Mmm very seductive. Not a day scent to my mind.
You would either wear this when you were very dressed up. Or not wearing very much at all.
It's all incense and blackberry and musk and another note that I can't quite discern.
It mellows out beautifully.
Definitely one to put on the to buy list.
Sex appeal in a bottle
Sampled out from a Decant:
Wow what a Master piece, luv it and on my wishlist should get the big bottle in a couple of months as i'm still obtaining other frags but this one is in my mind. This frag from the first stage is olfactory impacting with it's leather, plum, boozy,powder etc accords is mesmerizing.Two enthusiastic thumps up.
Pros: Merges to your molecules and it endures through all other odor during your day.
Cons: (NON(Might be put of the1st try but give it second chance, cause I did."
Portrait of plummed leather.
Having recently turned my attention to the leather genre, I have fallen for this upon first whiff. Reminiscent of the Lutens line (for the first hour), it has a great heady patch, surprising plum which compliments perfectly the cowhide and a discreet jasmine, which is accompanied by a velvety violet done just right. I agree with the reviews about it's sillage (light for such a woodsy creation), but to be honest, sometimes proper diffusion of scent is grand. This mellows at the second hour to a close musk with enjoyable longevity, which is great, because I don't know if I could handle 6 hours of the punch that is packed during the first hour of application. I would recommend this for those who enjoy the light floral muskiness of Keihl's Musk, the Bvlgari Black leather note, or the compositional complexity of Serge Noire by Serge Lutens. A little high in the price range, but there's nothing like it, despite what others would lead you to believe. Accept no substitutes for Chambre Noire, can't beat the real thing by Olfactive Studio.
Pros: Symphonic composition.
Cons: Hard to get hands on."
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A solid fragrance with enough mystery and calibre to be taken seriously. Chambre Noir is a dense, smoky and dark syrup with hints of incense, woods, leather and a stout patchouli conjuring the Mazzolari Lui's mustiness and the mystic Histoires de Parfums Noir Patchouli's leather/patchouli combo. There is some mintiness in the blend, especially in the top (combined with ripe fruits), possibly a combination of musk, aromatic herbs, plums and iris that turns the amber/patchouli out vaguely luxuriant and indolent before the incensey shadows fall down. Yes, i finally smell a sort of misty plummy leather really delicious and elusive. Impressive sillage and more than durable longevity on my skin.
27th January, 2013 (last edited: 28th May, 2014)
Chambre noir is a winner. As a leather scent its name suggests an SM-darkroom as much as a place to develop photogaphy, but in the end its really just a very elegant cuir assembled with great skill from notes found in some rather iconic perfumes, or at least lines. Pastiche is great, when it's driven by talent and deep knowledge rather than just embodying postmodern kitsch, which has been piling up mercilessly in the last decades in design, art, film, the culinary arts etc.
Enter a beautifully coreographed cocktailparty in a NYC penthouse with Serge Noir's burnt incense-patchouli, Bois des iles creamy-green sandalwood and Helmut Lang Cuiron's plummy leather having a great time together sipping violet cocktails sprinkled with pink pepper. Rather than declining into meaningless chatter this becomes a sophisticated conversation on style, aesthetics and modernism.
Though it may not be the top of originality- I'm too a newbie to make sure references to other fragrances, but it seems to follow a long and consolidated trail- Chambre Noire is an extremely pleasant, enveloping and sensual fragrance to wear. It's like a plump leathery plum, sprinkled with pepper, hiding a smoky sensuous core of flowers- jasmine and a suddenly appearing and fleeting violet- and a sweet spicy amber drydown.
It's warm, it's sexy, it has a considerable longevity.
29th March, 2012 (last edited: 16th January, 2014)