I’ve had to re-test this fragrance several times, because in the very short time it takes for my mind to wander off, the scent performs such a 180 on my skin that I keep wondering what perfume I actually have on.
The second part is so completely removed from the first that it’s like wearing two different perfumes. If you’re not sniffing your arm like a hawk and focusing intensely, you might miss the transition completely and wonder what the hell just happened to the dark rose fragrance you originally put on. Because what I end up with is a smooth, boot-polish leather that feels texturally very close to Tuscan Leather.
And I know I didn’t start out with Tuscan Leather. David Yurman Limited Edition starts off on a beautifully rose note, roughly hewn and set in a dry smoky haze of oud and spices. It feels slightly green and herbal. That rose is really excellent quality. I can tell that the oud is the standard synthetic variant out of either Firmenich or Givaudan, but the rose smells like a really high quality Taif rose oil. It is bright, sharp, and lemony – almost harsh at first, but then loosening out into something sweeter.
Quite quickly. I lose the moist, fleshy parts of the rose, but what remains of the rose oil are the germanium-green and lemony-sharp facets, leaving their high-pitched, oily traces on all the other notes.
The base – which comes on very fast and surprised me every time – is a dusty vetiver leather with a fruity, boot-polish note lent by the raspberry. The combination comes off as dry and slightly musky and is very close to the way Tuscan Leather smells in its far drydown.
The raspberry note doesn’t smell like a fresh raspberry, but adds this strange, solvent-like tone to the leather. I have noticed this plasticky, boot-polish like effect of the raspberry note in two fragrances thus far: Tuscan Leather and Impossible Iris (Ramon Monegal). It is very appealing, because it adds a modern edge to the musky, sawdusty leather accord.
I like this perfume very much, and I’m given to understand that it’s not that expensive either. It is extrait-strength, so it is long-lasting. Unusually for an extrait, it projects quite powerfully too.
Many quote this as a great rose-oud-leather fragrance for men, and I agree. In fact, it’s a creditable alternative to Portrait of a Lady or Tuscan Leather if you’re on a budget. It might also do the trick for fans of Atelier Cologne’s Oud Sapphir. I’m not saying it rivals their quality, but for the price, it gives you a smoky, oudy rose over leather that lasts all day. For most, that will do the job.