Perfume Reviews

Positive Reviews of Timbuktu by L'Artisan Parfumeur

Total Reviews: 77
A quite extraordinary fragrance. One of the best I have ever sampled!

The similarities to Interlude Man are obvious but Timbuktu is slightly more reserved and has a dryness to it while Interlude has a sweetness. Has a voodoo like quality.

06th January, 2018 (last edited: 05th April, 2018)
This is pretty great. I experience it as a mostly vetiver-based scent, but there's this wonderful crisply-sour spine to it all, like a tamarind-zip for the nose. No idea what that is but as a result this is super. The patchouli is always only a supporting chorus, which is also pleasing. All very exotic but entirely wearable.
08th December, 2017 (last edited: 05th January, 2018)
It starts out sweet, warm spicy. In the middle I get a whiff of something different; perhaps it is the karo karounde. Towards the end I smell the patch, benzoin, and myrhh. "Beyond the basenotes", when it has really dried down, it is a slightly wood, powder-like scent.

For me, it starts out rather ordinary. As it wears on, then it becomes interesting and quite lovely. I can see why it is so popular, now that I have finally tried it.
22nd November, 2017
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zar music
In the cultures of the Horn of Africa and adjacent regions of the Middle East .
26th October, 2017 (last edited: 02nd November, 2017)
Timbuktu gives me a sense of tranquility, much like burning Nag Champa incense does during my meditation.
The top notes (playful and not overwhelming mango included) make for a smooth, sweet entry but it’s the dry down where this beauty shines for me. The papyrus and frankincense play the largest part in said dry down, and the smoky aura is heavenly. It is refined, relaxing, not loud, and lasts a long while on skin and fabric. Romantic and quite addicting is this offering from L’Artisan Parfumeur.
If you are debating buying this blindly, you will not be disappointed with this one.
15th October, 2017
Stardate 20170825:

A contradiction of fragrance world. It is light, ethereal, delicate and at the same time brilliant, powerful beast.
As for notes - Vetiver and incense are the main backbone while citrus and fruits provide the illumination.
I have the wave bottle and do not know much about reformulations.
25th August, 2017
Quite easily the number one fragrance in my collection.
The main things i get are vetiver, incense and that green mango. But for me this is not about the individual notes and how they blend together. There are no real stars of this composition. It is at once clean, bracing, juicy, exotic and a little bit mystical.
Opens like you are walking through 100% humidity in a tropical rain forest and then transforms to an earthy, green grassland with the humidity turning to enchanting smoke.
This is voodoo for the nose.
20th August, 2017
Green spicy barbershop fragrance. The pink pepper, Frankincense, and vetiver combine to make a great sharp fragrance. This rises above the generic 70's barbershop fragrance with the frankincense and the pink pepper. A great fragrance.
14th July, 2017
It's chock full of spice and incense and smells like a Hollywood movie about the mysterious desert, but it's also light and airy. I get a sweet 'curry' type smell which makes me wonder if it's more something I'd like to eat than to wear. It's a little too sweet for me - once I smell incense I want something dry and ethereal. But it's not bad at all. After the initial few minutes, it does start to get more airy and mind clearing. I would dearly like to smell the older version as, from my reading, it seems to be closer to what I would love this to be.
14th May, 2017
Soapy, smoky, woody, sweet, and vegetal...all at the same time. Best worn casually (i.e., hemp, linen, denim, etc...), during one's leisure time, as I'm not convinced Timbuktu is a great choice for office wear (unless you work abroad as a Swahili professor, or for the womens' liberation foundation..whatever...).
Not just sexy, Timbuktu smells OF sex.
This is about as unisex/gender-nonspecific as they come.
09th September, 2016
This has an incredible soaring quality and is the prettiest vetiver I have found (although totally unisex), as it uses the floral and fruity notes to take the edge off the raw coldness that vetiver often has. It remains a cool, collected scent, and it makes me feel all-conquering, so should possibly be worn with care.

I don't think to wear it a lot but I am always glad when I have it on, plus it practically makes my husband salivate - which shows that men aren't all Pavlovian creatures programmed to go wild at the scent of synthetic vanilla...

Anyway, it is a beautiful fragrance - both shimmering and brooding, soft and austere. The sillage and longevity are both excellent.
17th August, 2016
This perfume smells mainly like a cross between a wood working shop and slightly sweet-medicinal/Eucalyptus notes. Some of you might think that sounds awful, but it's actually a very nice and pleasant smelling scent!
Initially, when I first sprayed it on (unlike Turin), I actually thought that it seemed far too heavily masculine to be categorized as a "nice scent" for a woman to wear! I could smell it like crazy as well, so my initial reaction wasn't altogether positive!
Not very long after spraying it though, this perfume actually settles down a lot! As Turin says, it actually does remain mostly a skin scent. There isn't a lot of sillage or projection from this one, and all the notes that it does project are quite soft and subtle. I find that there actually is enough sweetness in the notes (that it projects) that I actually do enjoy wearing it as well. However, it isn't so sweet that a guy wouldn't like it. I think that "Timbuktu" actually is a really nice fragrance that both a man and a woman could share. That said, I also think that the women who would enjoy this one the most are probably also the same ones who are fans of "Ormonde Woman" by Ormonde Jayne, or that style of fragrance anyway. This fragrance actually reminds me of "Ormonde Woman" quite a bit actually, although I think I like "Timbuktu" more.
So, yes, this is a very nice, pleasant woody, unisex scent, and if you are a fan of perfumes with wood notes at all, and you haven't tried this one yet, I do highly recommend it! You should be able to try it at your local Sephora, or, you can order a sample. I do highly recommend it, I don't think you'll be disappointed! :)
17th December, 2015
Just received L'artisan Timbuktu. Timbuktu's newest version might be different than the previous release (depending on formulation portions) since I get more pepper than the floral many have mentioned. Timbuktu in the beginning has this strong aggressive opening of pepper and spices, but calms to a more soft peppery incense fragrance after the initial spray. As others pointed out mango, I didn't nor am I getting any mango fruitiness in this fragrance and maybe I need to wear this a bit more in order to recognize that. Timbuktu is a wonderful unisex fragrance that if used appropriately will garner pleasant compliments and more. I am really enjoying this fragrance; after a shower, I put a small portion on and today I still get whiffs of this great fragrance. Having used dibs, both sillage and projection seems to be amazing without having sprayed fully. Those who have this and Blackwalnut (BR) may see similarities even Valbonne (MB) has that peppery vibe that is alluring and inviting. Overall, Timbuktu is a knockout....enjoy!
21st November, 2015
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It is not wrong to classify Tumbuktu as a fruity (mango?), incensy vetiver but this would not do it justice. Timbuktu at the same time allows the individual notes as well as the magical sum of its parts to shine through.

I agree with Classicfan that there is a matte quality about it which reminds of nostalgic old charming places... But it's not dated and more of a warm cosy scent memory.

Timbuktu shares some facets with Olfactive Studio's Chambre Noir and Dzongkha, but I clearly love Timbuktu more than these 2.
06th July, 2015
This has definitely changed over the years. I think I actually prefer its current formulation though.

Vetiver is now the star of the Timbuktu show. The vinegary quality that was once prominent to my nose has diminished, as has the incense.

Still beautiful, but still not for me.
07th April, 2015
@the_good_life - Maybe you have the newer version? I found the vetiver to be too strong in the new one. The old formula is the bottle with the clove leaf or whatever symbol that is and it smells sublime! Unfortunately my bottle broke because I was so in love with it and all there is now is the newer versions and I can't find the older one anywhere! :'(
02nd March, 2015
Before I actually tried this, I didn't know what to expect. Read a lot of reviews and was in limbo about getting it. Finally got a bottle and liked it. What took me so long? Starts of green and a little earthy. You definitely get the vetiver in this. That last about 20 minutes then it turns slightly floral. At one point this reminded me of Encre Noire Sport (which I happen to like). The drydown has a slight soapy vibe (may be the berry note). As others have mentioned, it does have a sour moment, but this is a very good fragrance nonetheless. 7.5/10
20th December, 2014
The mango and berries appear upfront and refreshing. Pretty quickly a really nice floral appears mixed with a nice light wood. There's good sillage and longevity like most L'Artisan fragrances. The wood and flower are what makes this exotic and the incense finishes it off well by being a little sweet. This is so intelligently made it's fun. The price isn't bad for something so interesting. If you like Silver Mountain Water you should give this one a try. Also if you like the matte quality of PdN New York I recommend this for the papyrus.
23rd November, 2014 (last edited: 22nd November, 2014)
This is the fragrance I use when I want to reset my nose or clear my head. There is something about it that induces calmness and stillness. It is a seemingly simple composition - dry woods, incense, vetiver, and a fruit note - but it has an ability to haunt me like no other. I really like the way that Duchaufour kept all the elements in balance so that the smokiness of the incense is moistened by the mango and the dryness of the woods balanced by the damp green rootiness of the vetiver. So, your nose perceives it as simultaneously dry and juicy, smokey-bitter and sweet, dusty and earthy. It's a marvel, really, and one that draws my nose to my skin in fascination time and time again.

Timbuktu has a cold, shadowy, dark sort of presence that sets it in direct opposition to another vetiver-based incense composition, Shaal Nur, which is sunny and extroverted. It is, like the name suggests, as mysterious and as exotic as the African continent. One of my brothers used to live in Chad (don't ask - he now lives in Syria - Syria for crying out loud!) and before the birth of my first child, he trekked out to a nearby village and after shopping around, bought a beautiful tablecloth that had been hand-embroidered by a cooperative of women from that village. When his thoughtful present got to me in Montenegro, all the way from Chad, I unfolded it and out of the corners of the folds fell this red dust. This dust smelled kind of like Timbuktu, and so wearing it is always a spiritual type of experience for me.
13th August, 2014
I honestly thought I had reviewed Timbuktu years ago - this is just one of the many reasons I revisit all of my samples.

Timbuktu is a beautifully airy and incredibly dry fragrance that leaves not so much sillage but a brief olfactory afterimage of the moving wearer. It is bone-dry, among the most arid scents I've sampled, but the composition leaves a good deal of space, allowing the different facets more room to move about. As for the smell itself, it is the ghost of fruit haunting scorched sand and wood, as though mango fruit juice had been left to dry out for days in the sun after seeping into a length of some charred wood like a cross between red cedar and guaiac. It is the scent equivalent of blending postcards of a Hawaiian beach, an Arizonan desert, and a Nepalese temple: a sort of tropical Gucci Pour Homme. A pleasure to wear.

Edit: Recently the recipe has become unbalanced with more vetiver and frankincense, and now, instead of being a creative niche affair, smells more like the incredibly cheap Ikon by Zirh. It's one thing to tailor a scent to the times and another to cut costs and quality altogether, and I fear l'Artisan are riding the crest of written praise to bilk money out of the unsuspecting here. This used to be an exotic wonder - now it is apparently a $15 drugstore incense frag. Despicable.
28th May, 2014 (last edited: 04th January, 2016)
A Very Nice Bright Soft Spicy Fragrance

On the opening I get a bright uplifting incense note mixed in with a soft spicy pink pepper. Within this mix is a very subtle vetiver note just underpinning the soft almost cream like spice. This scent is complex in a very subtle and intricate way. The notes are weaved together so tightly that you only notice them when you go looking for them.

To sum up a very nice bright soft spicy fragrance that offers more than whats on the surface.

26th October, 2013
Fascinating, different, but just not great for me

This is extremely unique, as others have said. It starts off with a blast of Frankincense and not a great deal of anything else. Quickly, pepper and almost a curry like aroma come into the picture, which moves it quickly from very nice to this is interesting, but. At about the half hour point floral and an earthy vetiver become more pronounced. After a while, it becomes more balanced and the elements shift back and forth. It is really an interesting fragrance, and I would put it in the like don't love category, as there are moments that I just don't enjoy it, but others that I do.


A few hours into this, I get nothing but vetiver. If you want a rollercoster ending in a soapy, yet slightly vegital vetiver, this one is for you.

29th September, 2013
mainstay for a decade

i've been wearing this for years, and have found it difficult to arrive at a qualitative assessment. mr. reasonable has absolutely nailed it. i particularly like the transparency qualifier. duchaufour is a genius at that, check out havana vanille, paestum rose and chypre palatin - heavy notes that somehow don't 'compress' and distort the mids in the scent pyramid.... i started wearing this 10 years ago and though my collection has expanded exponentially since, this one stays firmly in the rotation. why?

it never dominates the wearer yet always maintains a certain weight, almost as certain elements maintain an atomic weight; it is consistent, solid yet aloof. earthy, woody,sweet, dry (white vermouth - perfect!), incense-like but not incense (!) - universal. it is season-less, genderless, timeless in fact. in other words this number encapsulates the duchaufour ethic perfectly. that in itself makes timbuktu mandatory to try, if not to own.

07th September, 2013
Great unisex incense- vetiver

An oldie but a goodie. I have sampled Timbuktu before and I have always liked it. I like that it is not overtly masculine or feminine .

I have never smelt the green mango but I do smell the pink pepper. Kara Karounde is also in Beyond Paradise though I would not be able to pick it out on its own .

Timbuktu on me is a warm incense with spice and ends off as a slightly dirty vetiver. It's got a great tenacity really for an eau de toilette. This is good stuff.

Though I do not find it similar I think fans of Kyoto by Commes de Garcons may like this one.

Actually over and above these scents, I would still choose the dark and broody incense and spice in Serge Noire by Uncle Sergie.

Pros: Unusual Unisex
Cons: None"

14th August, 2013
Good but not great

I like Timbuktu but don't love it. It is a very unique fragrance and anyone who really loves fragrances should try this one out. It has moderate longevity, as in it falls off a cliff by late afternoon with a morning spritz. I get a lot of citrus, incense, and faint Vetiver. I certainly won't buy Timbuktu. It is not a fragrance that is either luxurious or comfortable. It is edgy and does not quite settle down even in its dry down. What makes Timbuktu a good fragrance, albeit not a great one, is its uniqueness. What keeps it from being great is the lack of evolution over time.

Addendum: Spritzing Timbuktu over clothes and not skin is a revelation. It lasts the whole day! A whiff of it reminded me of walking into a cane basket weaving shop, incense burning in a corner, with the smell of cane and incense mingling with that of sweat. There are no other words I can conjure up to describe the scent. Boy, is it unique!

28th June, 2013
bright,sweet,smoky,crisp,fresh/dry,...woody/incense with a touch of tropical fruit...beautifull and enchanting...a joy to smell...spiritual and mystic...
something I would wear when meditating or practicing Tai Chi...a fragrance
for shamans and mystics...very relaxing and very natural smelling...nice projection,
can smell it filling the space around me...a little tangy/sour effect, but very pleasant...the mango makes for a nice fruity accent to the incense and resins...
very natural smelling to me...changes to me on different times get
a nice touch of flower more than the fruit...sampled this several times and loved it enough to get a full bottle...
19th April, 2013

No need to add to the tens of positive reviews already posted here..

This is simply one of the best, if not the best woodsy scent I've ever come across..

Truly fascinating.
16th April, 2013
I’ll be honest and say that Luca Turin’s review of this intrigued me enough to just go ahead and buy it – this was a few years ago when I got the ‘niche bug’, although it could probably be called the ‘what’s arriving from Luckyscent this week that I forgot I ordered’ bug.

I was already a fan of Kyoto, having bought that the day it was released, so I wasn’t going in entirely blind – it was clear from The Guide that Duchaufor (along with Buxton) were pioneers of a sort and I wanted to find out more.

The thing from the Turin review that really intrigued me was his comment that Timbuktu had a similar ‘effect’ as the grand-daddy of men’s fragrances, Fougere Royale. I have puzzled over this and think I get it now.

My feelings about Timbuktu are the same today as that first week or so I wore it. It has a put-together crispness about it that while not ‘bracing’ like classic splash-ons of old, is incredibly satisfying. It has the same slightly moistened ‘snap’ to it that a glass of vermouth on a cool but sunny afternoon might offer.

Opinions may vary about the woodiness, the booziness, even the smokiness of this one. It’s dry, in the sense of ‘sec’ as applied to vermouth or some wines, but it’s by no means arid – I personally flash on a boozy, aged dark woods texture that has maybe recently been rubbed with a fine alcohol / oil solution.

I can’t help make a connection with Dzongkha, where it seems the DNA of this one has been used as solid wooden beams framing some cold stone or brick walls (courtesy of the iris) which really does evoke the interior of a Buddhist monastery I visited in Nepal (not Bhutan, but close enough) late one Autumn.

The other thing Turin spoke eloquently about was the radiance of Timbuktu – I like the hi-fi analogy. It has a presence that is really satisfying to me – it seems no matter how much you want to apply it maintains a level that allows conversation . . . the mark of a good audio system, BTW. In the recording studio we would call this transparency, as in a transparent mix. I think this is where the Fougere Royale comparison is apt – it’s compellingly, consistently satisfying but never shouts. I should qualify that by saying that altho it is IMO a 'singular' scent it is by no means a 'one-liner'. There seems to be a bit of a trend to arm some modern niches with nuclear strength bases of vanilla, lavender and other synthetics to appeal to the 'longevity rules' set but Timbuktu retains a shifting airiness throughout that never leads to boredom - it's not loud and it doesn't speak in a monotone.

Where it’s different from a fougere, of course, is that Timbuktu has a singular intensity about it as opposed to a three-tiered structure, (unless I’m missing a sleight of hand in the composition – which is quite possible). I think this is where it makes an interesting (and softly spoken) ‘presence’ that can easily entertain company – it has an incredible ‘openness’ to it. Dzongkha seems to me to be sort of Timbuktu + iris and I don’t doubt Mr. Duchaufor has toyed with other notes alongside, or inside, this idea – I’m really not up on his various works for other clients but my guess is that the idea has been developed elsewhere. I imagine there is at least some crossover in appeal for the whole Hinoki, Sequoia, Wonderwood clan and doubtless others, but Timbuktu has a purity that seems to allow it to stand apart from the other 'woods' out there.

I would recommend this to anyone who is comfortable with a timeless transparent moistened dry woods idea who wants a singular ‘signature’ that is crisp and unadorned – there are no trendy ‘details’ here that will mark you as a fashion victim, and that’s a good thing IMO. Please be sure to dress accordingly.
14th March, 2013
What a heavy trail Timbuktu has left, particularly in the niche world, where numerous perfumes have taken up aspects of its central shimmering, dry woods accord. Many an Amouage could step out of its bejewelled vestments and stand naked before the mirror as a relative of Timbuktu. But whereas an Amouage creation is often about richness and mellifluous density, Timbuktu is all transparence and sinew. Many austere woodies strain for its magic but collapse like a jenga heap when they overdose the overtly chemical.
Timbuktu’s initial impression is a bracing swirl of incense, myrrh and sweet vetiver, with a good pinch of cardamom, some sandal, and a slight milkiness around the edges. It’s warm, comforting but there’s no flab to it. The progression is toward increasing dryness, sunlight falling on a fragrant wood floor as a curl of incense smoke rises from a corner, and while the overall feeling is of an assured natural simplicity, the aromatic components seem to be in constant motion if smelled up close. Stellar so far.
The deep drydown (after about a half day’s wear) takes on a soft, sweeter and creamier aspect, still great to wear but considerably different to the main act.
17th October, 2012
my first vetiver scent,i prefer sycomore to this one becasue its more elegant and a touch more modern and clean,
but this one vetiver is more earthy, balsamic, and sweet, and less smoky then sycomore.

its very calming and pleasant to wear every time of the year and on every occasion, simple but unique, i think its the most original vetiver scent there is, with nice projection, and lasting power,

It constantly reminds me on chammomile tea . Superb!
26th September, 2012 (last edited: 07th October, 2012)