Perfume Reviews

Latest Perfume Reviews

Royal Oud by Creed

For me, this is hands down the best thing Creed has to offer. It’s a simple perfume based on cedar, pepper, and various earthy notes (vetiver, patchouli, and cypriol for sure). There’s not a lick of oud in it (obviously), nor does it smell as gaudy or ostentatious as certain “royal” scents can get. It’s basically a sturdy green cedar that that wears beautifully with minimal effort. Also, it’s super versatile; it would work just as well with jeans and t-shirt as it would with a jacket and tie. Creed’s not a line that I look to for depth or complexity, and Royal Oud doesn’t offer anything new in that regard, but it does emphasize the fact that sometimes a straight forward scent is all you need. Probably not worth paying retail prices, and look elsewhere if its oud you seek, but for an easy-to-like earth-and-woods modern aromatic, it’s hard to beat the directness and refined stability of this scent.
01st September, 2015

Les Compositions Parfumées : Silver by Lalique

Lalique Silver requires great patience unless you are so fond of cardamom that you are willing to smell like over-spiced and over-steeped masala chai. The initial blast is a hissy sharp lemon/lime and cardamom, but the citrus fades within ten minutes or at least it is completely smothered by close to 90 minutes of a cardamom bomb the likes of which I have never experienced. Cardamom is almost always framed by more opulent surroundings, and I have heard that, from a technical perspective, it is a difficult note to sustain. Not here; at this phase of Lalique Silver, nothing gets close to casting a significant shadow on this single dominating note. If this is all there was to Silver, it would be an obvious scrubber in my book. Fortunately things ultimately look up. At around the 90-minute mark, the silver lining of Silver is achieved, with a more balanced cardamom moderately spicing what is principally a high-pitched lemon and clean Haitian vetiver combination. This is a quite pleasant and unique result which has good staying power.

I am not a huge fan of “metallic fresh” scents but this is precisely what Lalique was aiming for. Each of the fragrances in the Les Compositions Parfumées series is named after and is intended to evoke a specific metal. When Silver finally comes into balance, with the spice adding the right amount of patina to what might otherwise be an overly harsh metallic tang, it is superior to things like Creed Silver Mountain Water, Royal Water, and Bond Hamptons -- and it is on this basis that I give it a mild thumbs up. I can find some use for Lalique Silver but it requires some interesting timing issues to let the cardamom bomb phase pass before going out in public.
01st September, 2015

Chanel Pour Monsieur by Chanel

I've barely sniffed the current, green juice, but a Basenoter sent me a sample of an early 90s vintage of Pour Monsieur "Cologne," and I was impressed. It's a beautiful, straightforward fragrance; polite and inoffensive.

I'll try to update after testing the current formulation.
31st August, 2015
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Zegna Intenso by Ermenegildo Zegna

It took me quite a while to make up my mind about Zegna Intenso. I own it and wear it quite happily from times to times, but any time I tried to approach it more thoroughly from a “reviewer” point of view, I always felt something was missing in my, say, perception of it. Like when you enjoy something, but any part and aspect of it seem dull and negligible, and you are unable to get a global, comprehensive idea of it. And yet you reach for it and enjoy it even if you can’t really explain why. Zegna Intenso does precisely that effect to me. At first I was ready to dismiss it as a boring mainstream scent, but each time its discreetly enjoyable presence on skin was telling me it would have been a mistake. Now I think I got why. The main key of this scent is that it smells so nicely and perfectly generic and discreet, it serves more as a sort of ideal silent and distinguished servant than a “statement” accessory. Any time you wear it, it’s ready to do and “tell” you exactly what you want it to, to suit your mood, your style, the situation you’re in. It can smell formal and dark, or lively and “young”; sometimes it feels simple and warm, sometimes elusively exotic, sometimes dusty and vibrant like a club downtown. A perfect Zelig in a bottle (Woody Allen’s Zelig, I mean). And I think this is due to Daniela Andrier’s ability to bring out the best off the concept of “safe and generic” – something soothing and comforting designed to make you want to wear it just for the pure sake of it, and then forget about it. Zegna Intenso brings that to an unexpectedly high level.

Coming to the smell itself, many compare Zegna Intenso to Armani Code but I don’t really see the similarity. I mean, of course that is the family, but there’s quite some differences. And anyway, frankly Zegna Intenso smells way superior than that for me to any extent. Tonka and musky iris notes provide a dusty, sophisticated and crisp Oriental frame (a yuppie concept of “Oriental”, obviously – it’s a designer after all...) which is perfectly harmonized with generic - and yet, perfectly nice - clean woods and some nondescript sort of fresh-tart head accord that gives Zegna Intenso a quite enjoyable sort of mildly aromatic fresh twist – fresh enough to keep it more vivid and sophisticated than many similar, and often kind of heavy or cheap Oriental tonka-centered designer fragrances. Diamondflame’s review is really spot on about this interesting “chiaroscuro” effect due to bright head notes versus the general Oriental spicy-smooth “darkness” of the other notes. This whole harmony makes Zegna Intenso smell way more refined and comforting than it seems. Now imagine all this in the hands of an extremely talented nose with an eagle eye for subtle – and again, positively “generic” - refinement as Daniela Andrier, and here’s Zegna Intenso. A true little piece of smoothness and respectability in a bottle. I know many scents already play this “comfort” role (e.g. many classic clean “eaux de cologne”), but well, each does it its way and so does Zegna Intenso. A bit like Bottega Veneta pour Homme by the same nose, it brings that traditional concept of “smelling nice and quality just for the intimate sake of it” to a more contemporary level. You can find discounted bottles of this everywhere, grab it if you stumble upon one.

7,5/10
31st August, 2015

La Religieuse by Serge Lutens Les Salons du Palais Royal Shiseido

The profane attempt (by Serge Lutens) to introduce a sort of assumedly mystic-religious jasmine's representation by combining the floral notes with synthetic musk, liquid Iso E Super frankincense, citronellol, ambroxan and a touch of animalic fat. The outcome is kind of vulgar since the chemical pungent general vibe submits each idea of dusty mysticism and drama. Civet provides a touch of grease and pungency (pungent floral intensity) but the main vibe is musky, kind of coconutty-floral and sort of fluidy-resinous with a touch of herbal earthiness. I get a similarity with several Elisabeth Taylor's, Passion in particular) but in here the outcome is almost misere and devoid from any trace of articulation. I get indeed a "soliflore spasmodic insistence" and a sort of aggressive industrial juicy-floral muskiness all around (kind of dirty, un balanced, fizzy-astringent, citric, finally slightly syrupy-fat and powerful). Any trace of goth, any trace of the earlier Lutens trademark mystic orientalism, just an aggressive deodorant-like jasmine that seems to fit perfectly to such a squallid foul-mouthed aggressive young blonde with huge red lips and kind of punk ripped pantyhoses.

P.S: if you'd like something conceptually similar but far better appointed stick to Armani Onde Mystere (hard anyway to find and probably discontinued).
31st August, 2015

Russian Tea by Masque

Interesting and unusual in a good way.
The start is incredible. The first few seconds are pure, fresh black tea. It's like taking the lid off a tea caddy and breathing in the scent of the contents at close range.
Then suddenly there is a huge, bright, loud, what smells like menthol/eucalyptus/tea-tree oil note. You just opened your tea caddy and unbeknownst to you a female soprano opera singer has crept up behind you and suddenly lets out a bright, loud high "c". The minty note makes me think of olbas oil or some similar cold vapour-remedy in its potency and effectiveness at clearing the sinuses (thanks for that). For me it's still good though: I'm a mint fan.
Anyway, you jump 3 feet in the air when the lady sings and spill the contents of your tea caddy all over the kitchen, and the room is filled with the fresh, lovely scent of tea, mint, tobacco, sweet hay over the next hour or so. Frankly I don't get the strong leather or smoke vibes that others have. After about 4 hours all that's left is a faint, fruity skin scent - I guess that's the raspberry, although I couldn't have pinpointed the fruit to anything specific . I also wish the sillage were a bit bigger and the longevity, well, longer.
Overall though it's a rather lovely, strange thing. It's lovely enough and strange enough for me to put it on my "want" list, but I won't buy it unless the current price, which is just silly, Is more than halved.
August 2015
31st August, 2015
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Enygma by Onyrico

Enygma goes on with a blast of saffron, with almost cinnamon-like nutmeg spice support. Moving to the early heart the saffron and nutmeg spice hang around in support, joining faint unidentifiable florals, as the composition adds dry tobacco and synthetic, slightly rubbery woods to take on the role of co-stars. During the late dry-down the spice and tobacco vacate, leaving stark sandalwood paired with slightly smoky vetiver through the finish. Projection is below average and longevity very good at between 11-12 hours on skin.

Enygma is probably the worst of the initial four Onyrico samples I have tried to date. The saffron and nutmeg open starts things off quite nicely, but all positive momentum is lost when the synthetic woods and ill-conceived tobacco arrive shortly thereafter. The dry tobacco and woods mesh quite poorly, and at this point, many will call it a day and scrub the thing off. Fortunately, the late dry-down saves things to a large degree, as the troublesome tobacco and synthetic woods give way to a fine vetiver and more natural smelling dry sandalwood starring tandem. Enygma obviously has some appeal, and on the whole I would have to call it largely successful, but the crucial heart disappoints to a degree that one has to wonder if it is worth waiting for the pretty decent finish. The bottom line is the 160 Euros per 100ml bottle Enygma is just that with its puzzling mid-section that spoils an otherwise relatively impressive start and finish, earning it an “above average” 2.5 to 3 star out of 5 rating and a neutral recommendation with a slight positive bias.
30th August, 2015

Blomma Cult by Room 1015

Vanilla, powdery floral or floral powder. To me it smells by turn of old fashioned make up (like my Nana used to wear), face powder, lipstick and baby talcum powder. All mixed up. It gets sweeter and more powdery as time goes on. Due to those associations for me it's not really unisex. I think it's an odd scent for a man. It's not unpleasant, but for me also totally devoid of any physicality and not sexy at all. I'd almost go as far to say that it's kind of child like or even childish. It's a nice smell, but I feel a bit ridiculous wearing it. What does it bring to mind? Many years ago my Mam took me and my little brother shopping with her. We were in a haberdashery and she was occupied choosing fabric. My brother must have been about 3 years old. In his curiosity he'd emptied the contents of Mam's handbag on the floor and proceeded to paint himself with red lipstick. He looked so funny everyone in the shop was laughing.
That's it for me, odd as it is. I'm happy as always to be told I'm wrong. Sillage and longevity moderate. It's OK but I wouldn't buy it.
August 2015
30th August, 2015

Sauvage by Christian Dior

This new Dior, Sauvage, fits right into the mainstream fragrance scene of 2015, and reminds me a little of Burberry Brit Rhythm for Men. Having worn it, no interest was sparked in wearing it again or buying any, but I am curious to smell it around on others to see what kind of impression it makes from that angle.

Overall, my disappointment is pronounced; neutral leaning thumbs down; and I need a getaway with Fahrenheit and Dior Homme Intense to recover warm fuzzy feelings for Dior.
30th August, 2015

Coal by Andrea Maack

Perfectly consistent within Andrea Maack range, Coal is an entirely-artificial, minimalistic exploration of an imaginary thick “grey” concrete-like matter, pretty much as its name suggest. It evokes in fact something smooth and threatening at once, dark and “organic” with a sheer, balmy lab-like vibe, smelling basically as a really tight and aseptic blend of musk, synthetic woods (Iso E Super), nose-tingling pepper, with a hint of something slightly sweet, Gucci Rush-like, which I guess is due to some, again, artificial note of cashmere wood or sandalwood. Basically a sneaky yet apparently successful rebranding of any Azzaro Visit and similar cheap plastic woody-pepper stuff (something also other “post-modern” niche brands seem good at doing, like MiN New York). I find it exceedingly boring and itchingly pretentious, as I see zero true innovation or creative research, but I admit they seem skilled in turning cheapness into avantgarde - if you’re a fan of that, then help yourself.

5/10
30th August, 2015

Fougère Bengale by Parfum d'Empire

An unlikely set of complimentary notes set this one off, and, for the most part, they stick around the whole time it’s on the skin. Fougere Bengal hits you with a ringing bell of what smells like musky hay, camphorous licorice, and maple syrup-immortelle. The camphor is really there to spike both hay and syrup as the volume’s turned up on both of those notes. With that said. the blending is seamless, and the effect is a warmth that sidesteps the saccharine. As with a number of Parfum d’Empire scents, the musk is raunchy but muzzled deep within the mix. After a while, a sketchy synth-moss rolls up and yells “copout,” but the scent manages to keep its cool all the same. It does smell like a fougere, but one that breaks the rules in a smart way. Nicely done.
30th August, 2015

Equistrius by Parfum d'Empire

With plenty of lipstick iris and supple suede, Equistrius is an over-inflated balloon of a scent that walks the line between cosmetics and leather. The iris is perfectly recognizable as iris yet doesn’t aim for photorealism; instead, it taps into the suede for a profile that signifies as a kind of glowing cyan blue. However, both the iris and the leather are coddled by a prominent yet anonymous “perfume” — a somewhat redundant scaffold that smells both sweetly oriental and vaguely musky. The result is a scent that's perhaps a bit too bloated with both the iris and the suede drowning in too many pillowy layers. As with others in this line, Equistrius is fairly linear (with a gradual slouch from iris to tonka) but it’s neatly blended with no spikes. It’s a little too distended and “perfume” for my liking, but for a boomy oriental iris, it’s a solid choice.
30th August, 2015

Cigarillo by Rémy Latour

Found this review online for the rare "Cigarillo"....I have heard this one is over the top sweet and it seems that may be the case based on this description. I will stick with the OG "Cigar."

Cigarillo Cologne
By REMY LATOUR FOR MEN

Cigarillo by Remy Latour Cologne. Wear a scent with exhilarating and unique masculine appeal as your personal stamp of impeccable style. Introduced in 1996, Cigarillo for men is the creation of famed French fragrance brand Remy Latour. Indulge in its sensuous formula that features a heady blend of citrus and sweet fruit notes. Essences of Amalfi lemon, bergamot, plum, pear and pineapple round out Cigarillo's intoxicating aromatic profile. Exude suave sophistication when you sport the seductive Remy Latour Cigarillo for men.
30th August, 2015
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Cuba Red by Cuba Paris

If you enjoy tobacco frags then "Cuba Red" should be part of your collection if for nothing else the value price and awesome cigar shaped bottle with a mug shot of Ben Franklin on the label.

Tobacco and cedar, very linear, lasts for about 90 minutes, available year round at TJ Maxx and Ross....ciao
30th August, 2015

La Collection Croisiere : Mojito Chypre by Pierre Guillaume

I’ll go out on a limb and say that this is the most adventurous of the five releases from PG’s new “teal” line, but I’ll also add that it’s the one that turned my stomach the fastest. It smells like a strawberry-tinged air freshener — harsh and enormously unpleasant. Camphorous pine provides a “just bleached bathroom” effect, and the strawberry is more tart and leafy than sweet and jammy. The result is medicinal and chilling, and it made me feel sick within minutes of application. There’s nothing chypre about this; it’s an astringent fruity aromatic, and if you’ve smelled 2013’s Cape Heartache, you’ll recognize it immediately. Horrifying.
29th August, 2015 (last edited: 30th August, 2015)

Very Irresistible for Men Fresh Attitude by Givenchy

Minty-angular plastic Givenchy's "stardust allure". Fresh Attitude is an hyper glamour/synthetic Givenchy's "experiment" on the cedarwood's theme based on the game of juxtapositions (minty-citric patterns, ozonic molecules, coffee-hazelnut). It is a flanker of the classic Very Irresistible For Men which is a semi-gourmand more properly sensual-warm, still minty-gourmandish but devoid of ozonic/exotic (kind of mohito-conjuring) elements. Fresh Attitude smells really close to Guerlain Homme Eau Extreme (being furthermore conceptually close to Mugler A* Men Summer Flash) and follows the trend of freshly sensual semi-gourmand laundry/angular aromatic scents which combine fresh/mentholated sparkling-angular notes with synthetically warm and sensual "tasty-toffee like" patterns. The opening is super mentholated (yet by coffee beans influenced) and mellifluous-chic with the by soon heady contrast between hesperidic mint (lavender, mint, basil, coriander and citric aromachemicals) and "nutty/suede veined coffee beans" vaguely oozing several L'Instant de Guerlain Pour Homme's sparks (despite the latter is far more refined and kind of luxurious in style). Along the way metallic-marine vibes and a more properly cedary (musk-ambroxan oriented) feel take the stage orienting the aroma towards something more conventionally woody-salty (kind of cedary-ozonic) and far less gourmandish (though still aromatic-nutty and kind of waxy-lipstick-like). Fresh Attitude follows the Very Irresistible For Men's glamour-chic (deliberately) hyper/synthetic theme and exactly over this category it should be assessed and properly located (laundry-sugary suede, kind of suede-like waxiness, menthol-chic soapiness, game of contrasts, juxtapositions between angular-fresh and silky-gourmandish synthetic notes). A classic example of Givenchy's style (Very Irresistible, PI Neo, Dahlia Collection, Ange ou Demon). A typical post-modern clubbing solution which could not surely allure the straight forward lovers of tradition.
29th August, 2015

Obsession for Men by Calvin Klein

Very nice. Spicy cinnamon, with a citrus freshness at the start that wears off after half an hour or so. The cinnamon stays the whole way through, with vanilla coming through later. Yes it's dated, but it's a good scent. I have Chanel Égoïste too, which is better (Chanel usually is) if you like cinnamon, but I still bought a bottle of Obsession and I can't imagine not owning it now. It's not "great" but it's very pleasant and one of those scents you end up wearing a lot, without really intending to. I'd wear this as a safe evening scent for any civilised social occasion. I can imagine an evening foursome, two smart forty or fifty somethings for drinks in a classy bar then a nice meal and warm, genuine conversation. If you spray it on at 7pm before you leave home, it'll still be going strong at 11 when you leave the restaurant and say your goodbyes to your friends. Not really warm-sexy for me like Égoïste is, but warm-friendly, and what's wrong with that? Nothing, that's why I bought it.
August 2015
29th August, 2015

Lonestar Memories by Tauer

This is all Jackboots and Swastika's to me!

I really admire Tauer's polish in other offerings.

However, I'll shine my Cordovan's with the likes of

Knize or Chanel, Thank-you.
29th August, 2015

Royal Mayfair by Creed

This one’s surprisingly budget smelling for the line that bangs on about status and wealth and being one of the elite and all that. It’s a sort of fresh, sporty kind of affair — high-end locker room aquatic, I guess. It make me think of the kind of mini-shampoos you might find in a hotel that have script fonts all over the place; a superficial, slapped-on kind of royalty. The scent sits closer to the GIT style but with more of a crystalline fizzy herbal accord — aldehydes and various green molecules, I presume, cut with the slight sharpness of camphor. There’s a mild soapy-clean effect, but not quite as soap-in-the-mouth as these sporty scents can get. The base is a functional clean, woody balsamic thing with a touch of musk — a tad stemmy, but more crisp than metallic. Overall, it's an ultra-safe easy to wear scent in that it negates contemplation; your standard locker-room fresh effect with a touch more polish than you’d get from an off-the-shelf deodorant body spray. Very nice for what it is, but it would be better priced at around the mid-level department store range as that’s clearly the audience it's targeting.
28th August, 2015

Ryder by Ex Idolo

I wasn’t into the first Ex Idolo release, but I saw the appeal as the scent was a reasonably well crafted drunken rose. This one is a step down in that the construction and the effect are both mediocre. It’s basically Tom Ford’s Amber Absolute merged with Dior’s Fève Délicieuse. Fold a creamy coumeric note in with a debilitated Amber Absolute and add a touch of dried fruit-like tobacco and that’s about it. Sweet, cloying, and forgettable; it’s your standard, predictable “modern masculine” sugar-cakes scent. Pure, unadulterated bro-nip.
28th August, 2015

Aramis by Aramis

I remember this the first time from about 1978, when I was 11. I went on a school trip to London and went into the perfumery in Harrods or possibly Selfridges. I remember thinking "pepper" (black pepper). To be honest I wouldn't have recognised it today without seeing the bottle.
It's soapy (I think I mean oakmoss when I say that), spicy, masculine, very dated. Reminds me oddly of Aramis 900 at the start in it's old fashioned soapiness. But also brings to mind Kouros or better Polo Green with fresh tobacco and it's unapologetic strength. It's like smelling an old-fashioned cologne off a leather jacket. It's powerful and lasts for hours.
I love this. I love it because it takes me back in time to a decade (1970s) that I experienced first hand as a child, and the fragrance now allows me to imagine it as an adult.
Oddly enough it reminded me too that in those days the smell of cigarette smoke was everywhere. Nowadays like most people I've learned to find the smell of cigarette smoke disgusting, but somehow I miss it when I wear this fragrance.
I see a man in his early 30s, in a smart leather jacket and open necked shirt, in a night club, handlebar moustache , sideburns, gold chain, hairy chest, a pack of Benson and Hedges. His Ford Capri is parked outside and he'll drive home later quite drunk, along with most of the other guys in the joint. It's 1975. He's still oozing confidence and chatting up the ladies. In a few years the music and fashions of the next decade will be weird and alien to him, as will the new materialism to come. He'll lose his hair and gain a belly. He won't get to buy a Golf Gti cabriolet because by then he needs a practical family car. But his children will remember "that aftershave" well into the next century.
A true classic. August 2015
28th August, 2015

Black by Puredistance

Puredistance Black - I’m not sure I know what I’m smelling but it’s nothing that I connect with… It’s not concrete. It’s definitely not abstract. And it’s not abstract-concrete like CdG’s Odeurs 53 or 71. Elements of the scent seem vaguely familiar, but not familiar enough to identify them. Lucky Scents’ blurb suggests that P-D black is presenting the smells of childhood… but I don’t feel it tickling anything in my deepest memory banks… Puredistance Black is warm, but I don’t really get leather, booze, aminalics… yet I certainly wouldn’t argue about those…

Now, about 45 minutes into it, I get a growingly disgusting element that hits me very much like heavy leather or birch tar does… Yes, that is definitely there filling up the background and precluding this from all possibilities of my purchasing it… yup, birch tar is there, so this will be quickly coming off my skin.

I wish I could say that this was a noble experiment – but I’m feeling neither success nor frustration – this fragrance is simply too non-intriguing for me to bother thinking about any more.

I don’t find Black at all unique or intriguing. It is simply a somewhat linear, conglomerate accord… very much in structure like the ‘90s Calvin Kline’s best sellers, except that this one is not synthetic smelling nor screechy.
28th August, 2015

Carbon [6C] by Nu_Be

What a surprise! The last Nu_be fragrance I tested – Nu_be Mercury – made me nauseous. This one, Nu_be Carbon, is not only tolerable, it’s quite desirable. It opens spicy and bright – ginger, cardamom, chili pepper, iris and resins. They are all there in an effervescent, wearable accord. It is a seriously spicy-resinous accord, and yet it is not over-the-top… and it is beautifully refined. This first accord lasts about an hour with ebbing sillage, and then continues on as a heart and base with an iris / sandalwood texture backgrounded by a soft ginger / cardamom. This subtle, elegant textured aspect lasts for another two or three hours on the skin (longer on clothing). It eventually tapers to a dry sandalwood / maybe-floral conclusion – I love the smell. I’ve smelled the heart / drydown before – it was a local product – it was my favorite body wash when I lived in Taiwan – it was called… “Carbon.”
28th August, 2015

Paul Smith Man by Paul Smith

The citruses of the opening are about the only interesting element of the fragrance. The yuzo and bergamot, nicely helped by the star anise are rather dusty (very good description, Darvant) and unclear, thanks to the combination of violet, incense, and patchouli notes already encroaching on and dominating the opening citruses. The accord is noticeably synthetic, particularly suffering from a lack of better quality material. The violet continues on into its middle level, becoming the dominant element in the remainder of the fragrance to my nose. Not at all original and boring … don’t like it at all.
28th August, 2015

Heir by Paris Hilton

Bergamot and a synthetic leather in the opening… Hard to say what else… maybe lavender and fir… very, very hard to diagnose. I can’t readily identify individual notes in Heir… it is one big blob of confusing smell. The fragrance is not very strong and it doesn’t go anywhere or do anything except get weaker and weaker in its hurried descent to a a quick death… not at all a tragedy. Anyway, it is not a disagreeable scent. Its major ailments are an incurable case of boring and an short life span.
28th August, 2015

Baladin by Nicolaï

Aromatic herbal opening – very nice accord of mint, grapefruit, tarragon and thyme, citrus and three herbs I wouldn’t have thought would work together –. It’s remarkable how fresh it is and yet warm remains warm. I guess the warmth comes from both the tarragon and leather notes. The accord is enjoyable, nondramatic, grounding.

When the leather and vetiver take over, I pretty much begin losing the fragrance. The accord becomes quite reticent to my nose, searching deeply for it, I find the accord pleasant, but I would find the accord more interesting if it came through a little more strongly for me. As a skin scent, I don’t think it’s compelling enough – a soap or moisturizing lotion could accomplish the same thing. Baladin started out well, but ends in a fizzle.
28th August, 2015

Quartz by Molyneux

From the descriptions of Quartz pour Femme in these reviews I would guess that there have been a few reformulations since 1977: the version I am testing is, I believe, the most current version and the notes listed on the package are:

Top: Lemon, Mandarin, Bergamot, Grapefruit. Middle: Iris, Jasmine, Lily of the Valley, Honeysuckle, and Rose. Base: Vetiver, Sandalwood, Patchouli, and Tyrolean Moss.

My nose is in agreement with the notes listed on my package. I get a light, refreshing citrus opening followed by a floral heart on a rather delicate chypre base. At all three levels of the pyramid, the feeling of the fragrance is 1) a simplicity unusual for a chypre IMO, 2) a freshness that, strangely, smells chypre-ish, and 3) a generic boredom that is very unusual for me to find in a chypre – (I usually love chypres).

Quartz is very nicely structured. It is pleasant. It has easily controlled sillage. It has decent longevity. It is not synthetic or plastic. But it could be much more interesting. It has, as Naed_Nitram says: “long, clean corridors.”
28th August, 2015

Antihéros by Etat Libre d'Orange

Wow! Lavender overload. A high quality lavender explodes out of the bottle. It is a little musky, I think, which contributes nicely to the quality. The lavender tones down, as a normal lavender does, to a point where it acts smoothly in conjunction with the musk and cedar. The new accord is far too normal for Etat Libre d’Orange fragrance – it is also rather generic… excellent quality and very pleasant, but not unique. Later, the woods move further into the accord, and the lavender is pretty much gone.
Antiheros lasts quite well for a lavender fragrance; the initial lavender blast is temporary... it settles down nicely. The remainder of Antiheros is quite discreet and perfect for a pleasant, quality office scent. I enjoy the fact that this fragrance doesn’t add vanilla to the lavender – I dislike that combination. Lavender isn’t my favorite, but this one deserves a thumbs up.
28th August, 2015

Light Blue Pour Homme Living Stromboli by Dolce & Gabbana

Rather attractive opening accord – a sharp, sweet, aquatic, plus a direct lychee note provide for a likable simplicity. I don’t get musk, per se, but there is something sweet augmenting the lychee’s sweetness. The movement to the “floral” middle makes for a bit lowering of the timbre of the opening… the scent has come to operate at a lower sharpness level. I’m not sure I can identify either the iris or the Osmanthus, and the deeper timbre doesn’t do much to lessen the aquatic character of the scent, which by now are getting a bit annoying because the aquatics are even more synthetic that most aquatic notes. The base lowers the vibrations of the fragrance even more, and to the point where I feel the scent has finally settled into a comfortable feeling… the aquatic has finally given up, much to my relief. Light Blue Living Stromboli is pretty much an average aquatic. I don't have very high expectations for aquatics, so I'm going neutral on this one.
28th August, 2015

Tam Dao Eau de Parfum by Diptyque

I own and love the first Tam Dao, and I’m well aware that it is not really a sandalwood fragrance… it is a cedar fragrance. As far as sandalwood goes, this EdP is much, much closer to the real thing. This is a classic Mysore sandalwood and it is superb… Although this is not a SOLO sandalwood, it features a clean, creamy sandalwood note that plays no games. On my skin, the sandalwood rules, assisted by a quite subtle cedar. The other notes – lime coriander, ginger, musk, vanilla, and amber play only minor support roles to the sandalwood – noticeable but non-interfering with the sandalwood. The wood accord has a gentle projection and a rather short longevity. Outside of that understandable and forgivable flaw, this is pure sandalwood enjoyment. I doubt I’ll be wearing the EdT very often anymore.
28th August, 2015
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