Total Reviews: 107
This for the current EDT.
Powdery and green with white florals, iris providing a cold, dusty and slightly medicinal note, which sits well with the rounder woods. The galbanum green is dry but not bitter, the florals are clear and bright and the whole thing dries down through soapiness into a lovely creamy base. This is a gorgeous fragrance, striking and daring without losing any of its femininity. While it's not a bouncy, skipping, overtly friendly fragrance, I don't find it at all aloof - it's mature and confident, elegant but very accessible. Definitely a good interview or work fragrance, where one needs to feel self-possessed and confident. It made me think of a first-time meeting with a mother-in-law - it's approachable and refined but very definitely indicates to those who catch a glimpse of it that you'll be no walkover.
There are several versions of this. This entry in the Basenotes directory seems to cover the edc, edt, edp, and parfum. I have had samples of the edt, edp, and parfum. I like them, very much, slightly preferring the edt, which I also find more unisex and less powdery.
The edt has a crisp, creamy, and more natural floral smell to it.
The edp smells more feminine to me, and I would enjoy being around women wearing it. The edp is heavy and intoxicating, a good date night scent for women.
The parfum is the most powdery, but it's not necessarily as feminine as the edp. The parfum has a darker aspect to it that makes it feel more unisex to me, but more feminine than the edt; but overall much closer to the edp, as may be expected.
I'm hoping to try the edc.
30th October, 2016 (last edited: 03rd February, 2017)
Oh No. 19, what a surprise you turned out to be!
I distinctly remember sniffing this scent in my younger years. I had just fallen in love with No. 5, and very curious about Chanel's other offerings. It's not an overstatement to say that I severely disliked No. 19 then; harsh, green, dry, and so much less friendly to my nose than her older sister. I never gave her a second glance.
Fast forward 20 years, and I'm newly embarking on a journey to expand my meager fragrance collection and educate my nose. Upon reading around here, I felt the need to revisit this scent, if only to find out my current tolerance for the wryer, greener side of the fragrance worlds.
Upon spraying this on a tester strip, I was met with the same sharp, somewhat harsh green notes I remembered, but for some reason they now seemed intriguing and a little less hostile.
Perhaps it's my years of exposure to the Chanel DNA present in No. 5, or perhaps the years have made me less frightened and more accepting of the less warm and fuzzy parts of my own personality, but I felt like this fragrance warranted a test wear.
I'm glad I did give it a second chance, because the more often I wear it (the SAs in my local perfume store are starting to look at me funny), the more I like it.
On my skin, the harshness that is present on the tester strip is almost completely absent. In its stead I get a dry, unapologetic iris, and a sharply clear version of that soapy note present in so many Chanels. The effect is cool, crystalline, and energizing, and I understand why people associate this fragrance with powerful business women/men and a take-no-prisoners attitude. And that's just what I was missing in my fragrance wardrobe.
For me, this is an instant confidence booster, and a way to highlight a part of my personality that I'm only now beginning to discover.
I'm definitely going for a full bottle of the EdP soon.
I find the EdP stronger and more fierce than the EdT, unlike most reviewers seem to do. Longevity and sillage are quite good!
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I was never able to fall in love with No. 19 in its ubiquitous EDP format. It came very close to what I like, but always struck me as a slow fade from bright green to dull green that, while technically adequate, lacked the panache required to draw me in.
Then I tried the parfum. What a game changer - it's awesome! The parfum concentration places the legendary topnotes alongside a rich dollop of iris and vetiver, while a heavier helping of that galbanum/moss mix are amplified by Chanel's signature creamy base. The end result is a perfect mix of green and rich. All told, it's almost like a vetiver perfume with a really complex soapy green iris support system.
I really love the parfum (and, for the record, the Poudre version, which goes the opposite direction and amplifies the brightness instead of the richness and also improves greatly on the EDP). Please do try the parfum version - it's worth tracking down.
Among the green floral fragrances still with us, Chanel No.19 is a marvel. Where many 60s and 70s green florals have either fallen out of production or been reformulated beyond recognition, No. 19 remains with us, and recognizably itself. I see this a balancing act, one that keeps its appeal broad enough to remain on Chanel's endless mainstream counters in every major department store. It's fresh but not girly, green but not soapy, assertive but not loud, and classy but not pretentious. It once had a leather base (likely supporting the oakmoss that it no longer contains), but in its modern incarnation it dries down from a carroty orris to a powdery musk--a textbook no-nonsense phantom chypre that also covers some of the same ground as a niche iris.
Although I appreciate the story behind No. 19, I don't really understand the "icy," "bitchy," and "heartless" descriptions of its current formulation. To me, it's refreshing and wearable. Maybe I'm not easily intimidated, or maybe I just don't recognize the stony-hearted wench in the mirror.
Rarely can a perfume be so daringly flirtatious and yet as cool and tingling as Chanel No 19.but cool and tingling doesn't mean citrusy in this case.far from it.amidst florals.it's a paradox as it doesn't smell flowery either.in fact this novel formula doesn't recall any exciting smell in particular and we would be hard pressed to pigeonhole,it's that independent. Sophisticated,Rich,Cool,Confident,Classic;Impressive and Very French.
It's a little strong at first but the dry down reveals a soft,smooth woody with hints of moss and leather and a powdery floral overtone that emphasizes,fulfills the personality.it's the scent of a sassy,chic woman who knows her own mind comforting and evocative as well as classic and avant-garde.it's classic that manages to feel modern at the same time,and it's best suited for women of strength and character.a must try for floral green lovers.
Longevity?Superb on my skin.
I own a small amount of vintage juice from the 1980's. What a marvelous scent! As a dry chypre, it is quite suitable for a man to wear.
The signature green note of No. 19 is announced through galbanum, which adds a nice touch to the citrus opening. Among the floral notes, rose and iris are prominent, but all the florals are very attractive in the mix. Never sweet. Restrained and dry, with hints of wood. Very elegant and classy. Dry-down has lovely light musk, salty-minty moss and hints of leather. Yet I must stress that the scent is never heavy or dense, and wears very well through the day.
Chanel's last creation, with perfumer Henri Robert, was almost as big a hit as her iconic No. 5.
Robert, as Roja Dove tells us, tempered galbanum, bergamot and neroli with orris. The chypre base of sandalwood, oak moss, leather and musk, similar to Robert's nephew's Caleche, tempers the muguet, rose, jasmine and hyacinth.
Turin calls it a "green floral" and gives it four stars. He says it may be one of "the cruelest" of the hard scent motifs. He notes the "silvery hiss of its nail-polish-remover beginnings to its poisonously beautiful green-floral heart." "Haughty and immune to sweetness, with a somewhat antiseptic air…."
Barbara Herman notes its "diluted, earthy, vegetal transparency" with "incredibly subtle leather and woods." Appropriate for "the evil witch from Snow White."
One wonders why such an austere, cold, hard, unforgiving scent is praised by anyone, let alone the olfactory experts, and why it was a hit.
My impression was that of an effervescent dry leather, which disappears almost instantly, leaving nothing in its wake. An emperor's new clothes scent - praise is for Chanel, afraid to be found wanting in taste, to say, it's not very nice at all.
Top notes: Galbanum, Neroli, Bergamot, Hyacinth
Heart notes: Jasmine, Rose, Muguet, Orris
Base notes: Vetiver, Sandalwood, Leather, Musk, Oak Moss
I get a strong rose-dominated top note with galbanum, bergamot and floral notes, mainly hyacinth and a wtouch of lily-of-the-valley. Later ylang-ylang is added. This top is rich, intensive but not too cloying and well blended. Alas it collapsed on my skin after the first hour, giving way to a scent very close to my skin and has a touch of white musk with cedarwood. Initially good silage and projection with over three hours of longevity. Neutral but might be quite different on someone else. This review is for the most recent EdP version.
My citrus period is over. I realized that after countless efforts to find a deep hesperidic EdP to satisfy my taste, I had started to appreciate instead the depth of some perfumes labeled as green-woody-balsamic. I loved Charmes & Feuilles by the Different Company, and currently cherish Fille en aiguilles by Serge Lutens. So I started testing so called green perfumes and No. 19 was so often mentioned that I gave it a go yesterday at my local department store. I was blown away by its character and tenacity. At times I find it a bit too floral for my taste but it is so well made and of such a high quality ingredients that it is no wonder it has lasted the test of time so well. A must-try for perfume lovers.
This is the only "green" fragrance I have ever liked. I think it is just lovely. The drawbacks are it does not last long and for the price it needs to be with me longer than an hour or two. That said, I think it is unique and is by a landslide my favorite Chanel fragrance. Given my preference for oriental/woodsy/stronger fragrances, my favorite should be Coco, but this is my favorite by Chanel.
03rd July, 2014 (last edited: 07th September, 2014)
Genre: Green Floral
No. 19 starts out with green notes supported by rich, sweet florals and the signature Chanel aldehydes, then quickly begins to brighten. Suggestions of sweet cut grass and frsh hay float around the aldehydic flowers, which in turn coalesce into a bold and well-rendered rose accord.
The sweetened green notes retreat slowly as No. 19 ages on the skin, leaving in their wake the rose note and some crisp woods. (Perhaps sandalwood and cedar?) The rose an woods become progressively drier over time, and after an hour or so on the skin No. 19 reads primarily as a rose-focused scent. By the third hour of wear the rose itself bows out to leave a soft, dry base of vanillic notes and sandalwood. This simple but gratifying drydown fades slowly until after no more than four or five hours on the skin, by which point it is barely perceptible. No. 19's merit lies in its, simple, clear accords and smooth progression, but I really wish it didn't leave in such a hurry.
No. 19 is a strange one... A lot of people label this as a cold, heartless, "ice queen/boardroom bitch", kind of fragrance. I don't get that at all. To me it smells like a bunch of freshly cut morning spring flowers being newly placed in a vase.
I find this to be very soft, slightly powdery, and sensual. I don't find it "unemotional" or whatever. To me I think Chanel Cristalle fulfills all of those previous labels, that is one that I see as more masculine (and one which as a man I happily wear). No. 19 EDT opens a little like the Cristalle EDT does (hyacinch and bergamot) but the galbanum really gives it an amazing quality (warm and sensual). The powdery iris is really beautiful here. It's clean and fresh and sexy at the same time. I do get Oakmoss and Vetiver and I think the earthiness of the Iris (orris root) and the dryness of the Vetiver compliment each other beautifully.
It's true that this fragrance is the opposite of "girly", as it definitely gives off a grown up vibe, but I wouldn't say it's a "cold-hearted bitch" kind of perfume. To me it's quite alive and soft. The kind of person I would see wearing this would be an intellectual, kind hearted young woman, the kind of girl who is really attractive with a sweater and glasses who always has her head in a book, but doesn't know just how beautiful she is kind of thing. Alternatively any woman who wears a suit to work or academic but deep down is still really kind and loving to those around her.
With reference to the unisex quality often attributed to this, I find Chanel Cristalle (also by Henri Robert) more masculine than this, but something like "Dior Homme" (also an iris leathery fragrance) more feminine than this, it being sweeter and more gourmand than No. 19. Coincidentally... I know that my grandfather sometimes wears on occasion so I think it certainly wouldn't be out of place being worn on a man.
As mentioned before, this was Gabrielle Chanel's signature scent. It was originally private and exclusive to her, before being released publicly just before she died. However, that being said... I'm now starting to get a pattern in late Chanel perfumer, Henri Robert's creations: Chanel Pour Monsieur (1955) is a green Chypre, No. 19 (1971) is a green floral, and Cristalle (1974) is floral Chypre. All have Citrus notes, all have Oakmoss, and all have Vetiver. But what sets No. 19 apart is the beautiful, sublime Iris note. Powdery, soft, warm and somehow elegantly clean... it undoubtedly makes No. 19 the plushest, most sensual, and most feminine of the trio. It really is a masterfully blended perfume.
I don't see Chanel No. 19 as a cold, "unemotional" fragrance, to me (a man's opinion) it's like meeting a very attractive yet quiet, shy, intellectual type of girl with a kind, warm, loving heart who you just want to cuddle up with on the sofa by the fire. This is just one gorgeously grown-up, well- balanced fragrance!
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Fresh, green, unique
A lovely classic beauty Many years ago I wore this and remember it as being fresh, chilly, and green. I've recently received a bottle as a gift, in EDP formulation, and I'm enjoying the rediscovery of this beauty. Curious how our perceptions change over time. After 5 hours' wear, it's very different from my memories. The sharp bitterness of the opening notes put me off at first, but after 15 or 20 minutes, soft floral notes began to appear and the fragrance settled into a more feminine, less assertive version of the #19 I remember. Iris and rose is predominant, with a touch of powderiness appearing now and again. It's both warm and cool, a seemingly difficult balance to achieve, but this formulation pulls it off beautifully. The woody/mossy basenotes are warming in their effect. A touch of leather, nothing dominant, with the florals still playing their part in the development. The greeness seems to be gone; freshness replaced with earthiness. I think this is one of those go-to frags that can be worn in almost any situation. Sillage is average, longevity very good, about 8 hours. A good unisex fragrance.
Pros: sharp, greenish, with floral heart., nice woody drydown
My signature over 30 years
Since 1983 I have this fragrance and it is always good. Chanel has made some changes in the past 30 years. I found the deodorant and the bodymilk/cream after the changing in 2012 better but it can more better. The longlivety is short and to soft from the bodymilk/cream.
The EDP is a bit different comparing with the EDT. I do love the EDT more.
Pros: You can always wear this fragrance
Cons: expensive (always) "
Beautiful, classic fragrance
Purchased a bottle of the EDP recently. The opening is a burst of earthy green foliage, reminiscent of a lush springtime garden after a downpour of rain. After a while, hints of leather and musk emerge, along with an aura of soft powder, but it never loses the green earthiness that makes this fragrance so memorable.
This is one of my favorite January - February scents, it powdery florals combined with a sharp green (ETD version purchased in 2011 has since been reformulated I hear, juice is emerald green) accord and a nice leather to give the scent backbone and keep it from going down soft and ladylike. It's lady like - but this is the scent of the ultimate bitch - the one with money and who knows what she wants.
It stays with me all day but isn't over powering. It will never make an entrance but I've been told lingers on clothes - and sheets. On my skin it dries down to a nice woody musk. This is by far one of my favorite perfumes for it's ability to both melt into something pleasing on my skin but also for wearability. It is not out of place anywhere - except maybe a nightclub, you might want something more seductive or flirty for that: No 19 is not a flirty, girly, come hither scent it's much more of a "I know what I want and if I want you; I will come and get you" scent.
This is my "austere bitch" fragrance. It's sharply green, tailored, smart. I love it in the fall/winter.
This is one truly bad fragrance. It smells like dead ladybugs. Anybody who has lived in Southern Ohio in the fall knows what I mean. I received a bottle of this as a gift one Christmas and I think it is still in the bottom of my closet.
these light, powdery florals with a slight hint of leather smells absolutely divine on my skin! Normally I have a strong dislike of Chanel perfumes but this one I really really like. It's not overpowering, it's not overly flowery or feminine. Just classy and subtle like a classic lady.
I had the EDP and the EDT and used to wear it regularly, although it is no longer "in collection."
I consider this the "entry-level chypre." Unlike some other chypres, you would never think twice about wearing it during the day, or to work, or in hot weather. (To me, that intensely green bergamot is summer in a bottle.) You could wear it with jeans, linen, or wool. No. 19 goes everywhere...except perhaps to bed, where maybe you'd like something a little less "tailored"...
Not too old, not too young, worn equally well by men or women, it seems to hit the right note every time. I highly recommend this if you think you might like the chypre accord, but are not quite sure. Classic.
I am basing this on the eau de parfum.
Luscious green and woody. Very crisp and dry. I think men could wear this, and women who do not like heavy floral 'girly' scents would love it.
I wouldn't call it a romantic or 'feminine' fragrance, but I would say that it's sophisticated. It's also one that I can (and do) wear to the office--it does not have major sillage so it won't get on the nerves of anyone who does not like smelling other people's perfume, but it stays on me for several hours.
One of my favorite Chanel fragrances.
Love it! Love the opening notes and the woody base notes. I like a fragrance that is a little masculine/strong and this one is quickly becoming a new favorite.
This is probably the worlds most polite fragrance.
All green florals, powder and cedar. There's something about 19 that is both soft and serious. It must be the marriage of dry, sweet flowers with that friendly woodsy cooldown. It's almost like it's saying "I'm for women, but I will never offend you with cleavage or rouge."
I find it markedly less bold than 22 and 5 which are outwardly feminine, while this is like a gamine tomboy.
I think the re-formulated No. 19 is a success. I'm basing it on the EDT, which I bought. I can't speak to the EDP. It retains the older classic No. 19 undertones, but the reformulation is a lighter, less dense version of that.
The galbanum is reduced in the top notes. which makes it less bitter on opening, and allows the warmer elements of the fragrance to come forth from the start-up. But what I call warm is actually a curious mix of very greeened-down florals and old-style feminine leather, non-airy, non-expansive, and thank god, non-citrusy. It seems citrus is one of the things they grab when they want to contemporize a fragrance. That's not what 19's about, and they seem to understand and not mess with that. Which is one reason I call it a success.
Another is that it is a very wearable fragrance - I can see it becoming a staple. Subtle and subdued enough for day, but with the slightly non-feminine muted galbanum edge, it retains a certain amount of character - this is an intelligent perfume because of that sense of character and will. Also, it's feel of coolness, which in fact isn't borne out if you smell it with focus at different phases, creates a subtle juxtaposition, as does the combination of bitter green, earthy floral and warm leather. It engages more than smell in trying to embrace it, heightening its sense of intelligence.
It becomes a close to the skin fragrance after several hours, though its sillage is never large. It doesn't disappear though. It's one you'd smell coming off someone at close range in an elevator, something on that order. And really, who wants their fragrance to intrude on someone further away than that?
28th January, 2012 (last edited: 04th February, 2012)
This is fast becoming my favourite Chanel fragrance, the twilight counterpart to the sun of No. 5. It is bitter only in its opening, and I find it a very comfortable fragrance to wear all day. I prefer the restraint of the eau de toilette to the more feminine development of the eau de parfum.
Easily one of the classiest feminine scent ever. Chanel n.19, despite its durable angular and mossy crispiness, is mysterious and decadent as a court inside an abandoned and decrepit nobiliar building. The smell is extremely classy, cold (in a rooty/grassy/lymphatic way), almost sinister, shadowy, moody and silent. This scent pushes in a corner the great part of the feminine scents today on the market regardless the range. The smell, as underlined by many, is multifaceted, mossy/boise, aldehydic, floral and slightly leathery (in the dry down tail). The beginning is crisp and angular with a powerful galbanum (providing a botanical sense of mossy coldness), some herbs, the final moss echo, bitter orange and the bergamot (providing algid hesperidic angularity). The grassy and almost retro initial whiff is soon "florally" mild because of the central floral bouquet where the main role is played by a victorian rose, a rooty royal iris (orris root, the real musky protagonist) and a romantic muguet with the reverberation by an ylang-ylang's almost detergent soapiness. The central part is the sweetest in the body of a faintly mild scent and in this stage is barely detectable the work performed by hints of aldehydes with their typical cool, sparkling and projecting effect. Receding the sweetness starts blooming up a sort of wet, crisp and botanic woody temperament of the aroma with the leathery undertone and a plain mossy atmosphere. There are some roots in the general grassy-floral ambience although in the final stage is perceivable a touch of woody/floral powder (with a faint influence by iris itself), some leathery trait and a bit of musky smoothness. Bold, severe, sophisticated and distant.
05th January, 2012 (last edited: 11th January, 2014)
I don't understand why this scent was marketed as a women's fragrance because it smells completely masculine to me. It seems to lack depth and reminds me of nothing more than alfalfa sprouts with dry, dusty, cardboard. It's not a stinky fragrance, so I can't say it's downright bad- therefore, I"m giving it a neutral rating.
Stunning opening of green bouquets and woodsy promises... but the drydown on my skin is too bitter, like rancid dandelion roots.
The "poudre" version had a better drydown, but it was absolutely not the same - overall too polite for my taste.
An iconic/ aloof/ hissing and venomous green chypre of a fragrance that beckons admiration but only from afar. The anti-thesis of the voluptuously powdery rose-jasmine No. 5, this fragrance is for a woman now characterized by angularity and prismatic sharpness, like a crone, still beautiful but now older and "more handsome" -- even butch. Feminine still, but almost heartless.
Ideal for those that want to project elegance tinged with masked steeliness and severity.
Highly recommended and a masterpiece!