Faberge's Cellini is the progenitor of Tuscany --- the resemblance is startling. Dry citrus, culinary herbs like oregano, thyme and rosemary, and a warm, ambery base. It definitely conjures up a sunny day in the Italian countryside.
Nine Flags: Italy - Dry Citrus may have started the lineage in the mid-sixties --- the family resemblance is unmistakable.
According to some Basenotes reviewers, EVERYTHING is a fougere. I think some folks just like the sound of the word "fougere" but don't really understand what it means. A fougere scent is built on a foundation of lavender, coumarin (tonka bean) and oakmoss. Without those three prominent notes, a fragrance is not a fougere.
If there ever was a NOT fougere scent, Red for Men is it. Chypre all the way, folks! The topnotes of cumin and artemisia harken to such leathery chypre classics as Aramis, That Man and Quorum, and the patchouli and oakmoss at the base are hallmarks of chypre scents as well. In between are carnation, spices, green and wood notes. This is a brash and bold scent that reminds me of the red leather suit Eddie Murphy wore in his stand-up film "Raw." It grabs your attention immediately and refuses to let go.
Dunhill for Men was launched in 1934, and to me it conjures up an elegant, swanky and sophisticated gentleman who doesn't take himself too seriously. Think William Powell as Nick Charles in the "Thin Man" movies. If it were music, it would be something by Cole Porter or perhaps Duke Ellington. Definitely the Art Deco era, and definitely more city than country.
They don't make 'em like this anymore, so its an olfactory trip back in time to a more genteel era - refined, rich, and classy.
Germany - Live Oak is my favorite of the original Nine Flags, and I've never come across anything else that smells quite like it. It's a woody chypre with an opening blast of freshness that reminds me of a morning walk in the forest, with sunlight filtered through the trees. Bergamot and lime are present in the opening, with vetiver, oakmoss and black forest pine, along with sandalwood, cedar, patchouli and musk. The play between the fresh and earthy notes is what I find especially enjoyable and unique. Eau Sauvage and Terre d'Hermes both have it too, but in a very different way.
Meh. It's pleasant enough, but smells like a million other things out there (CK One, for example). And certainly not worth $185 for 50 ml. Citrus oils are among the least expensive fragrance ingredients, and vetiver and pepper are also not especially rare or pricey.
There are many other similar fragrances that are both less expensive and more distinctive and memorable.
Maxim's (I have the original formula) is a paradox. It's clearly a modern fougere with oriental elements, but it somehow conjures up an earlier more genteel time. The Art Nouveau packaging enhances this aura of La Belle Epoch, and the scent brings to mind images of Paris around the turn of the twentieth century. I can imagine sitting in a Parisian cafe seeing posters by Alfons Mucha and Toulouse-Lautrec ... hearing music by Debussy, Faure and Ravel ... watching the passers-by in their finery.
Elegant, complex, smooth and refined are all words I'd use to describe the scent of Maxim's, and it's one I still wear regularly.
I don't know about "Magique," but it is certainly an imitation of Eternity for Men. It has less sillage and projection, but very similar structure, and is pleasantly balanced. Nice enough, but not very original.
Nine Flags: Italy - Dry Citrus is the Godfather of a whole dynasty of scents, including Faberge's Cellini, original Adidas for men, Calvin, Tuscany/Etruscan, Bally, and others, and while it is more of a chypre, some classic fougeres (Azzaro Pour Homme, for example) are clearly descended from it as well.
The top notes are bright and crisp bergamot and lemon, with perhaps some lime, grapefruit and mandarin. Mid-notes include rosemary and oregano, perhaps a touch of thyme, basil and carnation, and the base is smooth vetiver, amber and musk. One online source mentions sage and cognac as base components as well. As its name implies, the scent is dry, not sweet, with a freshness that is very different from modern-day "fresh" or aquatic scents. It's great on warm sunny days or sultry summer evenings, and to me conjures up images of Italy in the 60's --- something that could easily have been worn by Marcello Mastroianni in "La Dolce Vita."
It's more of a casual and informal scent, but with some strength and sophistication to it as well. Molto bene!
17th May, 2016 (last edited: 03rd June, 2016)
A weaker imitation of Dior's Fahrenheit. No more, no less.
KL Homme is a spicy oriental, and to me smells mostly like a sweeter, more amber-y, less spicy version of Pierre Cardin Pour Homme. It's smooth and rich, quite concentrated, and elegant. I get the similarites with JHL, but KL Homme is a bit lighter, with the carnation and geranium prominent in the heart. The aldehydes in the opening are front and center, but blended nicely with the citrus and lavender, rendering the whole effect quite natural rather than synthetic. To my nose, Pierre Cardin is more pleasing, but KL has its charm too.
H & R's Guide lists the notes as:
Top: Lemon, bergamot, rosewood, lavender, orange, aldehyde
Middle: Carnation, jasmine, geranium, fern, cinnamon, rose, patchouli, sandalwood, cedarwood
Base: Vanilla, benzoin, olibanum, musk, amber, civet
Another imitation of Calvin Klein's Eternity for Men. If I smell them right next to each other I can detect the differences, but the differences aren't enough to be overly concerned with.
H&R's Fragrance Guide from 1989 classified Adolfo as a "Coniferous Chypre" along with Polo, Xeryus and Drakkar Noir but many in that group seem to have been more recently reclassified as Fougeres. To me Adolfo has none of the hallmarks of a fougere (the classic lavender/tonka interplay), with a fresh opening, a mellow spicy-woody heart, and a subtly rich base. The opening to me has always smelled like pineapple, although it is not listed in the pyramid, which is as follows:
Top: Bergamot, galbanum, artemisia, lemon, green note, juniper
Middle: Carnation, cinnamon, thyme, pine, jasmine, rose
Base: Patchouli, olibanum, leather, labdanum, moss, amber, musk
Adolfo is distinctive and subtle, by no means a powerhouse, although it is a product of the 80's, and while it doesn't last in memory the way some of its compatriots do, it's still quite pleasant and worth wearing from time to time.
Love, love, love it!!! This is the first fragrance I've tried in at least a decade that I loved immediately and like more every time I wear it. The balance of fresh and "dirty", and the transition from the sparkly opening to the warm, sultry base is just spectacular. It smells like nothing else I've come across, and works really well with my skin.
I came across it while Christmas shopping one evening, and could still detect traces the next morning --- knew I had to have it, but the prices were prohibitive. Fortunately I found an EdT mini with shower gel for less than $20 online, and it has joined the ranks of my top 5 favorites, along with Eau Sauvage, Guerlain's Vetiver, and Armani Pour Homme (the 5th spot rotates between Halston Z-14, Cacharel Pour Homme, Bijan, and Monsieur Balmain).
I believe Terre d'Hermes could become a modern classic. Can the era of bland aquatics be making way for bold and distinctive scents again? Bravissimo to Hermes and Jean-Claude Ellena!
16th January, 2015 (last edited: 19th February, 2016)
A pleasant, mild spicy lavender oriental. Not a powerhouse by any means --- and not even in the same family as Preferred Stock, which is a tangy chypre with prominent pimento and pepper notes. Iron is more akin to other spicy lavender scents of the late 80's like Matchabelli's Hero or Atkinson's Rockford --- and it even has some similarities with British Sterling (even the metallic name), which is very likely one of Iron's inspirations and forbears.
Subtle and understated, Royal Saddle is, as the name suggests, a refined leathery scent with top notes of citrus, lavender and violet, some green and floral midnotes (geranium, carnation and rose?) and a base of soft leather, sandalwood, oakmoss and musk.
Labelled a "shaving cologne," the sillage and longevity are not great, but it makes for a very nice splash after shaving or as a bracing lotion in the morning. Men's fragrances in the mid-sixties (when Nine Flags was launched) tended more toward a lighter concentration than we're used to today, and it's part of the charm of scents of that era.
This is also very reminiscent of Knize Ten.
18th September, 2014 (last edited: 03rd June, 2016)
A nicely blended, subtly spicy ambery-vanilla-y oriental. I can't speak to any effect the alleged pheromones may contribute, but it's a nice enough scent that smells a LOT like original Guess for Men. There's a hint of a toned-down Obsession and a resemblance to Pierre Cardin, Lagerfeld or KL Homme as well. Sillage is mild, longevity is decent.
Realm isn't a dramatic or "statement" fragrance, but it's quite pleasant in a subtle way, and there are times when that's just right.
Moschino Pour Homme strikes me as a descendant of Halston's classic Z-14 --- a fresh, zesty spicy chypre that mellows into a warm mossy, leathery blend. It also bears more than a passing resemblance to Valentino's Vendetta (which came out a year later) and Patou Pour Homme. This is everything a men's fragrance should be --- complex, rich, subtle, bold, balanced and nuanced all at once. Bravissimo!
I quite like this as a fresh scent with some staying power. The top notes of lavender, citrus (bergamot and grapefruit for sure, possibly others) and juniper berries blend with some sharp fresh ginger and other spices in the mid notes, then the cedar, oakmoss and musk notes of the base fade in subtly.
The component notes have some similarities with Cartier's Pasha, and to my nose they belong to the same family --- spicy fresh scents that straddle the line between a fresh chypre and a citrus fantasy. It's more of a "feel-good" scent than one to make a bold statement, but I enjoy having it in my collection and wearing it on warm days.
14th July, 2014 (last edited: 13th July, 2014)
A more concentrated version of classic Brut. That's really all you need to know --- if you like Brut and like a stronger version of it, you'll like Touch. If not, you probably won't. For myself, I enjoy it once in a while, but it's not a scent I wear often.
JHL is what YSL's Opium Pour Homme should have been, --- only JHL was several years ahead. It is the perfect consort to the original Opium for women --- rich, spicy, intense, elegant, sensual, sweet, and warm, with incredible lasting power. This is not for the timid, or for young men. It takes considerable panache, maturity and confidence to bring off a heady borderline-sweet scent like this. Obsession, Lagerfeld, KL Homme and Chaps are all close relatives, but none of them have the gravitas of JHL.
This is one of those scents that should be saved for special occasions --- it's too intense for everyday wear. But for a night at the opera, or a tryst at an elegant hotel, perhaps a formal New Year's Eve party --- bring it on! JHL is at home amid rich velvets and brocades, heavy draperies, and crowds dressed to the nines. It conjures up a sultry night in a Sultan's palace in the Arabian Nights, although its heat and richness makes it more of a wintertime scent than one to wear in the summer. This is a 5-star classic if ever there was one, but only when used sparingly in the proper setting.
I've worn Lacoste occasionally for several years, and always enjoyed it. But somehow today it struck me in a way I've never quite experienced before, and it's as if I'm smelling it for the first time. The fresh citrus and green notes blend perfectly, and a light floral note (lilac or jonquil, perhaps?) peeks out a bit. Then the mossy and woody notes emerge, and the interplay is just delightful --- subtle, but delightful. I have a whole new appreciation for this now --- it's like hearing brand new details in a familiar piece of music!
According to H&R's Fragrance Guide, the notes are:
Top: Lavender, bergamot, lemon, clary sage, lime
Middle: Green Note, basil, jasmin, carnation, galbanum
Base: Cedarwood, vetiver, moss, tonka, musk, amber
Millot's original Crepe de Chine is indeed a classic of the perfume world, even if it's not as well known as its contemporaries --- Chanel No. 5, Shalimar, Arpege, Soir de Paris et al. It was a pioneering scent at its introduction in 1925 --- one of the very first fresh chypre scents, along with Guerlain's Mitsouko and Coty's original Chypre, and it doesn't smell dated at all --- it's still elegant, refined, complex, and very intriguing.
H&R's Fragrance Guide lists the notes of the original formula as follows:
Top: Bergamot, lemon, orange, neroli, fruity note
Middle: Carnation, rose, jasmine, ylang-ylang, lilac
Base: Oakmoss, vetiver, labdanum, benzoin, patchouli, musk
S by Shakira is much better than I expected. Most of the "celebrity fragrances" in recent years seem to have been designed with very young girls in mind and smell like very synthetic sweet bubblegum, soda pop or cotton candy --- artificial fruit notes with lots of vanilla and no real progression.
S, on the other hand, is a more traditional warm oriental with amber, benzoin and vanilla being the dominant notes. The jasmine is understated, and the wood notes blend nicely with the resins. It doesn't have the depth or progression of, say, Opium or Obsession, but it wasn't intended to. Rather than criticize it for what it isn't, I'd rather appreciate it for what it is --- a mostly linear, unpretentious warm amber-vanilla scent that lends itself to a variety of occasions, and would be very pleasant even on a woman well out of her teens. It's light enough for daytime wear, but will hold up to evening wear as well.
Carl999's description of Onyx as a "soft, smooth, clean and very green-smelling Aramis" is spot on. Although it lacks the heavy doses of artemisia, cumin, vetiver and oakmoss that give Aramis its punch, it has a similar dry, tangy citrus opening that unfolds into woods and leather in a very smooth transition. H&R's Fragrance Guide classifies it as a "Citrus/Fantasy" along with English Leather, Monsieur de Givenchy, Sergio Soldano Black and Tabac, rather than a Leathery Chypre like Aramis, and the differences become more apparent in the drydown.
The notes are listed as:
Top: Bergamot, petitgrain, aldehyde, lemon, lavender, orange
Middle: Jasmine, rose, carnation, orris, clary sage, patchouli, sandalwood, cedarwood
Base: Moss, tonka, musk, amber, vanilla, leather, labdanum
Marbert Gentleman is a light, fresh chypre that smells familiar to me, but I can never seem to think what else it smells like. H&R's Fragrance Guide lists the notes as:
TOP: Bergamot, lemon, artemisia, galbanum, aldehyde, green note, estragon
MIDDLE: Jasmine, rose, geranium, cypress, patchouli, vetiver, cedar
BASE: Moss, labdanum, olibanum, musk, leather, castoreum, civet
Despite the civet and castoreum in the base, it comes across more fresh and mossy than animalic, and is fairly subdued in terms of projection and sillage. This "Gentleman" is reserved, polite, and well-mannered --- one who impresses with understatement and quiet confidence rather than by commanding attention.
Chaz is a floral fougere that comes across almost like a leathery chypre. It bears more than a passing resemblance to Balenciaga's Portos, which lacks the distinctive Tonka note of a true fougere, but otherwise has many similarities --- fresh citrus and green topnotes giving way to wood, spices, moss and leather. A product of the disco era, it does have some of that brashness about it, but also a sophistication well beyond that of John Travolta's Tony Manero character in "Saturday Night Fever." I have the original Revlon formula, which is quite long-lasting on my skin.
H&R's Fragrance Guide lists the notes as:
TOP: Lavender, rosemary, laurel, bergamot, lemon
MIDDLE: Geranium, carnation, pine, coriander, cinnamon, clary sage, cyclamen
BASE: Cedarwood, moss, musk, tonka, amber
Splash on some Chaz, put on the Trammps' "Disco Inferno" and burn the mutha' down!
A "dark blue cone of frosted glass"??? No, mis amigos --- the bottle is a conga drum like the ones used by Desi Arnaz in the 50's, which gives it both a vintage vibe and an association with Afro-Cuban music, which evolved into what we now know as Salsa.
Havana conjures up tropical heat and foliage, sultry nights, the warm Caribbean sea, rum drinks, and the sophisticated polyrhythms of congas, bongos and timbales. The citrus and spice notes harmonize beautifully with the tobacco, woods and patchouli (and a fragrance named Havana HAS to have tobacco in it, no?).
Put on some Irakere, Mongo Santamaria, Armando Peraza or Celia Cruz (or even the Buena Vista Social Club), a dash of Havana and your dancing shoes and you'll be ready to heat up the night. Sabor!
Named for the rugged Costa Brava region of northeastern Spain, Agua Brava conjures up the images well, with its blend of fresh and coniferous top notes, and its strong undertone of wood, moss, patchouli and leather. It has an old-school quality of mostly natural ingredients, and is a great way to re-visit the 60's on a less-traveled road (Brut, English Leather and several others being the more commonly traveled paths).
Musically, the parallel I get is Rimsky-Korsakov's "Capriccio Espagnole," with its dramatic evocations of Spain mimicking the dramatic Costa Brava itself. Ole!
When I first tried One Man Show, my immediate reaction was that someone had let their kids loose in the perfume mixing lab, and that they had combined a bunch of essences at random. It struck me as an incoherent mess --- citrus, green, floral and wood notes all tumbling over each other at once, and I was somehow both put off and fascinated. Over time, the fragrance retained its jumbled quality even as various notes emerged and retreated.
I've tried it a few times since, and I think I now "get" what the creator was going for, but I still don't really truly like it. If I'm in exactly the right mood I can appreciate it, but Krizia Uomo does a similar thing in a MUCH more appealing way.
To clarify, I don't actively dislike One Man Show --- and I can now appreciate its contribution to the world of fragrance. But it reminds me of some abstract art or twelve-tone music like Schoenberg or Webern --- I can appreciate it on an intellectual level, but not a visceral or emotional one, and I certainly wouldn't go out of my way to seek it out.
I like this a lot! There is an almost edible quality to the blend, even though the notes aren't especially "gourmand." The middle has a distinct spicy note of ylang-ylang, and the base has as much to do with amber as it does with honey or patchouli.
It's sensual and voluptuous while keeping a freshness as well, and it's sweet without being cloying. Someone (was it Coco Chanel?) once said a woman should wear perfume wherever she wants to be kissed. This is one to wear when she wants to be kissed all over.
03rd May, 2014 (last edited: 17th May, 2014)