Total Reviews: 15
An experimental game of contrasts.
A failure or a stroke of genius? The second option in my humble opinion, for sure. I tend to appreciate a lot such experimental type of fragrances and admire for sure the Bertrand Duchaufour's huge creativity. I suppose the perfumer's goal was by soon to create an olfactory contrast between an outdoors cold, humid and botanic atmosphere of mountain (fern, violet, ozone, olibanum, wet rocks effect etc) and an indoor cozy, comfortable and "culinary" ambience of the woody shelters erected on the hits of the stone alleys of mountain (truffles, beans, leather, chestnuts). The elements are magistrally combined all together. I detect by soon floral notes, humid earth, cedarwood, rubber, mineral molecules, stale air of grandmather bedroom, fungus of canteens, furs, iris and grass. I also detect the incensey vibe for sure and smell in the air some Dzongkha's callbacks even if to be sincere the first aroma jumped to my mind in a while after the first dab was the Petroleum's one (and some accents of Rosam), yes, i felt on my skin a sort of more fluidy, airy and light (floral) sort of HDP'one, probably because of those feels of wet leather, grass, vintage amber, cool air and wet concrete mixed together. I don't smell a particular smoky vibe while tend to feel the cold air and a standout gummy violet perfectly combined with olibanum, moulds, culinary conserves (olive, beans, truffle) and rubber in order to create a real moonshiny work of art for us. A fully deserved thumbs up.
Pros: Balanced and original.
Sienne L'Hiver by Eau d'Italie - One is initially treated to a rush of herbal greenness. The peppery verdancy of geranium leaf intermingles with the mowed grass, tinged with cucumber, of violet leaf. A faint sweetness from rushes and fern drift in the background. Transitioning to the heart, an animalic castoreum, with its mesmerizing salty, oily, sweaty, smoky and nutty aspects, bathes the greens in an exotic, abraded-leather aura. Iris root parades it woody floralcy, while white truffle imparts its strangely elegant, sulphuric nuances. And, frankincense flaunts its balsamic and faintly mineral, mystical aromatics. Segueing to the base, an intriguing wave of petrichor gives the illusion of raindrops spashing on cobblestones, while hay casts its sweetly warm and pungent character. Guaic wood infuses its rosy and faintly smoky woodiness. And, labdanum presents its resinous nuances of ambergris and incense, as well as tar and leather. A wondrous drydown ensues. A truly masculine scent, this well-blended and high-quality composition has radiating projection and very good longevity, about 10 hours.
Sienne L'Hiver pursues a graceful arc from briny leather, to Perrier-can iris, and descends many hours later on a wan violet leaf. With much aplomb the scent offers up a distinctive olive note – reminiscent not, thankfully, of anchoïade so much as a very dirty Martini. And while it's comparable to Dzongkha (L'artisan Parfumeur), another parched iris of Bertrand Duchaufour's from 2006, Sienne is cooler and more apparitional. But it is Duchaufour's earlier Timbuktu, with its smokey paper note and subliminal radiance, where the real similarity – of temperament – is to be found.
This is original, peculiar, captivating stuff. Now I just have to figure out how to wear it.
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Sienne l'hiver: wow. I didn't think of Sienne, I didn't think of winter, when I sniffed SL'H. I didn't even know it was by my beloved Duchaufour. I just thought: WOW. How different, how unique, how original. Like a statue in a painting exibition. Something completely unexpected. Somethig completely new. Something good.
A close-up photograph of wet winter soil in a field, in a place where it never actually snows. Definitely Mediterranean but from a quite uncommon point of view. Yes, there are winters in this region, too. Quite insensible on me although it's a beautiful photograph. I guess it would be miraculous on the right woman.You see, no man can be that tender, and it requires a pinch of tenderness to complement this cold but lively soil.
Do I like this? Not really. Would I wear it? No. But I have to give it thumbs up for originality and execution. It's completely unlike anything else I've tried.
My initial impression was of lychee. Actually, it reminds me of a particular food or beverage, but one that I wasn't quite able to place. A positive association nonetheless.
After reading the reviews here, I do smell the olive loud and clear, and that seems to be the best description. It doesn't seem to diminish for me over time; I still got a strong olive note several hours into the development.
Unconventional and complex, constantly transforming scent that succeeds more to evoke than to charm in a game of senses and memories. Once you come across the odd but brief (10 min.maximum) opening which is a blend of earthy and edible notes (reminds me of a minestrone soup mix) you get a nice heart of iris and musk. However the best is yet to come. The base is paved with moist soil and wood notes brought directly from the rainy Italian countryside. Not for everyone but still very nice.
I bought a sale-price decant of this without having tried it! So it was a gamble! But i usually love earthy, truffley notes and wintery inspired perfumes - and the gamble paid off.
I expected it to be along the lines of a CB perfume, which I admire but often find them more evocative of a real-life smell rather than feeling like a 'perfume'. Whereas Sienne L'Hiver somehow managed to smell like a man-made scent whilst retaining all the earthly elements that it drew from. Very, very nice. I probably would not have bought if if i had sampled it first, but I am glad i have 8mls in my collection and will enjoy wearing it this winter!
I tested it without knowing the notes as given by odysseum, and I got a somewhat different impression on my skin.
The top notes instantly reminded me of homemade fruit in rum, then a more distinct note of dried plum, but without beeing sweet. The plum note during the drydown. Finally, a leathery note takes over.
It is neither overly sweet nor opulent, but definately gourmand. I do not know what provides this, but there is also something in it that has a cooling effect like menthol (but there is no menthol smell in it).
Definately nothing I would like to wear very often, but maybe occasionally. The only dried fruit gourmand scent I like so far.
Sienne l'Hiver is the unlikeliest perfume I've ever tried: cool without being fresh, earthy without being heavy, and manages a light touch that lasts all day. A stunning fragrance -- cerebral and casual at the same time.
So impressionistic, like Monet paint. Vegetal, semi sweet, cold, enigmatic. A very personal fragance, I love it.
My favourite from the line. I`m not a fan of iris, but in this I can handle it because it is so well blended with other notes. This is very subtle and nice vegetal, earthy fragrance with a distant smoke accord. And the most suprising thing here is that black olive note is definitely not just a gimmick; I am actually able to smell it!
Suitable for men or women, in a wonderful baby blue bottle.
I liked this one because it is different. I'm always up for a green fragrance that is not citrusy, soapy, or sweet. However, to make such a scent pleasant and wearable is a difficult task to accomplish.
This is positively vegetal. I smell violet leaf, plus a lot of unmentioned notes such as celery, green pepper, maybe tomato leaf, and perhaps even vetiver.
It is uncompromisingly green, which I find odd for a fragrance named for winter. I am fascinated by it. It does accomplish the goal of being pleasant. I would have to try it for an extensive amount of time before I decide how much I would like to smell vegetal.
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After two short months of Tabac Blond weather here in perpetually-sunny So. Cal, I'm starting to remember that there are several other months of the year to be accounted for, perfume-wise. I adore TB, but it's a scent that becomes somewhat petulant when met with months-on-end of sun and heat. Ironically, Sienne l'Hiver promises to be everything I want in a spring/summer scent, reminding me that snow and chestnuts do, indeed, exist. I've read so many wishy-washy reviews of the scent, and yet my skin loves this like no other (except, of course, TB). I adore the odd combination of smoke+ozone+chestnuts+cobblestones+cold air+violet+something green+wet earth. So, for the love of all things Italian, why must it be so *expensive?* (Yes, one day when I sprout money from my ears, I shall bathe in this and Bois d'Ombrie...)
This new fragrance from Eau d'Italie is an olfactory representation of the Italian city of Sienna in winter.
Unusual notes of coal-roasted chestnuts, truffles,autumn leaves and olives mingle with Fench straw(!!) iris root and white musk.
This is actually nicer than you might expect, given the strange ingredients - cool,smooth and contemplative. I can imagine studying in a high-ceilinged library wearing this scent.
Suitable for a man or a woman.
Update: I now appreciate this more and more for the ground-breaking scent it is.
Not many perfumes conjure up scenes quite like this one! I wouldn't wear it out probably, but love to smell it when I am in an introspective mood.
13th January, 2007 (last edited: 25th March, 2010)