Perfume Reviews

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Panama 1924 : Daytona by Boellis

A guilty pleasure for me. Boellis is a traditional shaving/grooming brand based in Italy, finally really connected to an actual historical boutique and an actual Boellis family, the current owner being an actual skilled and renowned barber. Now, obviously this means nothing as regards of their perfume range since they are not producing the scents themselves and rather just sold the license to a production and distribution company based in Milan (Profumitalia); but at least, the brand is honest and doesn’t need to boost its image and mock customers’ intelligence with made-up nonsense. And the fragrances seem reflecting that attitude actually, since the ones I tried seemed all as much unpretentious as quite solid. Maybe unremarkably, if not mediocrely good, but still (almost) worthy the price tag if you are into non-groundbreaking, non-luxury, but nice, well-made, compelling and slightly designer-oriented stuff with a refined old school, typically “Italian” twist.

Now, Daytona is a fresh, elegant, comforting, maybe slightly dull but totally competent leafy-zesty-woody scent with a metallic fruity twist bearing quite a clear resemblance to Creed Aventus, with some key differences for me (besides the elephant in the room – the price tag). There is surely a tiny bit of that same department store feel, the dihydromicernol-driven kind of pungent-metallic-aquatic citrus-fruity note blending with dry, musky, ambroxan-infused and again quite “mainstream” crisp woods; but there’s no pineapple first, less cassis-driven fruitiness, and there’s more musky smokiness with a cozy minty-lavender accent and some more nondescript “grassy” feel, which seems connecting Daytona more tightly to the old school aromatic-green fougères tradition, making it smell a bit more barbershop-oriented, more distinguished and more mature than Aventus. And overall, aside from the notes, Daytona smells also more breezy, more smooth, and surprisingly more natural than that in my opinion. Still that’s the ballpark, so nothing really new; but if you feel something like that (like Aventus I mean, or in broader terms, like a safe and tame enough contemporary aromatic fougère balancing “charme” and a “crowd-pleasing” attitude with a really good persistence and projection combo) is missing from your wardrobe... then Daytona would make a really classy and quality choice, with a decent value for the price.

07th October, 2015

Kalemat by Arabian Oud

Kalemat represents (after the fully enjoyed Gentleman Secret) my second olfactory approach with this "taking the world by storm" new "orientalish" brand (with the european main seat in London) named Arabian Oud. Kalemat is a spicy oriental honeyed amber/oudh combo with rubbery-leatherish exotic facets, a stout cashmere woods' presence and hints of leather-tobacco. It is absolutely not a new experience for me since I catch in its delicious (sugary-honeyed) recipe many olfactive stereotypes yet encountered around in my humble experience (for instance in several compositions appointed for Sonoma Scent Studio, Lutens, Neela Vermeire, Lubin, Puredistance, Slumberhouse, Nasomatto or By Kilian). Scents a la Nasomatto Pardon, Sonoma Scent Studio Tabac Aurea, Winter Woods and Amber Noir, Lutens Ambre Sultan, Roya Dove Fetish Pour Homme, Majda Bekkali Fusion Sacree For Him, Clive Christian C For Men, Aedes de Venustas Eau de Parfum, Tom Ford Youth Dew Amber Nude jump vaguely on mind (initially in here in a sweeter disguise) for several of their characteristics. There is anyway a secret which bewitches me under this nowadays mainstream (for the niche universe) sugary orientalism and it is a stunning old school chypre hidden substance jumping out at distance as sophisticated mossy/woody-salty/waxy classic spark (something a la Estee Lauder, La Perla, Ungaro, classics Fendi/Versace/Armani, feminine Hermes or V&A), a sort of neo-classic twist recently re-introduced in scents a la Tom Ford Arabian Wood or in several Bertrand Duchaufour/Montale/Francis Kurkdjian's musky-resinous new experiments (a chic classic rosey-musky feel to be intended as a long term "fil rouge" with old masterpieces a la Fendi classic or Gianni Versace, an old chypre accord of sandalwood, ambergris, oakmoss, fur and honey). This immensely sophisticated western twist (hidden under a more simplistic spicy-honeyed-resinous orientalism) turns me out as huge worshipper of this mysterious masterperfumer ingeniously performing behind Arabian Oud. A classic massive vibe under a more banally "fluorescent" spicy/honeyed/resinous accord (basically an easily runned amber-tobacco-sweet spices-woody resins combination) providing this new fragrance with vintage preciousness and classic complexity. At the end of the trip the spicy honeyed hyper sweet vibe recedes and an amazing (almost misty-incensey, hyper lush and still mossy/fur-like) spell of classic wisdom starts taking the stage with all its charge of charm and mystery. Kalemat is a tremendous example of neo-classicism in disguise and an oriental master work with a long and satisfactory evolution full of charm, parisian sophistication and high class.
06th October, 2015 (last edited: 07th October, 2015)

Domenico Caraceni 1913 by Domenico Caraceni

This is not a full review but a brief update to remark only on the 2015 re-release of Domenico Caraceni 1913. I performed a focused old versus new two-hand test for a several hours and, as is often the case with reformulations, the exercise sadly became the murder of a beautiful theory by a gang of brutal facts. Honestly there is no contest. After a period of time the vintage seems like it has about twice the stuffing and projection. The base of the vintage is far richer and, unlike what you might expect with a vintage/new comparison, the vintage has a subtle but sustained top-note layer featuring a sort of clove-y menthol vibe that the new version completely lacks. This difference in the high notes is just one of the factors that suggests to me that the variances at issue are not merely a function of ingredient concentrations given the relative age of the juice.

Today I am wearing the vintage as my SOTD and the intensity and projection from two spays is almost uncomfortably strong for at least the first three to four hours. Perhaps the reformulation, therefore, is somehow easier to wear, but I do worry a bit that it lacks character. In particular, I wonder if it is as distinctive a rose-centered masculine fragrance as other options such as Lyric Man, Egoist, Déclaration d'Un Soir, or others – not that this is a large category. It may well be, however, that the new Caraceni looks puny only when placed next to the giant of the original. Alternative comparisons may well prove more felicitous.
06th October, 2015
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Cuir Pleine Fleur / Fine Leather by Heeley

I've fallen hard for this, all the more so because I didn't get it the first time I smelled it, on card. Then I got a sample when I bought Iris de Nuit and it's gorgeous. It starts off with a subtle leather, hay and flowers, never crude or sweet. It's natural enough to wear at home with jeans and sophisticated enough for a conservative office, on a day when you want to remember the world outside. The really clever trick is the soapy note which appears deep into the drydown; not a crude aldehydic soap (and never just soap) but an expensive and beautiful leather one. So the scent gets progressively fresher and cleaner on your arm as the office day wears on. Definitely worth a bottle.
05th October, 2015

Tom Ford for Men by Tom Ford

I’ve never been much of a fan of Tom Ford’s masculine offerings, as I find them either nice but overpriced, or fairly dull (Noir, for example). For some reasons I always never cared for this one, maybe unconsciously thinking, given the name, that it was a sort of epitome of all of that, and... bingo, this is instead the first one which works for me. Mostly because it’s finally something solid, with a fair price (well, sort of). Maybe a bit boring, surely too discreet for the needs of the average “bros” building pools to bath in their Private Blends, and however miles away from being ground-breaking: just solid and mature, unpretentious and versatile, with a remarkably decent quality and overall, extremely pleasant to wear. The composition smells simple and clear, and notes seem all built with really decent materials: the spiced, gingerish orange-citrus notes are sparkling, tangy and juicy; the floral-infused musky-ambery base smells compellingly warm, slightly creamy and slightly salty too, the whole woody-herbal accord is a bit aseptic and nondescript (I only get some faint, weakly mossy vetiver), but working fine within the composition, providing an office-safe “boisé” feel which will get some more credit on the drydown, and the suede-ish tobacco smells, well, like most other tobacco notes on the market - which means “nothing like real tobacco” for me, but nice anyway; smooth, sweet, “brownish” and affably, youthfully distinguished.

Like for some other reviewers, two fragrances came to my mind while wearing this the first time: Hugo Boss Baldessarini and to a much lesser extent, yet worthy a mention, a sort of spicier and watered-down version of L’Instant pour Homme by Guerlain. Maybe Carolina Herrera for Men too, just for the tobacco accord (an “orange-amber” flanker of that would be close to this Ford’s, I guess), and Kenzo pour Homme Boisée just for a similar citrus-scented light woody accord. Above all I’d mention Baldessarini though, and I would say Tom Ford for Men smells quite a bit better than that – more crisp, more appealing, definitely more quality too. So, anyway: a zesty, classy, politely self-confident fragrance with just the right hint of musky tackiness and a pleasant spicy-woody drydown with a warm whiff of amber. Surely a mild, maybe pedantic, kind of “generic” office-safe fragrance based on a really conventional and mainstream concept of “tart-spicy Oriental cologne” with pretty much the sole scope of making you smell nice in the most mannered, discreet and crowd-pleasing meaning possible... but hell, it does it impeccably good (sadly with a short persistence, but it does).

05th October, 2015

Acqua di Parma Colonia Club by Acqua di Parma

As a long time fan of the AdP range (Colonia was my first 'niche' fragrance that really pushed me into this hobby) I have been pretty disappointed with the AdP offering of late. In 2010, I was stunned by the freshness and neroli-hit of Colonia Essenza. But by the time Oud and Ambra were launched (the mid-term Leather launch wasn't too bad) I thought AdP had hit rock bottom. Along comes Club and I now think they've started to dig.

Club is aptly named for a sporty cologne that's as loud as a teenager that's overdosed on sugar in the middle of the local library's "quiet zone". It explodes right from the start; the notes bare no progression from the start, although the neroli, lavender and bergamot are quite obvious. The powdery fougere that this settles into is just too common for anyone that knows all too well what a drug store cologne is. I am no snob that likes perfume to cost six figures or requires a personal assistant to go and pick up a bottle. I equally like my Colonia Essenza as I do my Boucheron or Chanel. But this scent is really a turning point for AdP, as others have mentioned - a turning point downwards...

The only thing that Club can provide a prospective buyer on the high street is a relief from all that yellow packaging. The green coloured Club is quite well suited to the nature of this scent, although it provides little else in terms of scent. Perhaps the prospective buyer should ocntinue to walk past the AdP counter...
05th October, 2015
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Bally Masculin by Bally of Switzerland

Bally Masculin opens with aromatic, slightly powdery lavender and underlying anise. Moving to the early heart, the composition stays relatively linear as the lavender and anise remain the focus, with soft patchouli and a supporting soapy, leathery accord joining the fold. As the composition moves further through its middle, the lavender largely vacates, leaving the remnants of the now supporting anise to join the remaining rough leather and newly arrived green, slightly powdery oakmoss rising from the base. During the late dry-down the composition turns to a woody vetiver focus with hints of the oakmoss remaining in subtle support joined by slightly sweet soft amber through the finish. Projection is average, as is longevity at about 8-9 hours on skin.

Bally Masculin is a composition that took quite a while to completely win me over, but win me over it has. The aromatic lavender smelled quite pleasant from the get-go, but the anise was keeping me from completely embracing the composition despite liking it immediately. It is rare that my opinion changes to a large degree on any composition, positive or negative, but with Bally Masculin every time I would wear it new elements that I initially missed behind the lavender and anise fougere front emerged. Over time, the leather that was hiding under the aromatics reveled itself, and later the oakmoss that I completely missed the first few wears is now unmistakable. I could go on and on, but what appeared on first sniff to be a classic fougere that was competent and likable, but relatively unremarkable is actually *quite* remarkable. In short, I stand corrected. The bottom line is the long-since discontinued Bally Masculin is difficult to find nowadays and will most likely cost about $100 for a 100ml bottle on the aftermarket, but it has a lot more going on than what is smelled initially, earning it an "excellent" 4 stars out of 5 and a solid recommendation to classic fougere lovers.
05th October, 2015

1775 by Royal Copenhagen

I am surprised to be the first reviewer here. I bought a bottle of 1775 when it first came out a year or two ago and I like it. It is utterly different from the classic Royal Copenhagen, which I only hang on to for the sake of curiosity. 1775 I can actually wear. There is a kind of battle between warm and cool notes, in which cool seems to prevail. On the one hand you have the warmth of bergamot, lime, and mandarin, and I assume on the other hand it's the lavender and cypress. The musk also is fairly prominent. It's nice variety from the woods/ tonka bean fragrances that most guys seem to be wearing, though I like some of them too.
05th October, 2015

Riviera by English Laundry

Spiced butter on wood.

Has been done before but this is very well done, just like most of the rest of the English Laundry line.

This could easily be someone's only fragrance as it covers a good varieties of genres and can work in all weather.

Very nice.
05th October, 2015

Oxford Bleu by English Laundry

I really want to thumb this down, but it is well constructed and does everything well except the type of fragrance it is should die.

Loud, uninhibited, vanilla, spice and wood, very much like Eros and 1 Million. These fragrances have their place, and I would wear this to a club for example...but I think we've had enough of this type.
05th October, 2015

Signature by English Laundry

Jean Paul Gaultier Le Male with British flare.

Neutral only because of the name Signature. As good as most of the rest of the line is, this one should not be the signature scent. Other than this it is a very good/better Le Male.
05th October, 2015

Horizon (new) by Oriza L. Legrand

Impressive sometimes how much two fragrances can be so mutually resemblant. When I spray on skin Oriza L. Legrand Horizon (New) I get for more than ten minutes the olfactive photocopy of Il Profvmo Patchouli Noir, namely a fresh-humid (hesperidic) accord of dark patchouli, amber, faint frankincense, floral notes, green aromatic (somewhat mentholated elements), cedarwood and hints of soft suede. Another juice jumping more than vaguely on mind is surely Nobile 1942 Patchouli Nobile because of its structural accord of patchouli, resins, dusty spices, aromatic greens and hesperides. The well rounded (darkly chocolatey) patchouli's vibe conjures me as well Lutens Borneo 1834 which I basically find less resinous, less balmy-vanillic and more musky. I get in here a luxurious noir twist created by honey and seasoned (tobacco nuanced) booziness which I catch (in a less prominent way) also in the Il Profvmo's "noir patchouli prominent" concoction. As well as happening in Il Profvmo Patchouli Noir the ambery-vanillic presence is in here featuring and central, providing a sort of powdery decadent/cyprian "elixir vibe" of "Nobiltà Decaduta", a "debauched" feel enhanced in here by frankincense, calibrated cocoa (with its "greedy/gluttonous" touch), smoke (peat) and an aromatic/cedary faint booziness (a touch of cognac close to peaty scotch and a twist of seasoned spicy tobacco). The overall effect is quite saturnine and neo-baroque, an atmosphere of old british castles, steaming waxiness (aromatic candles), precious tapestries, chapiters and bas-reliefs. Sandalwood jumps finally up imprinting a deeper woody-salty feel which is even supported by a wet spicy earthiness coming from humid tobacco and roots, roasted nuts, by leather and by a quite virile/organic "push" somewhat ambery/animalic (synthetic ambergris, honey, may be castoreum). I detect surely floral notes but I'm hardly able to isolate rose. Dry down is darker and more rounded (cocoa/tobacco/vanilla). Frankly I hardly get neither a collapse towards a sort of salty-leather linearity (the juice is finally indeed still earthy, luxurious, floral, sandalwood rounded with a touch of saltiness and averagely articulated) nor an aromachemical-oriented particularly infesting presence. The final outcome is gorgeous, exotic, piquant, salty, sexy, a great oriental fougere mainly based on patchouli, bitter cocoa, leatherish sandalwood and tobacco. A beautiful aristocratic noir patchouli ideally smelling for old aristocracies as an olfactory tribute to the end of their era.
04th October, 2015 (last edited: 05th October, 2015)

Coco Extreme by Comptoir Sud Pacifique

Pure Coconut...

Coco Extrême, or "Extreme Coconut" is a fragrance (like many in the Comptoir Sud Pacifique line) which is true to it's name.

Now, coconut is the main player here. It's in the name, it's in the composition, it's loud and it's "extreme".

What I get from this is the many facets of coconut throughout this perfume. The fresh aspects, like the juice, the pulp and the flesh... and the dry aspects; the powdered coconut, the coconut butter, the cream. It's like all of these aspects rolled into one. I also get the aroma of coconut biscuits. The ones made with fresh butter and lots of sugar. This is definitely a delicious perfume, a great example of a "gourmand" scent.

Overall though, Coco Extrême can be one-dimensional. It's all about the coconut from start to finish. I think that if you like that sort of thing (i.e. you are someone who enjoys the smell of coconut and has a craving for a purely coconut smell), then look no further, as this is the one. If you are looking for something that is more than just coconut, or dislike the note in general, then perhaps it would be best to look elsewhere.

As for me, I like it! Although I wouldn't reach for it everyday. Again I would have to be "in the mood" to wear something like this, or smell like this all the time. I will say this though, it did bring a smile to my face, and if a perfume can make me happy like that, then it isn't such a bad perfume after all...
04th October, 2015
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Vol de Nuit by Guerlain

Although I can appreciate Guerlain's Vol de Nuit as a landmark in perfume; I cannot say that I like it on me. I get the green notes which are laced with the sweetness of the narcissus but it is barely an on skin fragrance for me and it has completely vanished within 20 minutes or so. I am referencing the current EDT and all I can wish for is that Guerlain made Vol de Nuit in an EDP formulation. I also get the very lovely drydown of the spice and vanilla but it is all so fleeting on me. I cannot see purchasing this and wearing it if I can't even enjoy it. So, although this scent is a true beauty, I am fairly neutral about it. I give it a thumbs up simply because it is from Guerlain!
04th October, 2015

Sauvage by Christian Dior

Can't remember the last time I've smelled this horrible fragrance. It was an immidiate disgust...Very nasty and harsh, vulgar and vile. And I was near to buy this blind..This has nothing to do with Bleu de Chanel. I suffered untill the middle/early basenotes, then scrubbed it away. I find it simply unwearable. I'm left disappointed and confused as this sort of fragrance comes from a house like Dior. If this is going to sell in the long run, I will be even more confused.
04th October, 2015

Oro 1920 by Bois 1920

In the realm of Tuscan Leather "alike" leathers, this reigns as #1. Incredibly rich and refined. It lacks the smokeyness and rough edges that are present in Tuscan Leather. At one time this fragrance was near $900 and now it is much more affordable in the $175 (discounted sites) and $340 (Barneys) range. If you are a leather addict like I am, this should be in your collection and chances are, it will be your most loved as well.

10/10 in all categories.
04th October, 2015

Monsieur Léonard by Léonard

Aquatic fougère with an identity crisis.

04th October, 2015

Paco Rabanne Pour Homme by Paco Rabanne

Fresh, green, herby, clean. Very strong oakmoss. An old-fashioned soapy smell. Like walking through a wood on a bright, cool morning after a night of rain. Damp moss, ferns, rain-soaked greenery all around. Sweet earth faintly detectable underneath. It makes me feel really clean and fresh. Love it.
Sillage good only for an hour, then a fresh mossy skin scent that continues for a couple more hours. I'd keep this for weekends or days where it's convenient to refresh every now and again. Then it's perfect.
October 2015
04th October, 2015

Aventus by Creed

Just got a 5ml sample and must admit that Aventus is a very good fragrance. It's extremely versatile and masculine. Perhaps Creed's most versatile of their modern options. While my preference is still for Spice & Wood, Aventus is definitely worth owning and I will be purchasing a decant when this sample is used up. Thumbs up.
04th October, 2015

Sauvage by Christian Dior

Starts off as a brisk, not unpleasant, but slightly thin floral then quickly hits a geranium note and doesn't let up. OK if you like geranium but it's not subtle. Not for me.
04th October, 2015

Eternity for Men by Calvin Klein

A one more example of the fragrance that is ruined by a reformulation. Both longevity and sillage has gone. So I'm reviewing the vintage Eternity for men which I have purchased several bottles. That's the original CK Cosmetics version and somewhere in the mid 2000's the Unilever version. (the reformulated current version being the Coty Prestige one.) Ca. 50% of my purchased bottles had turned bad, and I'm left with 3 good vintage bottles. They smell amazingly good and different from the current formula. Much more potent! Based on my own experiences, i'd say Eternity turns relatively easily bad - a word of warning to any other possible vintage hunters.

I find this a refreshing and comforting woody aromatic which has especially very nice sort of sharp top citrus notes (lemon, mandarin, bergamot). The lavender is excellent here. The citruses are not at any phase too dominant. Aloof, clear, sharp, herbal, aromatic. In the middle notes I find an aspect of beautiful sadness/melancholy. Don't know where it exactly comes from, maybe the lavender-other florals-vetiver combo (?). Corresponds well with the name Eternity. For me this works best as a good needed change after some heavier, sweeter, powerhouse fragrances. The times when one needs lighter, refreshing, comforting, cooling, maybe even a bit sporty fragrance. It's not aquatic though, which is a big plus for me. For those who search for compliments, this one works in that sense. Strictly masculine, I find nothing unisex or feminine here. The base woods are vetiver, sandalwood and rosewood.

I go with 3-4 sprays of which one to the arm(s), the rest to neck-chest area. As for vintage Eternity, there's no need to spray more, you'll get noticed by others - and in a positive way! One extra spray from long distance to shirt, or spray to the air and "walk through the mist" is a good idea. Works well as an office scent. Afaik it's not so popular any more (versus in the 90's) - it may offer a certain amount of individuality.

04th October, 2015

Rive Gauche pour Homme by Yves Saint Laurent

Great scent and last a long time!

Starts sharp and spicy but calms down to a musky sweet scent.

Classic Barbershop Fragrance, just like Barbasol Shaving cream!
04th October, 2015
rbaker Show all reviews
United Kingdom

Classic Cologne by D.R. Harris & co.

Citrus with green notes and a woodsy impression added in the drydown. A classic combination but remaining a bit dull on my skin compared to some other D R Harris colognes on my skin.

Sillage is soft on me, the projection poor with three hours of longevity. For the lover of such a cologne it may be worth trying. 2.75/5
04th October, 2015
rbaker Show all reviews
United Kingdom

Traditional Cologne by D.R. Harris & co.

An orange-laden opening phase, and mainly orange it remains with over time a green fern impression being combined with it. Fresh, summery, well done and refreshing: a classic summer cologne.

With moderate sillage and adequate projection, the four hours of longevity are respectable for such a citrus-heavy scent. 3.25/5
04th October, 2015
rbaker Show all reviews
United Kingdom

Blasted Heath by Penhaligon's

The opening - more a breeze than a blast - is mainly aquatic, with hints of fresh seaweed and green notes, mainly sage, added in. The green side lasts well into the drydown, and a somewhat ninspecific woodsy impression combines with it.

The base does not change very much in my skin, apart from the green side receding and a somewhat bland white musk appearing towards the end. I get soft sillage, quite weak projection and six hours of longevity on my skin.

A nice but at times a touch too watery and too generic on me. 2/5.
04th October, 2015
rbaker Show all reviews
United Kingdom

Blasted Bloom by Penhaligon's

The bush-leaf green opening is well balanced by a midly fruity forest berry accord and has an aquatic tilt to it at times. In the drydown I get a pleasant mix of a somewhat restrained rise with a nice hawthorn; the latter is quite well made but does reach the splendid height in hawthorn notes that e.g. Aubépine-Acacia reached. Still, it is a nice drydown.

The case is cedar based, with a somewhat generic moss impression raising up from time to time.

Performance is not bad with moderate sillage, adequate projection and six hours of longevity on my skin. Overall an agreeable spring country scent with a nice and at times original array of notes that are well-blended. 3/5
04th October, 2015

1 Million by Paco Rabanne

Paco Rabanne 1 Million is a fragrance that change my life somewhat. I am not sure whether it was me.. or the perfume.

I am from Asia to be specific, I am from Singapore. 1 million is not common here unlike western countries from what I gathered from fellow reviewers here, this has gathered so much hype that every hot blooded male is wearing 1million at clubs over there.

The fragrance game here in Asia its not big. Not many guys wear frags here. Girls being hit with 1million when I walk pass them did not know what it was. To them.. in her exact words when they walk up to me "You smell so nice and sexy" and keep in mind this is a stranger whom I have just met.

My neck and lips was ravaged by this girl there after.

I had thought that it was just a one off event. But it had happened several times that I started to believe in the artistry of perfumery.

This fragrance although have gathered quite alot of hate from the community, have ignited my interest in perfumes and I have expanded my collection by quite abit with also the recent acquisition of bond no.9's New Haarlem.
04th October, 2015
rbaker Show all reviews
United Kingdom

As Sawira by Penhaligon's

The opening consists of a mildly boozy saffron that is freshened up a bit by a bergamot side-kick. The drydown introduces a floral bouquet, with jasmine and carnation joined in the foreground on my skin by a lovely, quite bright rose; the latter has depth but is not if the dark and brooding variety in my skin. Soon a pleasant oud appears that is very well executed; whilst being typical and convincing Itnis not one of the heavy ouds; being very balanced it blends in well with the floral notes.

The base is a fairly standard vanilla with wood-amber-musk mix, but it is nicely done and the oud gives it an added ounce of character and variety. The performance is very good with moderate sillage, good projection nine hours of longevity on my skin.

In an age of a deluge of oud scents, some obvious aromachemical copycats attempt to cash in on this trend, in this case the oud is of a decent quality and intelligently incorporated into the whole. It is great for autumn, a rich scent with depth but less voluptuous than Halfeti for instance. 3.5/5.
04th October, 2015

Sauvage by Christian Dior

I could be neutral because it is merely a "meh" scent -- bland, uninspiring.
But it gets a thumbs down because it messes with the brand name "Sauvage" which should be associated with the timeless classic Eau Sauvage.
Here is a mediocre, citrusy scent with vague allusions to herbal notes but mostly a somewhat thin, metallic middle and a run-of-the-mill synth musky dry-down.
Really? Is this the best that Dior could do? :\
04th October, 2015

Gershwin by Maria Candida Gentile

gershwin is a wonderful wee divertimento for a whimsical sunny day in any season. a whole basket of every citrus fruits all dolled up with mcg's special flava of incense is a concept that is surprisingly rare. 'of course' it has discreet projection and wussy longevity but it is such an unfailingly positive and lovingly crafted perfume, these performance issues are irrelevant to me. that's what 100ml bottles are for. uplifting stuff!
03rd October, 2015