Total Reviews: 94
Exactly the same result as with Montblanc Individual, Zino Davidoff smells like rotten fruit, flowers. It's an instant scrubber for me. I can't understand how people could like it and all the positive reviews make no sense to me at all.
I regret giving away my bottle of this wonderful scent from Davidoff!
Zino is warm, woody, with a tasteful amount of sweetness that comes across as classy to me. It has a classic men's cologne character to it, but not cloyingly so.
Close to perfect! In my opinion this one is a notch better than joop or montblanc individuel . The element of patchouli makes it more sophisticated , mature and manly than the above . Amazing scent. Fruity, spicy and woody at the same time.Not too sweet, not too sharp. Very well balanced.
Women would love this on a middle aged man, no kidding. Winter or fall, office or club.Very versatile.
And I can't believe it is so cheap.
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A sophisticated fragrance for office wear. Rosewood, SW, Vanilla and Amber mixed just right.
A bit sweeter than Guerlain's Heritage and not as good but hardly anything is.
I would get this now as vintage is getting harder to find.
I find Zino subtle, and not very interesting, a light presentation of the listed notes. For this type of sandalwood (or sandal) smell, backed by sweetness, Tiffany for Men or Maitre Parfumeur et Gantier Santal Noble could be better options.
I am still unsure about Zino Davidoff. The trouble I am having is that some days I love it and some days I find it unpleasant. How strange.
I would like to make a comparison. For me this smells a lot like Chanel's Pour Monsieur. The Chanel offering is a bit more refined but considering the price difference that is to be expected. At its best Zino smells like a 30 year old bag of classic sweets. I find it to be soapy and sometimes a little creamy. I would describe it as a strong traditional masculine with a twist. This is strong stuff and one or two sprays is enough or I find it cloying. I get good projection and longevity from this one so it ticks the boxes in that department.
The bottle leaves a lot to be desired for me. The main body is almost classy but the contrasting plastic lid lets it down and detracts from the appearance.
Overall I can see why this is an appreciated fragrance and although I think it could have been more elegantly refined, I can see myself growing to appreciate it more over time. A good offering if you want a good quality traditional masculine with that little extra something that stands out.
Zino is an odd charmer. From farther off it smells almost entirely of patchouli with some sort of shade cast over it. In this regard it immediately reminded me of Furyo by Jacques Bogart and Salvador Dali Pour Homme. Draw close to the skin, however, and it seems to have more in common with scents like Escada Pour Homme, its stark woodiness replaced with a crumbly-dry and somewhat boozy vanilla-amber. Judging by the first minute I was assured that this would be an explosive fragrance, the kind that make one feel a little self-conscious when overapplied, but the opening transitions nicely into the heart in very little time and Zino becomes a warm, caramelly aura. Excellent stuff, and not just for the price.
Although I do like this scent the dry down is a slightly "Zestier" version of BMen by TMugler. Not that it's a bad thing just for reference if you own BMen then you may want to steer away for Zino.... Well unless you love BMen and want to get this as a zesty companion scent. I am sure the price of Zino is half of what you would pay for BMen. Enjoy.
ZINO says i am Modest,Romantic,Elegant and Attractive and I would say it is full of DAVIDOFF beautiful too.A sophisticated in Classic way.I personally find it simply Perfect.
When my father bought this one i was really addicted with this scent.first i can smell a little fresh.Middle notes is really Charming/Warm and A little feminine too.A beautiful product,A lovely scent.
A AUTUMN/WINTER scent and I think this cologne is suitable for Everyage and perfect for wearning at every occasion chiefly for INTIMATE and OFFICE.one word do you want to feel like a Confident&Smart man?Then ZINO may be the answer.
LONGEVITY?Is not great on my skin but i still like it.
I wore Zino to my very first job after college and it was the only fragrance I owned for my first year of work. I recall that I also only owned two suits back then and didn't care because I felt, dressed and smelled like I had success.
25 years on, and I own a dozen or more suits and fragrances, but a bottle of Zino has always been atop my wardrobe. Great value today at less than $25. Blind buy this and you'll be glad you did.
12th February, 2015 (last edited: 13th February, 2015)
I found this scent nauseating. Not a fan of patchouli/vanilla mix in this particular instance, I guess. Overall, very dated fragrance and definitely not for everyone.
08th February, 2015 (last edited: 13th July, 2015)
Thumb way up!
It's December as I write this, this is the type of weather, at least in the Northern Hemisphere, for this fragrance.
Go out and try it, dark and rich.
Goes well with that extra layer of clothing, good friends, nights out and enjoying their company!
You feel more mature and as if people take you a little more seriously with this great aroma around you.
Testing Zino Davidoff (which now I happily own among my scents) has been one of those moments that reminded me why I like perfumes and testing new things all the time, without prejudices. I did not know this fragrance to be honest, until I received a miniature. I quite enjoy Davidoff tobacco, but I did not really think Zino Davidoff (the scent) was worth any rush to test it... well however last night I applied some on my hand just for curiosity, and – wow! – the very first thing that came to my mind was: this smells *great*. It surprised me – like it happens to me really once in a while. To make things clear before talking about notes and comparisons, the most immediate, solid and sound quality of Zino Davidoff is that it smells terribly, irresistibly, undeniably good. Then, it's also a totally peculiar scent, it just imprints itself in your memory from the very fist sniff. The people which compare this to Dior Homme are right in my opinion: in fact, it somehow smells like an "uncle" of Dior Homme, a desaturated, more mature and somehow darker version of Dior's contemporary classic. Which in 1988 is quite avantgarde. Basically, Zino Davidoff is a rose-patchouli woody scent with an overall dusty sweetness, creamy notes of sandalwood and ylang, and "something" all around which smells halfway tobacco and soft modern leather (but it's neither of the two). Superb drydown, cozy and refined, worth the waiting and as much beautiful as the opening. Not a powerhouse despite the age, fairly different from more canonic fougères: actually it's quite more similar to early '90s brighter/sweeter masculine scents, but even more modern than those, and also "manlier" somehow. Warm, versatile, cozy and relaxed, masculine for sure but with a subtle feminine vein (like Ténéré by Rabanne, to which in fact, Zino Davidoff slightly resembles to some extents). Not intrusive or challenging, but as I said, it's quite unique, so better test it and familiarise with it before eventually purchasing it – not a predictable and safe crowdpleaser for sure. An underrated beauty!
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Genre: Woody Oriental
Zino Davidoff starts out with a very bold lavender and citrus accord that recalls old-school standards like Bois du Portugal, The Third Man, and even Jicky (without the civet). Some sweet spices and woods join in over the next few minutes, followed quickly by a very rich and rounded rose note. Settling into its heart, Zino Davidoff becomes a sweetened rose and wood scent, seasoned with geranium and resting on an oriental base of vanilla and smooth sandalwood.
Zino Davidoff does not turn soapy as it dries down, as does Bois du Portugal, nor does it veer toward hyper-masculine leather in the manner of, say, Antaeus. It seems to me instead quite balanced - even classical - in its poised approach to the woody oriental genre. Granted, Zino Davidoff is potent, especially in its first few minutes, but it evolves into a versatile and wearable scent that's far less overwhelming than its oriental successors Opium, A*Men, Le Mâle, and Pi. These days Zino Davidoff is underused, under-rated, and deserving of a wider public.
I bought this cologne way back in the 1980's and I loved it then. I bought it again about 4 months ago and I am glad I did. I love the leathery/sweet aroma and the dry down is magnificent. It is perfect for cool weather like today. It makes me and my nose very happy.
How funny to think that in 1990, as an 13 year old, I was wearing this very manly fragrance, and imagining myself as James Bond. I can remember back then thinking how this would go great with a sweater in the wintertime and would most certainly sweep any girl off her feet. Sadly, the first girl that got close enough to smell this on me, probably instantly thought of her father or grandfather, and complained about it. In college, I still had the bottle, and stupidly traded it for a bottle of Nautica or something like that, as I recall. Thankfully, I was able to find a bottle at TJ Maxx not long ago, and smelled it again, and can happily report that this is still as good today as it was to my overly-developed 13 year old nose back in 1990. If you can find it, buy it. It is a classic to me, even though I probably only wear it a few times a year... a happy memories scent, to be sure.
This scent takes me right back to my childhood, evoking plenty of pleasant memories. Definitely a powerhouse scent for me with strong projection and longevity. Nothing unisex at all here. The bergamont and rosewood hit me right from the start, and although the lavender and vanilla show up later on, the top notes last until the end for me. My only complaint is that Zino is a bit linear for me. This is still a must try for any guy out there.
Zino opens with a smooth bergamot and rosewood tandem. The rosewood hangs around into the heart joined by a somewhat synthetic supporting rose and wormwood duo that begins to turn powdery later-on driven by an artificial smelling vanilla rising from the base. The scent becomes a slightly sweet sandalwood and powdery vanilla double feature in the dry-down stage, with remnants of the rosewood remaining and a just slightly dirty patchouli underpinning the starring notes late. Projection and longevity are both average, with the scent lasting 6-8 hours on skin.
Zino has quite the cult following and while I first tried it when it was released over 20 years ago and disliked it back then I hoped to have changed my opinion after all the high praise lauded on it over the years. That said, I am afraid my opinion hasn't changed one iota. Something about the powdery vanilla, rosewood and sandalwood combination just does not sit well with me (most likely the powder is the culprit). I did like the bergamot and rosewood open that for just a moment had me thinking I might change my mind, but alas Zino is just not for me and I can't force myself to like it no matter how far in the minority I may be. Zino is worth a sample if you can still find one to sniff for yourself, but I cannot recommend this 2.5 star out of 5 discontinued release, especially as it now commands relatively high prices on the resale market.
Bought this as a blind buy from the discount chain Wilkinsons in the UK for £20. It's a really great fragrance,strong yet not overpowering, and reminds me a little of a less sweet Pi by Givenchy. Doesn't smell dated at all.
Zino has an underlying sweetness without tilting into gourmand territory. It has enough variety to appeal to an eclectic cross-section of buyers: old schoolers will enjoy the oomph, longevity and woody floral character that we enjoy in Iquitos or Salvador Dali; younger wearers used to Dunkin' Donuts pyramids will appreciate the vanilla/tonka/amber drydown; those admiring boozy, unique masculines will get off on the well-blended almost rum-like note that emerges in the heart. Nice work if you can get it.
Soft leather with an oaky finish...
I am a fan of all the Davidoff fragrances and have many of them in my collection... Zino is definitely unique in the lot. I purchased this blind about two months ago and just got around to wearing it. It was a great deal on Amazon and the reviews, with the exception of a few, are quite positive.
Out of the gates, Zino comes out with the woodsy notes that settles into a fresh outdoors oaky finish with hints of floral and maybe a touch of vanilla. It is unique and easy on the nose. I tend to be more attracted to the citrus base note fragrances, but the peculiar thing here, is that I like Zino. It smells great.
Zino has plenty of potential "Wow Factor" - positive comments from the ladies. Shortly after my initial application, Sweetie comments, "Whoa - what is that..?? It smells great..!!"She is a fan of the spicy/woodsy fragrances. I also received positive comments from co-workers. The projection/sillage is average, but you can definitely smell it.
The longevity is above average, lasting about 6+ hours on the skin and a little longer on my shirtsleeve. The bottle is nothing extraordinary and the packaging is slightly above average. A check of Amazon today shows a large bottle, 4.2 ounces, is about $25.00 with Free Shipping. At that price and the uniqueness of the fragrance, you should add it to your collection.
All things considered, I give Zino 4.1 stars out of 5. Bottom line - the scent is unique, it has potential "Wow Factor", longevity is above average, and the deal is fantastic. I definitely recommend adding to your collection. Make sure you "see the world" before it is too late...
Once upon a time... Zino. I agree with Karazzmatic when he writes: "When a fragrance can spark memories and particular feelings, that's when it's more than a scent. It becomes an agent to the past, and a segue to the future". This fantastic and warm fragrance remember me the childhood and now when I wear it, I feel so comfortable and happy... Just like a child in the bed after he has listened to a fairy tale... And now the child is a man...
I've found three left bottles in a perfumery in Rome. I bought them all, and I think I'm going hunting Zino around Italy.
Upon sampling this traditional classic for the first time, I was immediately struck by the resemblance to Guerlain's Jicky. Heritage is much sweeter with its powdery vanilla. Jicky eschews Zino's rose and would therefore never be confused with it, but I do believe they share an important conceptual underpinning: a CIVET overdose. Notice all the references to strange, dark, feral musk, rotting garbage, sexual trysts, and horseyards in the reviews below. Zino and Jicky share the classic civet-lavender-vanilla accord, where the honeylike aspects of civet and lavender mesh with, and the crisp herbaceousness of lavender and stonking animalic fur of civet temper, the sweetness of the vanilla.
Zino's experienced perfumers decided to flank this central accord with a "pinker" rosey floral bouquet than Mssr. Guerlain, while amping up the patchouli, rich sandal, and cedar to balance their sweetness and maintain a structured masculinity. Also notable from the outset through the heart is a distinct clary sage presence, an accord which many find challenging with its vegetal intensity and almost sweaty overtones.
The many perfectly-balanced ingredients are showcased in a different way depending on the time of day and other circumstances of a wearing; this is another intriguing quality of Zino. One day, it's dark spiky patchouli; next time, lovely blushing rose; after that, rich sandalwood and lean cedar; but next time it's warm, funky civet and sweet vanilla; next spray brings herbal lavender and clary sage, and so on.
Jicky and Zino both feature a lemon-bergamot citrus accord and an array of light herbs at the opening, which is lovely, deep, beguiling, strange, and old-fashioned simultaneously.
I really enjoy the olfactory profile of Zino, but wearing it is even more conflicting for me than wearing Jicky. It's old-fashioned -- I agree it's very 80s, but 1880s -- and really reminds me of an elderly gentleman. I'm not elderly so there's a bit of a mismatch. I can understand certain wearers wanting to go a bit more formal at Zino's inherent stuffiness.
At the same time I am enthralled by the gutsy fragrance angle of an animalic overdose tempered by carefully chosen accords to mask the feral onslaught (cf. Jicky, Ungaro II, Baie de Genievre, Yatagan, Balenciaga pH) and truly enjoy every moment of this complex, moderately dense, and finely balanced creation. Certainly a thumbs-up, but wearability may not be its strong point.
I understand the composition was hollowed out and cheapened a bit in reformulation (block letters rather than cursive on the bottle), but I have only tried the vintage. It certainly does not smell as inexpensive as it was.
In the 90s, Ungaro II and Jaguar Mark II explored similar concepts further with a spared-down lavender-civet and a woodsier non-floral approach, respectively.
19th August, 2012 (last edited: 09th December, 2012)
Truly masterpiece. Perfect sillage, perfect longevity. One of the best scent ever. Flowers, rosewood, tobacco and vanilia give us warm, pleasant aroma. The opening of Zino reminds the water after rotten flowers or seaweeds washed up on sea shore, but in heart the woodsy notes are coming and Zino starts to reminds dry tobacco. Creamy vanillia in the base creates warm and perfect finish. True masculine but romantic frgrance. Sad that it is discontinued.
10th June, 2012 (last edited: 24th July, 2012)
I just got this today and at first, I thought: "Hmmmm...I can't smell it." I guess I couldn't distinguish it. Then I went away from it and actually took a shower, put on some Davidoff Cool Water Cool Summer, and went out. When I returned several hours later, I showered again and decided to spray this on before I retired. That was 3 hours ago and I am LOVING this! It has settled down quickly and turned into a suprisingly unique fragrance that has the most important effect on me: it evokes memories; it brings me back to a certain time in my life with specific friends. I don't know why, but it does.
When a fragrance can spark memories and particular feelings, that's when it's more than a scent. It becomes an agent to the past, and a segue to the future. Please give this a try, just like I did.
Back in the 90's alot of new fragrances for men had vanilla. My theory is after the 80's when men scents were really heavy, they came with perfumes that had vanilla and/or amber to be a little bit more wearable to a larger audience. I just hated them. I think of Jean-paul Gauthier Le male, Givenchy Pi, Paloma Picasso Minotaure, all vanilla based fragrance that smell for me a little bit too feminine. The beginning of the unisex era.
15 years later sniffing around my old samples, i came across a samples set containing 1 ml of Davidoff and 1 ml of Zino Davidoff and it was a revelation. First, Davidoff by Davidoff a great tobacco scent that kept the 80's vibes, a must have for tobacco lovers (if you can find it), then Zino Davidoff...WoW. It is soooo goooood. Can't stop smelling it. The tobacco and the vanilla with the rose and lavender combo is so gorgeous, so sexy, and it got cedar which bring the elegance. It's perfect.
Can't wait to compare Zino to Tom Ford's Tobacco Vanilla.
This scent is fantastic, one of my favourites for a night out. Quite strong, lasts well, very masculine and powerful. One of the best fragrances I own and wear it every opportunity I can. Not exactly for work or day wear though, I feel it is too heavy for that.
My only criticism is that while wearing it I feel I can't live up to the sophistication of my scent. Seriously, I looked down at my clothes and thought "How can I walk around smelling like this and dressed like that!" Unless I've suited up, I can't bring myself to wear it. If you see me in a suit, you will smell me wearing Zino
Ignore the opening, give it a chance and wear it a few times. It ends up smelling like some old roses soaked in Prada Infusion mixed with Rive Gauche and A*Men. I feel damn cool wearing this, infact anyone who wears Zino is damn cool by default; it's that sort of fragrance. It not only smells good but it's also interesting not just to my nose but the others around me. Very complex and masuline yet not offensive while still maintaining its individuality. Any occasion and any time i'll reach for this with no regrets and alot of confidence. You can find this cheap too......put the Cool Water down. This stuff is literally 'cool water'.... you know what to do. 9/10
Zino is such an amazing fragrance. I thought it was going to be a brutal 80's powerhouse, but it's actually very modern feeling to me. If they actually marketed it I have no doubt it would be a better seller than even Cool Water. It's a rose scent that seems kind of like a modern spicy oriental in a similar style of Armani Code. Although it also seems like sort of a gourmand I guess. It has sort of a sweet and spicy vanilla-ish dry down, and that is where it seems more 80's to me than modern. If it were modern it would be much sweeter and less spicy. I don't see how people can't like it.
Really a great fragrance that, along its different and diverse stages of the complex development, represents and embodies a middle level between a dark and a sunny fragrance, a classic sharp citrus-lavender resinous accord and a modern gourmand, a masculine green stiff fougere and a romantic almost unisex soapy woody-vanilla chord. Complex in evolution and "rising up" as in a game of whirlpools. In the same vein as fragrances like the spicier Moschino Pour Homme classic, as the more citrusy Boucheron Pour Homme and the slightly leathery and dustier Versace L'Homme, Zino starts with a clary sage, citrus-lavender and bergamot blast with hints of rosewood and spices (all aromatic, vaguely liquorous and pungent). This sparkling opening is a bit rough, surely sharp and green but over all is multifaceted and changeful in the way there is place for the single performances of each of the protagonists. This blast is the door for the following floral development with the note of forbidding geranium placed in order to reinforce the sharpness before the following soapy attack from amber-vanilla and side by side a starring chord of rose-lily of the valley that features the aroma of the following articulated density. The latter (a more plain consistency) is forwarded by the new entry in scene, namely a vanilla, amber and sandalwood accord that is mild, dense but never cloying cause balanced by accents of dry cedar, musk , moss and by an earthy-smokey sharp link of tobacco and patchouli in the way that the final texture is oily, green, distinguished with an autoritative patchouli and mild of woods and sweet powdery tobacco. A pillar and I can't understand how could anybody write in an opposite emphatic way.
05th October, 2011 (last edited: 12th February, 2015)