alone with nature.
Osmoz shows amber, fruits, spices and vetiver in its pyramid. Well - I don't really get amber - rather burnt sugar combined with sweet resins (that is perfectly nice with me). Fruits - they are a bit undefined - sometimes I get a fruity note (like peaches), but it's not really easy to name. Spices - just enough to strengthen and brighten the composition - like a pinch of salt. Vetiver is pretty transperent to me - a salty woodiness.
It's interesting to see the play of warm woody sugary resins and cool notes of incense and fir. Sometimes it can turn into a kind of tooth-paste note. But fortunately not that often. In general it sits pretty close to the skin (although I'd expect a greater silage) - this one is quiet, but really remains to be noticeable and long-lasting.
Sarrasins reveals jasmine born out of clash from deep indolic leather and sweet apricot fruits. If you are accustomed to the most non-indolic jasmines in perfumes, you might find Sarrasins too dirty, animalic and heavy. But in fact, it shows a kind of exaggerated jasmine flower. Indole notes are supported with Castoreum giving a leather note. And the fruitiness turns into a sweet soft apricot accord.
On my skin it doesn't show much of leather or animalic indole - they make a background for the fruity notes. The apricot note dominates and gets sweeter and sweeter with time. It's pretty sweet and oriental. Wearing it is relaxing and makes the time slow down...
Very nice classic leather. Amazing that it still alive. Based on interesting juxtaposition of dark animalic leather and soft sweet floral note with a strawberry accent - they play hide and seek with each other.
On my skin I don't get much citrus, rather some cool herbs bounded with leather ribbon. In a floral heart my nose definitely smells jasmine (although it's not in a pyramid here) and fresh rose petals. The leathery basenotes are very clear from the beginning - I smell two kind of leather - a rough tar leather of a saddle and a soft dressed leather of a traveling bag. Nicely seasoned with animalic notes, generously powdered with cumin and slightly warmed with a sugar-free amber.
First time I tried it I didn't like it that much. It was a nice leather scent, but too much for me. But I am glad I've got some patience and waited till this fragrance is tamed. It opens really beautiful.
A good fragrance although I agree with Luca Turin who emphasize its resemblance with Yohji. Guerlain Homme could be a Yohji Summer. Starts with a good Mojito accord. The resemblance with fresh cocktail is amazing. Rum, mint, lime and sugar - perfect refreshing mixture. In the heart it smells more like soft floral fougère to me due to its green bitterness of geranium leaf and tannic green tea note. The dry down is not as woody as I expected, but in line with the fragrance and doesn't get "rancid". In general - good citrus eau de cologne with a twist.
I did try it on my skin and it was a disaster as the scent was following me all day long. It took about an hour to be able to smell it without retching. Just at the end of the day and after washing out from my skin it turned to something interesting.
Very, very watery, a little bit fishy with a touch of blood and metal and a lot of iodine. No sperm, no adrenaline association. I am happy for moon_fish who could enjoy the smell of Mermaid full of glamour. Well – I agree with a Mermaid perfume idea, but my Mermaid was at least 300 pounds with a greyish very pale cold sweaty skin and bad melancholic temper.
A went to the zoo with this perfume still on my hand and I found two more associations. There is something similar with the smell that comes from the rain washing the birds’ excrements off the ground. Or the clean men’s room where the urinals are flushed every 5 minutes – a very watery air where the urine smell is not entirely absent, but just diluted thousands time by the water flushes with a touch cleaning products smell. I think it’s the watery factor that annoys me a lot in this perfume making it look like a jellyfish without a skeleton.
Conclusion: watery, dirty, iodine, milky, bloody, metallic nuances are nice when they complete a perfume bringing a twist into it. But when all those nuances a brought together as main perfume ingredients it’s a disaster.