Reviews by Naed_Nitram

    Showing 1 to 30 of 320.
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    Kouros Cologne Sport by Yves Saint Laurent

    A mysterious scent, but sadly misnamed. It should rather be called "The Enigma of the Hour" or "The Phantom of the Pharmacy" or even, quite simply, "Afterwards". Here we have the formidably earthy creature that is Kouros (honeyed milky sweetness interfused with sperm, sweat and goat's urine) taken past the halfway house that is Kouros Fraicheur and ultimately refined into a clean, subtle, serene and elusive being. A whisper of the original Kouros smell informs this fragrance, and its reserved, slightly medicinal yet warm aura might just possibly invite some sort of "sport cologne" connection, but its real essence lies elsewhere. I think it has best been captured by the review of the admirable Indie_Guy (see below) who says "It smelled somewhat 'funereal' and conjured up images of burial linens. Spooky ... Fresh and yet has hints of otherworldly dark things floating through it." A brilliant and poetic observation. Not so much death as decay in a Victorian churchyard (which, to my nose, Van Cleef & Arpels Pour Homme can sometimes suggest) but death in mysterious Egyptian dimensions - a space of eternal shadows. Not to everyone's taste, perhaps, but don't be alarmed into thinking that, if you wear this scent, you will be mistaken for one of the walking dead. (One could equally compose a narrative placing this fragrance in an 1890s Parisian salon, imagining it being worn by a slightly eccentric young dandy and also, perhaps, by his elderly aunts). I merely meant to suggest that it does capture a real sense of mystery - hence the connection with death as the ultimate enigma. Like the original Kouros, in its very different way, a bit of a masterpiece, and one equally likely to divide opinion.

    25th November, 2011.

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    Cacharel Pour L'Homme by Cacharel

    "The King of Spain's daughter asked to marry me / All for the sake of my little nutmeg tree."

    Truth to tell, Your Majesty, I was wearing Cacharel Pour L'Homme" at the time, so how could she resist? After a while, she took to wearing it as well.

    24th November, 2011.

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    Coriolan by Guerlain

    Elegant, evocative, enigmatic, eccentric - Coriolan seems to be one of those Guerlain fragrances that really divides opinion. Personally, I love it dearly - an alchemy of ingredients that almost defies description in terms of conventional fragrance categories and yet somehow achieves its own sort of odd perfection. Imagine a soiree in the Faubourg Saint Germain. In one corner, the Baron de Charlus sniffs his wrist appreciatively. In another corner, the ever-ailing Marcel, propped on a chaise longue, does the same. Both are wearing Coriolan. "It seems that forever," murmurs the Baron, "I have been seeking such an overture: this rich depth of plum-coloured velvet riddled with the aristocratic sharpness of watered silk, both companiably wedded to a sour-sweet, brackish sophistication and a heroic roughness!" "The overture," murmurs Marcel, "is pleasant enough. But the true glory of this scent is in the last, lingering moments of its basenotes. They have been present there like a phantom, from the beginning, but now, at last, they achieve their apotheosis, leading me into an underworld of disappearing echoes, lost lives, lost loves, full of pride, swagger, gratitude and regret. True poetry of the perfumier's art!"

    24th November, 2011.

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    Eau de Campagne by Sisley

    Visiting my friend Marcel in his hospital bed the other day, I was surprised to find him in a mood that was almost ecstatic. "As you well know, mon cher Nitram," he informed me, "I have long been anxious to recapture lost time. Well, here I have a veritable bottle of precious, elusive memories! At the first sniff of Sisley's Eau de Campagne, I was immediately transported back to my childhood! There I was, all of eight years old, dressed in my little sailor suit (de rigueur attire for children of my generation), crawling through the summer undergrowth at the bottom of our garden. The smell of cut grass and tall, dusty nettles, warmed by the sun, surrounded me on all sides, interspersed with the occasional whiff of herbs and tomato plants from our kitchen garden. Although a somewhat delicate child, I was determined to keep on crawling, in the vague hope that, somewhere in the midst of all this fragrant foliage, I would meet up with my first love Gilberte, also eight years old, and, nose to nose, we would declare our undying devotion to each other!"
    At this point in his monologue, Marcel was interrupted by a huge, frowning nurse who informed him briskly that he really should stop getting so excited and eat up his tapioca pudding.

    19th November, 2011.

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    Eau de Quinine by Crown Perfumery

    Probably beloved of Sherlock Holmes, possibly enjoyed by Oscar Wilde in certain of his moods, perhaps appreciated by Jack the Ripper, almost certainly dismissed by King Edward "Tum Tum" the Seventh, Crown Eau de Quinine could well inspire the following adjectives: medicinal, metaphysical, mysterious, reserved, deep, complex, uncanny, sinister, quaintly traditional and oddly modern. In fact, a bit of an enigma.

    18th November, 2011.

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    Crown Imperial by Crown Perfumery

    The first delight is a visual one: the colour of this juice is an unusual deep, luxuriant orange. The second delight, on initial spraying, is the obvious purity and quality of the citrus ingredients. The third delight is that, after a couple of minutes, the citrus, to my nose, seems to take on the sharp, refreshing tang (sharp but never harsh) that is almost identical to the opening notes of YSL Pour Homme - one of my favourite opening citrus blasts.
    After these three delights, Crown Imperial took me on a pleasant enough journey into the realms of traditional eau de cologne developments - quiet woods and spices modulating the citrus. Perhaps, towards the end, something of that traditional Crown mustiness and fustiness crept in - but not enough to be offputting.
    All in all, a rather fine experience.

    18th November, 2011.

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    Worth pour Homme by Worth

    Unexpected encounters in elegant corridors. A cousin of the original Paco Rabanne, Worth Pour Homme is quieter and more reserved. A beautifully blended scent at a budget price, putting many more expensive fragrances to shame.

    17th November, 2011.

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    Dolce & Gabbana pour Homme by Dolce & Gabbana

    A handsome man, and a strong one, smelling of lemons and tobacco, a hint of old-world charm and timeless menace. A touch of old Sicily, smiling, formal and polite. But tread carefully, spray gently, mind your manners. There's power and danger lurking here and more than a liitle ruthlessness. He definitely knows where all the bodies are buried.

    17th November, 2011.

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    Envy for Men by Gucci

    A smooth limousine of a fragrance, this, with never a bump or a rough spot. It just sort of glides along, light and silky, woods and spices, simultaneously powerful and subdued. Some might find it almost bland in its quiet, oiled perfection. The limousine glides. Passers by crane their necks, eager to get a glimpse of who's inside. Well, obviously, it's Monsieur le Duc d'Elegance and Monsieur le Compte de Suave.

    17th November, 2011.

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    Noir by Network Health & Beauty

    Stranded in the jungle, surrounded on all sides by hostile tribes, his ammunition and his beloved Denim Original all used up, the intrepid English explorer Captain Bunty Fortescue-Smythe had little option but to accept the offer made to him by his chum, Captain Horatio 'Boy' Carruthers, to splash on some Noir eau de toilette.
    "One of the best budget scents," 'Boy' Carruthers assured him. "Perhaps not as fresh, clean, decent and manly as Denim Original. In fact, more of a sultry evening scent, golden and glamorous, the sort that a chap might wear when he's asking a chorus girl to dine. It's made in Great Britain, of course. Like Denim Original, it's fairly fleeting and inexpensive, you need to slap quite a bit of it on to make an impression, but, again like Denim Original, it's dashed well blended. Puts me strongly in mind of Ho Hang by Balenciaga, even, to a lesser extent, of Pierre Cardin Pour Monsieur, maybe even a hint of Chanel Pour Monsieur. It has, somehow, that vague promise of sophisticated scent that a chap so appreciates when he's just left school and is first learning about cologne and women and so forth."
    "Very well," replied Bunty in clipped tones, "since we're out of ammo and Denim Original, what have we to lose? Let's dress for dinner, slap on some Noir eau de toilette, sing some old school songs and raise our glasses to Queen Victoria! We'll show these foreign johnnies that an Englishman can go down bravely and smelling good!"
    Whether it was due to the Noir eau de toilette, or to the school songs, or to the mention of the mighty Empress-Queen Victoria, when dawn broke the enemy had disappeared and the two pals made their weary way back to civilization.

    13rd October, 2011.

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    Weil pour Homme by Weil

    Visiting my friend Marcel in his hospital bed the other day, I was pleased to see that he seemed to have slightly recovered his health and his spirits. "I must tell you, mon cher Nitram," he informed me eagerly, "I have latterly made the discovery of Weil Pour Homme. An old school fragrance, if you like, but you know that I do like that sort of thing. It puts me in mind slightly of Cellini by Faberge, although the analogy is far from exact, Weil Pour Homme being somewhat drier, more haughty and more subdued. But Weil Pour Homme has something of the same overture of citrus and herbs, and something of that same rather delightful resinous quality. Its later developments are definitively smooth, warm and distinguished, in some ways like an expensive masculine soap, yet still with that herbal and resinous resonance. For some reason, it rather reminds me of the interior of a Bentley limousine. A rather traditional, elegant gentleman's cologne, to be sure. But, if you will excuse me now, I really must eat up this tapioca pudding which these kind nurses have put before me. I hope to see you soon."

    EDIT: Weil Pour Homme Old and New: So as not to mislead potential purchasers, I should say that my review was for the older version of Weil Pour Homme (bottle with a large maroon 'W' on front and maroon plastic cap). The newer currently available version, relaunched in 2004, I believe, (squarish bottle with silver cap and faint horizontal silver lines on bottle) is a different, and to my nose, less delightful affair, having been reformulated. Lemon, lime and lavender have disappeared from the topnotes, to be replaced by pineapple. Lavender has been transposed to the midnotes and nutmeg added to them, although basil and jasmine still remain. The basenotes are also different, sandalwood replacing cedarwood, and tonka being omitted.
    The newer Weil Pour Homme is still quite a nice, subtle, elegant scent but lacks the rather delightful resinous and soapy quality which I liked so much in the older version, especially in the basenotes. The basenotes of the newer version are an altogether more weak and boring affair, to my nose. Any comparison, however partial, with the excellent, discontinued Cellini by Faberge is completely inappropriate for the newer version.

    17th September, 2011. (Last Edited: 10th October, 2011.)

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    Cellini by Fabergé

    Visiting my friend Marcel in his hospital bed the other day, he clutched my arm and whispered hoarsely: "You know, mon cher Nitram, I have such fond memories of the long discontinued Cellini by Faberge! It was the summer that Albertine and I undertook a motoring tour of the Italian countryside, and the smell of Cellini seemed to surround us everywhere - a splendid opening of lemon and herbs and - the thing I remember most - a unique development of such a sunny resinous warmth. I have never known its like in any other scent! It really seemed to sing of the Italian summer, good food, good fortune, happy futures, the promise between Albertine and myself! And to see me now, surrounded by the smells of disinfectant and tapioca pudding, bored nurses and self-important doctors! Albertine gone, Cellini gone, myself almost gone, and you standing there, twitching, unsure how to console me! Empty beds of the dead!"

    17th September, 2011.

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    Lagerfeld Classic by Lagerfeld

    Revisiting Lagerfeld Classic after some years, I am certain that the formula has been changed. My memories of Lagerfeld Classic are of a rich, warm, full-bodied, boozy kind of fragrance that enveloped the wearer in an olfactory cloud as thick as an overcoat, and which somehow conjured up a number of vivid, if rather jarring, images - elderly aristocrats, gentlemen's clubs, decanters of cognac, rich brown oak panels, oddly juxtaposed with pimps, pink cadillacs, heavy gold chains and murky backstreet business. In a way, this identity crisis was almost part of its charm.
    But, unless my nose, memory, and imagination deceive me, the newer bottle of Lagerfeld Classic seems an altogether thinner and more chemical affair - not actively horrible, but a poor ghost of its former rich glory. Or do I deceive myself?

    13rd September, 2011.

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    Mark Birley for Men by Mark Birley

    If memory serves me rightly and I am not fantasizing, this scent bears the name of a scion of the international jet set, owner of exclusive nightclubs, who numbered among his intimate friends both aristocrats and lions and tigers. Did he, perhaps, even keep a private zoo?
    Nothing wrong with Mr. Birley having a scent named after him, except that it is such a truly awful scent. It would not matter so much that it is so relentlessly one-dimensional - which it is - if only that one dimension were more pleasant. But, to my nose, at least, it is decidedly unpleasant, crass, harsh yet cloying, frankly ugly - possessing an oppressive aura that is almost as dire as that of the terrifying Macassar by Rochas. As the excellent Oviatt says in his review (see below), it really does bear some resemblance to the cleaning fluids in a charlady's broom cupboard.
    Again, if memory serves me rightly and I am not fantasizing, the Baron de Charlus once told me that when he was a houseguest at the Birley estate, Mr. Birley gave him a bottle of his eponymous perfume. The Baron was so underwhelmed by it that he gave his bottle away to one of Mr. Birley's lions. The poor animal took one sniff and went into terminal decline.
    (On reflection, I believe the zoo may have belonged not to Mr. Birley but to his friend and fellow club owner John Aspinall. I wonder if Mr. Aspinall has a scent named after him?)

    13rd September, 2011.

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    Cotswold by Dukes of Pall Mall

    "I say, Jeeves, I was just about to slap on some of the jolly old lotion, but I can't seem to lay my digits on my Signoricci or my Bowling Green, my Marlborough or my Blenheim Bouquet. Have you seen them?"
    "Indeed I have, sir. I last saw them when I placed them in the rubbish, where I thought it best to deposit them."
    "But, dash it all, Jeeves, those are all deucedly fine scents - essence of the Englishman, skylarks and summer, flannelled fools, country house japes, sauntering through Mayfair with Biffy Montague-Evans, etc."
    "Fine scents indeed, sir, but I fear they all rather fade into insignificance compared with the discontinued and virtually unattainable Cotswold by Dukes of Pall Mall, a bottle of which I have just placed on your dressing table."
    "Cotswold? Dukes of Pall Mall? Never heard of it. Where did you get it, Jeeves?"
    "Well, sir, I believe we owe thanks to the estimable Mr. Good-Life for making it known to Basenotes and for writing a first and excellent review. It so happens that I have managed to secrete a few bottles of this elixir away for my personal use and so it seemed a tad churlish to deny my employer a taste of this olfactory delight. It really does constitute a zenith of unpretentious citrus perfection - pure, unalloyed, simultaneously soothing and uplifting, a veritable epitome of skylarks and summer, flannelled fools, and rolling English hills. And yet there is more. Through some extraordinary artistry, Dukes of Pall Mall succeeded in giving to Cotswold an intricate developing theme that would make most niche perfumiers gnash their teeth with envy. For, melting into the citrus, in the most natural and unassuming way, are ' a jasmine base - it contains Yland and other fleur blanche, whilst a hint of woods binds a fragrance that is both embracing and aromatic.' Yet this added dimension - which would surely make Mr. Oscar Wilde blanch with the beauty of it - is blended so perfectly with the dominant citrus tone that it does not jar in the slightest but remains at all times clean, light, and fresh. Thus it achieves the rare feat of pleasing both aesthetes and sportsmen, eccentricity and convention, Mr. Wilde and the Marquis of Queensbury."
    "It sounds fairly spiffing, Jeeves, but what if my Aunt Agatha doesn't like it? You know how particular she is. If she doesn't like it, she might cut my allowance."
    "I assure you, sir, one whiff of Cotswold and your Aunt Agatha is certain to double your allowance."

    12nd September, 2011.

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    Quorum by Antonio Puig

    My dark and elder green, surrounded by the brown murmurs of the forest floor, deep masculine shadows, shafts of sunlight through the trees, warmth of subdued but urgent spices. After a while of travelling through a tunnel in the earth - gloomy, musty, warm, profound - I somehow emerged into a chamber of great distinction where a group of gentlemen sat around a large table, discussing matters of great moment. "Messieurs, brethren, cameradoes," I announced, "I assume we are gathered here to discuss the mysteries of the much maligned Quorum. How sad that persons of otherwise good taste and discernment should relegate this fragrant poem, layered with strangeness and with depth, to a universe of sweaty groins and over-muscled machismo! Are they mad or merely prone to overspraying? Ancient of days! Essence of natural nobility! Mystical odour of a forgotten race of Peasant-Kings! Warm and kindly, rough with the earth but purely royal, a tinge of sadness, and such a well of enigmatic depth!" (de Charlus).

    12nd September, 2011.

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    Douro Eau de Portugal / Lords by Penhaligon's

    Having created Blenheim Bouquet, perhaps the finest citrus and pine cologne known to the perfumier's art, the House of Penhaligon always has an uphill struggle to match it with any other of its citrus creations. And so it is with Lords [Douro]. In spite of the obvious quality of its ingredients, it strikes my nose as one-dimensional and harsh, somehow combined with a dusty, fusty Englishness.

    1st August, 2011.

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    Quercus by Penhaligon's

    Quercus - soft,warm, and brown. No, not like a sleeping puppy, more like a kinder, gentler, more civilized Quorum. Imagine a retired banker, of the old school, Eton and Oxford bred. Distinguished and masculine but with a slightly subdued sperm count. He potters about in his garden, he potters about in his club, he potters about at the County Show. Fellow says to him in the latrines: "What ho, Reggie, damned fine scent you're wearing! What's it called?" "Quercus, don't you know, well accepted everywhere, quality all the way. Doesn't shout too loud but lets you know it's got the money."

    1st August, 2011.

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    Endymion by Penhaligon's

    A magical scent from the House of Penhaligon. A mysterious castle in an enchanted forest. The old nurse muttering incantations. The ancient chamber of the heir. A whisper of cloves amid the flowered, ethereal gardens? That fairy tunnel through the trees. And, strangely enough, not only highly poetic but also extremely wearable.

    1st August, 2011.

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    Van Cleef & Arpels pour Homme by Van Cleef & Arpels

    An ancient rose, filtered through grey gauze. Sober enough, and abstract, but pervaded by a stuffy Victorian sweetness. A gathering of diplomats on the lawn of an old chateau. An elderly aristocrat reading metaphysics in his paneled library. A hint of realms beyond. A smell of the grave almost. Distinguished and immaculate, but is it my imagination tells me that a bottle of this scent, presented to me in the 1980s by a certain Monsieur Suleiman, had much more depth and authority, but lacked that deathbed touch of sickly rose?

    5th July, 2011.

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    Bel Ami by Hermès

    Much loved by The-odor (where is that great early Basenotes reviewer now, from whom I learned so much?), less loved by a reviewer from another site, who likened it to the guts of a squashed squirrel, baking in the roadside sun, I can see why Bel Ami divides opinion. Mellow juice of golden-brown, but with a definite undercurrent, speaking of deeper, dirtier things - it's certainly unique.
    If you can forget those ugly rumours, it's smooth and distinguished, to be sure.

    5th July, 2011.

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    Ungaro II by Ungaro

    The Baron de Charlus once told me: "My undisputed favourite from the House of Ungaro, Ungaro II never fails to conjure a painting by Watteau: an aristocratic whirl of dancers in a lush and leafy glade, more than a little decadent and effete. Having obviously learned some of its dance steps from Jicky and Mouchoir de Monsieur, the secret with Ungaro II, if one is not to be overwhelmed by civet, is to apply it very lightly, very slightly. Then it can be a thing of glory: sweet lavender and lemon melting into a warm and golden glow. But apply too much and it becomes oversweet and sickly. Less medieval and strange than Ungaro I, Ungaro II is also far superior to the rather ordinary fruits of Ungaro III."

    5th July, 2011.

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    Ungaro I by Ungaro

    The Baron de Charlus once told me: "It has been some years since last I sampled Ungaro I, but I am left with an indelible impression of mature, almost rotting fruits, a whiff of delicate potpourri, damp castle dungeons, and an elderly Duke's undergarments - ancient body odour too long confined by the warmth of a velvet chair. I believe that my friend Naed Nitram has declared the much less famed Vendetta to be the perfume that Ungaro I could have been, should have been, and I concur. Indeed, I believe that I actually gave my bottle of Ungaro I away to my valet, thinking to myself: unusual, faintly poetic and slightly obnoxious as you are, when shall I ever wear you again? (In spite of this, how I admire the masterly review of this scent by the admirable Scentemental)."

    5th July, 2011.

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    Grey Flannel by Geoffrey Beene

    In theory, Grey Flannel ought not to work at all. The idea of mixing grandmother's violets with traditional banker's gravitas ought to produce a jarring, awkward result. But, in practice, to my nose, at least, whether because of luck or inspired blending, it works perfectly. Eternally chic, eternally ahead of its time, yet distinguished with a quietly confident, conservative weight that keeps it on just the right side of decadence and effeminacy, it seems to laugh at us, in a not unfriendly fashion, from its shadows of grey, black and mauve.

    12nd December, 2009.

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    Bowling Green by Geoffrey Beene

    One of the finest green and gold symphonies of masculine fragrance. It opens bright, light and sharp, citrus-green, tangy and refreshing,yet not at all harsh or crude. Very soon (not unlike, indeed, a gradually warming sun sending down its rays upon green summer lawns) some exquisite shafts of gold begin to seep into this sharp, refreshing opening. The interplay between green and gold continues, unfolding some truly sumptuous notes as it does so. Gradually, the lazy, luxurious gold gains predominance, but never completely annihilates the clean green tang of the introductory phase. Marvellous olfactory music! I love it dearly.
    Bowling Green seems to occupy a place where quality meets democracy, and nearly everyone approves. It's not surprising that some reviewers have described it as a scent that can be worn at any time of day and on any occasion. And nor is it surprising that it has been compared, on the one hand, to niche perfumes like Nicolai's New York and, on the other hand, to popular scents like the much loved, much reviled Drakkar Noir. It has affinities with both but remains, finally, its own splendid self.

    12nd December, 2009.

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    Trimaran by Yves Rocher

    Lovers of traditional eau de cologne are unlikely to be disappointed by this fine offering (discontinued, but recently re-released) from the House of Rocher. The bright, sunny citrus opening - sparkling oranges and lemons - soon leads into the warm kindliness of its developments. Unpretentious, innocent, reassuring.
    It puts me in mind slightly of the rather more subtle and deep - and virtually unknown? - Eau d'Aix by Albert Thomas of Aachen, a bottle of which I once purchased for a pittance at a jumble sale, and which I can never wear without conjuring up images of the devoted labour of monks in sunlit orchards and monastery herb gardens.

    30th November, 2009.

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    Denim by Denim

    It is said of Captain Bunty Fortescue-Smythe, the intrepid English explorer, who liked to travel light, that he would frequently tell his companions: "A chap should be ready to travel anywhere in the Empire at a moment's notice, carrying only a small suitcase containing a revolver, a set of clean underwear, and a bottle of Denim aftershave!"
    Whilst he was regaling his cronies in his London club one day with this customary bit of advice, someone saw fit to remark: "It seems to me, Bunners, old fellow, that a chap would be better equipped with a fragrance from one of the traditional British gentleman's houses, such as Trumper, Truefitt & Hill or Taylor of Old Bond Street. Surely Denim is a fragrance for oiks, cads and Yanks?"
    "A common misunderstanding," replied Bunty in clipped tones. "In spite of its fleeting and inexpensive nature, Denim is a miracle of subtle blending, and seems to function as some sort of ambassador of universal goodwill. Any chap who wears it, in any part of the globe, may be assured of a warm welcome as a clean, fresh, decent, honest and manly fellow. It has won me friends from the Arctic to the heart of Africa. The only drawback is that the womenfolk seem to appreciate it even more than their menfolk and, on more than one occasion, I have been regrettably forced to use my revolver on some jealous johnny foreigner."

    30th November, 2009.

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    Nicole Farhi Homme by Nicole Farhi

    Hail the icicle king. Chilly monarch with his throne set upon a mound of damp, musty winter leaves. Unusual and poetic, certainly, but not really my cup of tea. Rather too cold, distant, and even dreary, to be really wearable?

    28th November, 2009.

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    Brummel by Antonio Puig

    The Baron de Charlus once told me: " It was in a small Spanish town at twilight that I first encountered Brummel by Puig. Beneath a streetlight near a nondescript tavern stood a curious figure, a tall, ancient dandy, with obviously dyed hair, cadaverous features, depthless eyes and blackened teeth. More curious still was the smell that emanated from him: soft and cheap, yet also clean, deep, distinguished and grave. Mellow citrus floating round a shadowy tomb, seeming to lead to a strange gulf of soft roses and dim powders of the womb - simultaneously enticing, forbidding, suave, eerie, comforting, warm, fleeting and sad.
    Rather hesitantly, I addressed him: 'My dear sir, stood there in the positively Baudelairean shadows, no doubt something of a pariah and tragically misunderstood. I find you to be a rather mysterious and magnificent creature. What is the scent you are wearing?'
    He surveyed me, neither friendly nor hostile, told me its name, then ambled away."

    28th November, 2009.

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    Versus Uomo by Versace

    Whaddya protesting about, Johnny?
    "Whaddya got?"
    "Well, I got Versace Versus. Kinda smootho lemon and pine, kinda Ivy League clean cut, kinda cuddly almost, and definitely understated."
    "Yeah, well, I guess I can protest about that. Gimme a sniff. Naw,as a matter of fact, I kinda like it. Though why they've put pictures of cool, mean biker type dudes on the box I just can't figure. What else ya got?"

    28th November, 2009.

    Showing 1 to 30 of 320.


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