Despite its evident lack of originality this modern fragrance is surely daring and well appointed, perfect for a charming "clothed in white-linen suit" south-american business man, constantly rolling around for restaurants, meeting places, Grand Hotels and lounge bars. Robert Piguet Notes is a minty and balmy-floral chypre (with a classic fougere approach) which, re-interpreting a quite successful aromatic formula, actually sounds as an indeal olfactory encounter between scents a la Faconnable by Faconnable, Ted Lapidus Black Soul, Krizia Spazio Uomo, Ungaro III and Jacques Bogart Silver Scent (partially Bogart Pour Homme as well). Synthetic soapiness is quite under control (finally kind of talky, woody powdery and minty violet-veined), sweetness is at fair level (actually balanced by a kind of organic and simil-leathery "saltiness") and the spiciness is velvety, finally somewhat piquant and well calibrated. "Stuffs" like mint, musks, coriander, clary sage and lavender (the latter not listed) represent an aromatic and slightly (classically) barber-shop introduction ready to merge its fresh substance with a more soapy, floral, musky and exotic ambery (ambroxan)-tonkinian backbone. Bergamot/lavender, tonka, oakmoss and geranium provide an immediately classic (classically fougere) angular approach which turns out by soon in a minty-balmy intoxicating way characterized by neroli, exotic spices, "colonial" vetiver and balmy tonka. Vetiver is extremely classy, "minty-tropical" and alluring. The note of mint is daring, fascinating and "spacious" with all its own aromatic and intriguing spiciness conjuring me Krizia Spazio (and vaguely the classic Carlo Corinto and Carlo Corinto Silver) especially before that a soapy-tonkinian dry down starts embracing the elements in to a comforting musky embrace. Frankly I love the way in which Notes preserves its average sharpness despite its intriguing light balminess (substantially in a middle way between talkiness, powder and soapiness). A medium rating just for its lack of uniqueness despite on my skin this fragrance is the best interpretation of the aforementioned yet classic formula. Moderate sillage, good longevity.
P.S: Dry down is pretty good, really spicy, resinous-aromatic, kind of more "restrained", luxurious and virile (in a sort of amberish and "dirty-sweated" way). I detect a sort of rubbery/salty/ambery/nutty vibe surrounded by piquant spices, clary sage and kind of birch tar (or aromatic spices in general).
P.S 2: I disagree about the assumed short evolution of this fragrance and the deep dry down is finally on my skin really close to the Ungaro III's base notes, being it so nutty-tonkinian, mossy, woody-rosey, spicy-rooty, "by vetiver-influenced" and mossy-amberish. Ungaro III and Piguet Notes (which is anyway initially different, more minty-aromatic and spicy) share indeed a lot of notes as oakmoss, clary sage, vetiver, geranium, rosewood, amber, coriander, mild spices, aromatic patterns, neroli, bergamot, etc etc.