thimbs up because i like the scent, and the notes.
however, amouage normally has this amazing ability to just duracell any frag (goes on and on and on) but strangely, im not getting that monster sillage and longevity with Interlude.
its gorgeous to use, and im glad i have a big decant, but probably wouldnt buy a full size over other amouage scents.
God knows Amouage have done the 'go big or go home' style masculine fragrances before. In fact they are some of the line's most successful perfumes. Hybrid vigor, Amouage's implicit goal, has led to beautiful fragrances that highlight traditional Eastern materials and Western compositional methods.
The sensibility that results from this hybrid has seldom been timid and Interlude Man is a beast, but a lovely one. Contemporary men's fragrances, niche and mainstream alike, often use a particular set of woody notes to imply masculinity. This limited vocabulary has drawbacks. Firstly, these notes are usually created from a range of aromachemicals that, when left alone, smell like chemicals. Secondly, without padding, without other notes to fill the empty spaces and round out the angles, men's fragrances often smell alike and lack nuance. Interlude avoids this mistake and is aromatic, expensive, nuanced, complex and capital-B Beautiful.
Line up Interlude with Amouage's other classic masculines (Dia, Ciel, Epic...) and the family resemblance, based largely in their use of incense, is easy to see. The real point of comparison for Interlude, though is the best of the men's Power Fragrances from the 1980s. They're sometimes referred to as knuckle dragging simpletons, but the best of them were simultaneously loud, beautiful and subtle. YSL Kouros was an orange-flower beauty. Hermès Bel Ami wrapped leather in violet and gasoline. Chanel Antaeus had aromatic top notes and lunged at you like a coke-head on aldehydes. Dior Jules and Caron Third Man emphasized the ruggedness of the fougère by smothering it in aromatic and floral notes. Lauder for Men hid its gruffness behind a very pretty muguet note.
Interlude is most similar to the BFFs of the time, the Big Fucking Fougères. It doesn't share the genres defining lavender/coumarin mix, but it balances bass and baritone notes with durable higher pitched notes. Like the BFFs it has a broad spectrum harmony that lasts from start to finish. You don't just hear the high-pitched notes in the top notes, and you don't get the lower register notes only in the bass notes. The harmony last from top to bottom. The similarity to the fougère genre lies in its aromatic quality. Where an aromatic fougère might use geranium or some other leafy green, Interlude uses oregano.
Oregano! Maybe not the greatest selling point points in a list of notes, but extremely successful in bringing a green expansive quality to a woody perfume. A bit of patchouli seems to integrate the oregano, so that it doesn't suggest pizza or a sore thumb. Incense jumps out from first sniff, but the rest of the woody tone is an interesting blend. Oud? Sandalwood? There is a warm, leathery, dusty quality in the basenotes that just purrs.
Interlude's combination of boldness and complexity differentiates it from the dull crowd of most contemporary woody fragrances and links it to the best of the 1980s. Vive le power frag
Not as bad as the first time I tried it. I got a real good 4 spray wearing out of my sample the other day, and I do think it's a nice fragrance.
The opening is a bit confusing. Cotton candy.. seriously, yes Amouage does cotton candy. Actually a few Amouage's I have tried have surprised me with very synthetic candy-like openings, and this is one of them. Within 20 minutes or so it settles down into more of a birch tar, smokey incense. I pick up on the oud later on in the dry down, especially when I spray it on clothing, that's where the oud really shines.
Overall, I give it a hesitant thumbs up, because of its unique style, power, and longevity. It takes risks, but it doesn't go too out of bounds with it, like another fragrance that's sort of in its same league, which is Jeke by Slumberhouse. They mouth have this weird "barbeque meat/old tea bag" note, but in Interlude Man, it works well!
This is would be a sure thumbs up if the price was lower. I understand niche is a luxury item, but some of these companies really gouge you for what you get, no bottle of any fragrance should cost more than 150 bucks direct from the manufacturer. I've dabbled in fragrance making quite a bit, and have made some good high quality stuff that smelled comparable to the high end niche stuff, and it didn't cost me more than $20 to make, and that's for 10 oz worth. Unfortunately sometimes a fragrance is just that damn good, and there's no way to avoid the cost, and while I should practice what I preach, I myself have succumbed to the gouging, for fragrances that I really wanted.
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On me, Interlude man is dominated by a mix of smoky frankincense and lightly dusty oak, made quite sweet with a pinch of red cedar. There's a thick base of what I think is mostly ambrox and iso e super, with swirls of sweet amber and chocolate, which is concentrated enough to lend richness from the start of the scent, which is good for a perfume of this price.
Smoky iso e super incense and woods have been done a LOT - even Amouage itself has the superior Jubilation XXV - so the appeal of Interlude Man comes down to the clever juxtaposition of sweet woods and chocolate. I personally don't like the combination very much, but I can see how this could easily be grail material for people who fall in love with its cleverness.
Where Memoir Man falls short, Interlude Man gets it right. The traditional masculine notes of woods, leather and tobacco are replaced by amber and resins. The result is an astonishing blend of incense and sweetness that is a unique olfactory experience. It seems to project more and last longer even than most other Amouages.
The structure of Interlude Man is of a classic leather-velvety fougère with herbal and incense notes (on the polished-synthetic-woody side), reminding me of other contemporary niche fougères for man like Fetish pour Homme by Roja Dove. Decent and pleasantly plain, and a bit derivative too, as it basically smells like the drydown of any leathery masculine scent from the '70s or the '80s, even if (obviously, I'd say) less powerful and compelling. Nonetheless, it is surely balanced and pleasant, the leather is refreshed by balsamic notes and softened by incense, green notes and a hint of amber - all a bit plain and synthetic to my nose to be honest, but pleasant, refined and classy ("it smells expensive", shortly). Given the pretenses and the price, it's just not that worth it in my opinion.
This is perfume on steroids - a super sweet and smoky incense that hammers away at you for days like a man with a bellyful of Viagra. Impressive at first, and then progressively tiresome. I wanted it to be over at some point, tried to scrub it off, but the damn thing kept going and going.
As for the smell, well, one day I might summon the energy I need to trace the lineage between Interlude Man and Dzhongka, but for the moment, suffice it to say that there is a smell of roasting sweet red peppers that links the two. I find Dzhongka insufferable for this (but mostly for other) reasons, but at least Interlude does the pepper note well.
There are not many advantages to living in the arse end of the Balkans, but there are certain smells here that do provide a kind of consolation - the smell of raw tobacco leaves curing in the sun, the smell of the coffee houses roasting raw beans in the morning, and every September, the smell of those long, sweet Balkan peppers (capsicums for you Americans) being roasted on open fires, often out on the street, prior to them being used in winter preparations such as Ajvar. The smell is delicious, intoxicating even - the burning point at which the natural sugars in the peppers sizzle, turn black....well, it's one of nature's best smells, in my opinion. Interlude Man smells like my neighborhood when they start roasting the peppers, for at least the top half of the scent. Thing is, I am torn between finding this attractive and nauseating in perfume form - some wonderful smells in real life are not supposed to find their way into perfumes, I think. Sweet peppers are one of them, I feel.
Anyway, the scent becomes smokier, more incense-based, and less about those red peppers as it goes on. It seems to grow sweeter and more syrupy, too. I am not sure how wearable this is, ultimately, but it sure is a compelling type of smell. Maybe a bit too strong, too sweet, and just...too too. Men, please, if you do be wearing this, please do be doing the one spray thing.
Genre: Woody Oriental
I’m afraid I have to break with the pack on this one. Frankincense, opopanax, an oudh reconstruction that smells of burnt hair, and a whole lot of patchouli add up to a very loud, crude composition, which I really don’t enjoy. This fragrance seems to have too much going on, all at once, and all at stentorian volume. The frankincense and patchouli fight one another like two mismatched paint colors, the opopanax is a bit too powdery and sweet, and the oudh just feels like superfluous decoration in a composition that’s already too baroque and monumental by half. Perhaps most damaging of all is a piercing reconstructed sandalwood base note that creaks like a rusty hinge, and which has no business smelling so cheap in a fragrance that costs roughly $150 US per ounce. To my nose, this is simply one of the weakest offerings Amouage has released in years. I’d much rather wear the vastly superior Interlude Woman.
Very dark combination of Ambre and Oud mainly , Incense gives it a smoky touch, Absolutely not everyday fragrance especially in day time coz Oud alongwith sweetness of Ambre makes it dense and dark.
Interlude also reminds me a little of Black Afgano by Nasomatto,due to Oud i guess , otherwise its a way better fragrance than BA.
I really appreciate the blending of notes and quality of ingredients and like to smell it on others but personally i m not a fan of Oud/Ambre dominating fragrances.
Not much to add to what has already been said. Except, on me... it last forever. I mean, Interlude is bomb proof. It stayed on my skin for well over 24 hours. I showered 4 times that day and, the scent refused to go.
I like it but, not for that long a time.
I have a 100ml bottle and, I fear, my great, great grandson will inherit the best part of 90ml.
I would have given it a positive. Alas the longevity of Interlude is just overkill!
02nd May, 2014 (last edited: 05th March, 2015)
Interlude Man strikes me soon for the olfactory juxtapositions of diversely consistent and "oriented" spheres since a dark woody/oriental resinous basement is by soon counteracted by a weirdly fresh, hesperidic and mineral first approach. The overmentioned juxtaposition conjures me more than vaguely the wonderful Jacques Zolty by Jacques Zolty's structure. (I detect also many points in common with the interesting but probably less "fresh/warm" in perception Nemo by Cacharel because of the common interaction between fresh spices, pepper, lavender, patchouli, olibanum, herbal notes, leather and woods). The previous two scents (Amouage and Zolty I mean) are extremely close each other as sharing a huge number of notes (a musk/patchouli common backbone, a bunch of mineral secret elements, bergamot, oregano, mild spices, probably lavender, ambergris, woodsy resins, olibanum, sandalwood, suede end further). Probably Interlude Man smells more finally smokey and resinous being Zolty on the contrary more initially aromatic, floral (rosey) and mineral. The Interlude Man's beginning (following a really close to Zolty evolution process) starts with a really aromatic, musky, mineral and peppery (almost "Nu_besque" in the approach) "ambiental" accord (almost silent and holy in expression) embodied by an oregano/lavender/fresh bergamot/soft musk/cistus agreement. The note of oregano is heady and perfumed (really aromatic I mean), a dominant realistic element in the top of the structure. The cistus in particular provides an herbal and humid undertone throughout as it is supported by a dark and earthy patchouli stout presence. The note of olibanum (never too much churchy or sacramental) starts soon contaminating the elements with its smokey aromatic mild exhalations (a dull, soft, progressive, harmonic burning perfumed incense treated with burning sweet spices and aromatic mild resins). By soon the mineral muskiness is turned out such a craggy, somewhat spongy, carnal, slightly fruity and herbal one by the costus/ambergris intervenction itself. The note of olibanum is averagely smokey/spicy and it melds perfectly its substance with the musky/ambery resinous basement providing such a resinous and mossy accord mastered by a main smokey/spicy temperament (a vague conjuration about the Piguet Casbah's incensey/spicy/resinous consistency). I still detect a musk/ambergris/myrrh main basement on which the mineral and aromatic patterns still jump and sparkle. There is a mild spiciness enriching the cloud which is basically in my opinion elicited by pepper (in particular) and cinnamon (may be coriander). I don't feel in particular a sheer final oudh apparition (since a sort of resinous woodsness is operating throughout) while is easily catchable a disclosing completing suede touch managing to soften the scretchy ambery muskiness while leading it towards a velvety/silky woody sphere. The sandalwood (but even the oud note) in particular emerges at distance averagely dry, barely fruity and never syrupy or overly resinous. Interlude Man possesses for sure an intricate structure in which each note performs greatly its individuality and owns its autonomy though in the meanwhile partaking to a complex harmonious olfactory game, that's plain. The creation is a modern oud/olibanum rendition in which the previous elements are such of baptised and deprived of their classic medicinal or overly liturgical characteristics. This fragrance is a solid composition with its dark spicy/incensey and musky appeal but is in the things to underline as its lack of uniqueness and the slightly synthetic final vibe surrounding the agarwood resins in particular turn it out unworthy of its abnormal € 195 for a 50 ml bottle. Great longevity and slightly more than discreet (but constantly lingering as a ghost) projection on my skin.
19th March, 2014 (last edited: 07th January, 2015)
Just tried my sample and initial thoughts are
sweet / smoky / leather and a little pungent...i like the opening :) have a local indian attar oud mulhallat blend which smells somewhat similar but Interlude seems to be more refined and richer whereas the attar smells kind of thin
is there any oud in this, seems to catch a tiny whiff of it now and then
will post more thoughts as i spend more time with it
I'm late to the party on this one but I will still share my opinion. Opens very fruity and medicinal. Medicinal as in Vicks Vapor Rub but truly intoxicating. This stage stays for about an hour. Them it transitions into a smoky sweet smell that I cannot get enough of. Easily my favorite part of the fragrance. Interlude Man then proceeds to effortlessly transition between these two stages for the duration, which is extremely long. Easily 12 hours. Very well blended. I detect the leather, Opponax and cistus mostly in this fragrance(based off of the description of the aforementioned as I have never personally smelled them. Incredible Longevity and siliage. A FB may be in the future...
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England may now be a smoke-free land, but this fragrance by Amouage is an Interlude from normality. This is not your everyday designer fragrance or one that you will find everyone wearing on the bus.
Interlude (which graced us with its presence in 2012), primarily dominates with an opening of smoke along with a cleverly designed oregano note that is most unusual in modern perfumery (that's Amouage for you all over!). It's very carefully hidden, but you can be sure it's there!
But my favourite note in this extremely long lasting (and by that I mean 12 hours at least!) is the incense. This is no ordinary incense though. This is actually 'sweet incense' or 'sweet myrrh' which is commonly referred to as Opopanax. This is quite a contrasting combination with the earlier smoke that accompanies the opening of the scent, but it nonetheless works beautifully!
I have to agree with others that the bottle of this fragrance and the box are just sheer royalty. It's a thumbs up from me.
Smells like oppoponax.
Dry down is a copy/paste of Ambre Fetiche.
I give it a neutral rating because it's not bad.
Nice oppoponax based perfume but it could've been more complex.
I see a lot of notes mentioned but in reality it smells crammed.
A skanky oud and incense which is pretty good. I would buy a full bottle of this stuff if it wasn't so expensive. I get the leather and woody notes in this one. One of the best Amouage scents thus far IMO.
Powerhouse lovers heaven..
Too much leather..
I can't detect anything else in the drydown..
Not modern IMO in anyway..
Great scent for the construction type of guy but not me!!
Pros: lasts forever
Cons: Smells Terrible"
An Interesting Experience
I'm not much of a reviewer, but wanted to comment on this one. I wore it yesterday, and yes it might have been one spray too many, as the smokey incense generated a few comments.
But to me most of the experience was marked by a constant wafting back and forth between the sweet resiny root-beer scent of the opoponax and the oudy facet of the frankincense (like the oud element of Creed's Royal Oud, which is criticised as not being real-oud enough). Made for a fascinating experience, which not enough fragrances deliver. Don't even know if I really LIKE the root-beer aspect, but do look forward to trying it a few more times..........
Alpha scintillating leather
Amouage Interlude Man is a fragrance that I have a personal preference for because I am such an easy target for well adjusted patchouli especially when some leather is added and the essence of this fragrance formulation is the cooling but dominant patchouli leather over incense base. The fragrance never relaxes into a mellow interlude that I can find - but it keeps a smooth sharp cutting edge of scintillating spice honed incense woods and leather. The intensity is definitely on all the time - don't have to read between the lines with this one. One spritz will do, trust me. Interlude Man is a thoroughly enjoyable expressionistic fragrance. Those who are looking for warmth and comfort may not like this one, but I like the bold character of it.
Pros: distinctive, clean, penetrating, cooling, dominant
Cons: very bold with tendency to intrude on others space"
Oregano. Check. Blast of thundering incense. Check. A small application blasting the senses of loved ones. Check.
How anyone could go through much of this, I do not know. It is intense, powerful, and I really like it a lot. I could spend a long time just sitting with this one out in the open, by the sea.
The problem is, my family hated it; I mean, not mere dislike, but hate. It might be a solitary guilty pleasure of a small sample while traveling.
I am an Amouage fan and interlude is my latest acquisition and I'm delighted. It smells like nothing I've ever sprayed on me before. Women in my office came to me and started smelling my neck which was something new to me :) I am not even going to pretend I have an in-depth knowledge about parfumes, I either love something, I'm indifferent or hate it. It certainly isn't a fragrance for everyone, but it's worth a try.
Pros: Nothing like it
Cons: Price, maybe"
Love the stuff!
This fragrance takes at least an hour to find its feet, and to my nose it's most comfortable after the fourth hour has passed.
Once the slightly strident top-notes have burned off, it's the closest thing to the smoke of burning frankincense that I have ever encountered.
Pros: Nobody else will be wearing it. A truly nuclear 24-hour Frankincense bomb.
Cons: Overdose on this stuff, and you'll get reported to the OPCW.
A strong and dark perfume for men who like fragrances that stand out. Definitely can pick out the Oregano note.
The first couple wearings of this didn't impress me much as it smelled of an incense/leather bomb. After trying it again, I began to appreciate it more and pick more notes. Not a crowd pleaser so be careful on the trigger.
Pros: longevity, rich, quality
Cons: top notes may be too strong in spice/incense for some
17th May, 2013 (last edited: 03rd February, 2014)
seriously overpriced amber scent augmented by synthetic and off-putting oud.
I received a sample of Amouage interlude but was not expecting too much of it since Amouage has tended to release less than amazing scents in the last few years. Whilst Gold and Dia are, in my opinion, worth the coin they demand, few other scents have lived up to the same level of quality. (barred the attars)
Interlude too reeks of 'nice try but....nah.'
It opens indeed with a very light dash of bergamot which is immediately followed by an amber scent which reminded me of ambre russe or a lighter and more sophisticated version of montale's blue amber. Nice, but not super nice. Quite quickly this was followed by a medicinal / even petrol-like smelling scent which i guess is supposed to pass for oud. this was not the attractive kind of medicinal as we know from montale, nor was it the petrol of say a knize ten or SMN's nostalgia. Instead it came across as a far too dominant, nasty, pungent synthetic smell which i found hard to bare. To make matters worse, it is this phase and smell which is where the largest part of the silage and longevity of interlude come from.
As a fan of MPG I like my scents bold, daring, raw and edgy but Interlude came across as an overpriced amber scent with poorly chosen supporting notes that end up making an unbalanced, cloying and pungent concoction.
I find very little to be attractive in this scent.
This is the first time I have ever posted anything on basenotes, and it has taken the inspirtation of interlude man for me to do so. I tested this today and i am instantly hooked on this...hard to see how any other fragrance could ever better this. Best sillage/longevity ever!! Wow
Hmmm not sure I get this one. I really love amouage scents but this is certainly not my favourite. I get a sweet oud and incense and an overarching smell of woodchip - i'm talking hamster bedding here - not exactly a 'sexy' smell by all accounts anyway, unless pet shops are your thing.
Sillage and longevity excellent as you would expect from Amouage
10th April, 2013 (last edited: 17th April, 2013)
I couldn't get past the oregano & incense phase. No matter how hard I tried to like it (been waiting for the release for a time), this one is not for me, it's not attractive for starters, and I wouldn't want this on a perfume that I wear. It keeps going on and on like burning oregano and green spices incense sticks.
Terribly great sillage & longevity though.
Amazingly opulent and warm oriental from Amouage. Like being immersed in a fluffy cloud of spiced leather, amber and soft wood. Powerful but soft. Rich. Regal. Like a lot of things from Amouage, Interlude can be quite mesmerizing. If I were more open to this style of oriental maybe I wouldn't feel so much that it's soft cloudlike fluffiness teases more than it satisfies. If I were myself more calm and meditative maybe I wouldn't always be looking for an edge. Definitely fit for the temple. Or baby powder for the king. A must try.
16th February, 2013 (last edited: 08th April, 2013)
Interlude Man opens extremely briefly with just the faintest dash of fresh bergamot before transitioning to its primary heart accord of very smoky burning incense and what is most likely synthetic rubbery Oud. Underneath the two co-stars that dominate most of the scent's development are supporting notes of mild basil, relatively sweet opoponax and musky rock-rose. During the late dry-down the smokiness of the incense slowly dissipates but the rubbery Oud, opoponax and rock-rose remain through the end, now joining just detectable sandalwood to sweeten the scent further as it fades out. Projection is above average and longevity is exceptional at well over 12 hours on skin.
Interlude Man could have been great, but it just isn't. It's primary problem is the synthetic smelling Oud that just is too strong, and when coupled with the equally ridiculously potent smoky incense and underlying sweetness from the supporting cast it becomes a bit too much. That is not to imply Interlude Man smells bad; it doesn't. It just never lives up to its potential and just smelling "good" is inexcusable at the prices Amouage is charging. While the scent may be a bit disappointing (somewhat reminding me of Arso which I disliked but this smells a lot better) the performance is outstanding with the scent lasting for what seems like forever. I don't know whether that is a good thing as it is just barely pleasant smelling, but at least it shows that Amouage did not water down Interlude Man for sure. Performance aside, the relatively disappointing Interlude Man gets a "good" rating of 3 out of 5 for the scent and a very tepid thumbs up. I recommend passing this one over for purchase as it is *way* overpriced.
Now this is a somewhat dull opening of a weak bergamot freshness with a bit of herb that develops into a wonderfully deep and pure blend of spice, oud and opoponax - the latter being very intense - like a supercharged Gucci Envy - and this mix become the dominating note of this fragrance. It has - so a Japanese told me - the characteristic smell of the incense used in some Japanese temples when ceremonies to honor the deceased are performed and is of a beautiful richness. Hints of wood stay in the background. This incense-based scent's natural ingredients are of the highest quality and the whole is of amazing depth, albeit not changing very much for hours. Great silage and projection with a longevity of about eight hours on me. A great scent.