Total Reviews: 54
Even more louder and brasher version of Ambre Sultan. Amber-Myrrh-Oregano structure is exactly the same, but there is something crude and off about this. Even if it would were to be less crude, there's no way to justify the price when I already have the incredibly refined Ambre Sultan at half price (or even quarter, if you like the gray market stock. I don't, personally).
I don't mind a little smoke but this one is just too much. Throw in that odd oregano note that can just dominate this scent and you get something that struggles finding an occasion or mood to wear with. Strongly advise against blind buying, thankfully I got a sample. Wife said I smelled like a campfire all day, so if that's your thing, go for it.
Interlude has great ingredient, great idea and great projection and longevity.
If only someone had stopped and taken a deep breath before going overboard with spices.
The idea is sound, but the execution is where they fell short.
Incense, leather and spices are great but they need to be balanced out. Otherwise you end up with a dry perfume that reminds you of a summer day in desert, or in this case an oven.
A good desert perfume has a promise of cool evening or rain, Interlude has no reprieve.
Sample it please so that you know how bleak can one get with fragrances, but please don't buy it (unless you are in that sort of mood)
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Interlude Man is a beautiful incense, myrrh, amber, oregano fragrance. As a matter of fact, that is all I smell, incense, myrrh, amber and oregano. I love it! It is very smoky/leather, soothing and calming. I don't smell any citrus here. It is very bold and lasts a very long time on me. 7-8 hours. Magnificent creation by Amouage
Finally got around to trying my sample of Interlude Man. I liked the opening more than both Memoir Man and Lyric Man, the other two Amouage fragrances I've tried. As Interlude Man began to dry down however, it began to smell very much like Memoir Man to me. I pick up a musty kitchen cupboard spice smell from the Amouage scents that I'm not educated enough to identify...could it be oregano? I don't know, but it's not a smell that I like to wear. My pizza can smell like oregano, but not me. I'll wear this one some more to see if it grows on me. I really did appreciate it in the beginning, it just became more challenging in the dry down.
Dusty leathery incense. Big projection. Big sillage. Long lasting. Nice! 4+/5.
Just received Interlude and I am greatly impressed! So, first off this is reminiscent of Molton Brown's Navigation Scent Rogart from the balsamic sweet feel I get up front; There is also this Versace Man (purple bottle) violet aroma you pick up in the beginning as well. Absolutely stunning!!!
Interlude at first spray is sharp and pungent, yet fruity. There is the sweet berry flavor (not overtly sweet) that I get that works well with the woodsy overtones. Friends, as have been mentioned...you DO NOT need much of this, I repeat-you DO NOT need much of this!!
I sprayed one spray on the back of my hand and dubbed on the other and I can smell this undoubtedly. The projection in d this is masterfully overwhelming in a good way! As I smell this, a few fragrances come to mind; Rogart (balsimic), L'artisan's Mure Et Musc (Fruity), Creed's Baie De Genievre (bergamot w/extra stuff)...I do get the burnt leaves connection, however very minimal (although this sounds uneventful, it is not a bad thing). If you were to combine Creed's BdG, with the woody leathery sharpness of Creed's Royal Oud I think the end product could be something that would resembles Amouage's Interlude. These descriptors are just to give you a point of reference to what Interlude is like. The way this fragrance blends is amazing!!!
Versatility=7 (moves, from fruity, wood, soapy/fruity back to woodsy
Overall scent=10 (amazing scent)
Fellas, this wonderful.....
10th February, 2016 (last edited: 11th February, 2016)
Amouage Interlude Man is one of the more intense expressions of incense--oudy, smoky--that I've had the inclination to try, mainly based on its strong reputation, and certainly its strength is not in question.
I get mainly a burst of frankincense and myrrh at the opening, which has more of a bite, almost unpleasantly so, and also throughout the dry down. Frankly, the these aspects are so powerful that my nose cannot detect much of the blend. I'm not even sure I get to the patchouli after the incense and myrrh. It's a fascinating composition, powerful yet not quite overwhelming in the dry down, but still very close to being overwhelming.
Certainly both the projection and longevity of this fragrance are at the extreme end, instantly increasing the value. And certainly this is for usage during cold weather exclusively, at least for my purposes in the Northern hemisphere.
I like it, but I don't love it, though in fairness, I'm not the biggest fan of incense-laden fragrances. I generally gravitate toward something more softened and balanced by sweetness, such as Imaginary Authors' Memoirs of a Trespasser.
7 out of 10
Bought it from Dubai Duty Free with a normal cap and havent noticed any change in performance, excellent fragrance. Great silage and longevity for me 12+ hours. I found the opening a bit harsh and loud but after a while it turns into this astonishing masterpiece. If you like something with a dark, deep, mysterious character... This is IT!
The olfactory equivalent to Metallica's Death Magnetic.
Loud, louder, Interlude Man.
thimbs up because i like the scent, and the notes.
however, amouage normally has this amazing ability to just duracell any frag (goes on and on and on) but strangely, im not getting that monster sillage and longevity with Interlude.
its gorgeous to use, and im glad i have a big decant, but probably wouldnt buy a full size over other amouage scents.
God knows Amouage have done the 'go big or go home' style masculine fragrances before. In fact they are some of the line's most successful perfumes. Hybrid vigor, Amouage's implicit goal, has led to beautiful fragrances that highlight traditional Eastern materials and Western compositional methods.
The sensibility that results from this hybrid has seldom been timid and Interlude Man is a beast, but a lovely one. Contemporary men's fragrances, niche and mainstream alike, often use a particular set of woody notes to imply masculinity. This limited vocabulary has drawbacks. Firstly, these notes are usually created from a range of aromachemicals that, when left alone, smell like chemicals. Secondly, without padding, without other notes to fill the empty spaces and round out the angles, men's fragrances often smell alike and lack nuance. Interlude avoids this mistake and is aromatic, expensive, nuanced, complex and capital-B Beautiful.
Line up Interlude with Amouage's other classic masculines (Dia, Ciel, Epic...) and the family resemblance, based largely in their use of incense, is easy to see. The real point of comparison for Interlude, though is the best of the men's Power Fragrances from the 1980s. They're sometimes referred to as knuckle dragging simpletons, but the best of them were simultaneously loud, beautiful and subtle. YSL Kouros was an orange-flower beauty. Hermès Bel Ami wrapped leather in violet and gasoline. Chanel Antaeus had aromatic top notes and lunged at you like a coke-head on aldehydes. Dior Jules and Caron Third Man emphasized the ruggedness of the fougère by smothering it in aromatic and floral notes. Lauder for Men hid its gruffness behind a very pretty muguet note.
Interlude is most similar to the BFFs of the time, the Big Fucking Fougères. It doesn't share the genres defining lavender/coumarin mix, but it balances bass and baritone notes with durable higher pitched notes. Like the BFFs it has a broad spectrum harmony that lasts from start to finish. You don't just hear the high-pitched notes in the top notes, and you don't get the lower register notes only in the bass notes. The harmony last from top to bottom. The similarity to the fougère genre lies in its aromatic quality. Where an aromatic fougère might use geranium or some other leafy green, Interlude uses oregano.
Oregano! Maybe not the greatest selling point points in a list of notes, but extremely successful in bringing a green expansive quality to a woody perfume. A bit of patchouli seems to integrate the oregano, so that it doesn't suggest pizza or a sore thumb. Incense jumps out from first sniff, but the rest of the woody tone is an interesting blend. Oud? Sandalwood? There is a warm, leathery, dusty quality in the basenotes that just purrs.
Interlude's combination of boldness and complexity differentiates it from the dull crowd of most contemporary woody fragrances and links it to the best of the 1980s. Vive le power frag
Not as bad as the first time I tried it. I got a real good 4 spray wearing out of my sample the other day, and I do think it's a nice fragrance.
The opening is a bit confusing. Cotton candy.. seriously, yes Amouage does cotton candy. Actually a few Amouage's I have tried have surprised me with very synthetic candy-like openings, and this is one of them. Within 20 minutes or so it settles down into more of a birch tar, smokey incense. I pick up on the oud later on in the dry down, especially when I spray it on clothing, that's where the oud really shines.
Overall, I give it a hesitant thumbs up, because of its unique style, power, and longevity. It takes risks, but it doesn't go too out of bounds with it, like another fragrance that's sort of in its same league, which is Jeke by Slumberhouse. They mouth have this weird "barbeque meat/old tea bag" note, but in Interlude Man, it works well!
This is would be a sure thumbs up if the price was lower. I understand niche is a luxury item, but some of these companies really gouge you for what you get, no bottle of any fragrance should cost more than 150 bucks direct from the manufacturer. I've dabbled in fragrance making quite a bit, and have made some good high quality stuff that smelled comparable to the high end niche stuff, and it didn't cost me more than $20 to make, and that's for 10 oz worth. Unfortunately sometimes a fragrance is just that damn good, and there's no way to avoid the cost, and while I should practice what I preach, I myself have succumbed to the gouging, for fragrances that I really wanted.
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On me, Interlude man is dominated by a mix of smoky frankincense and lightly dusty oak, made quite sweet with a pinch of red cedar. There's a thick base of what I think is mostly ambrox and iso e super, with swirls of sweet amber and chocolate, which is concentrated enough to lend richness from the start of the scent, which is good for a perfume of this price.
Smoky iso e super incense and woods have been done a LOT - even Amouage itself has the superior Jubilation XXV - so the appeal of Interlude Man comes down to the clever juxtaposition of sweet woods and chocolate. I personally don't like the combination very much, but I can see how this could easily be grail material for people who fall in love with its cleverness.
Where Memoir Man falls short, Interlude Man gets it right. The traditional masculine notes of woods, leather and tobacco are replaced by amber and resins. The result is an astonishing blend of incense and sweetness that is a unique olfactory experience. It seems to project more and last longer even than most other Amouages.
The structure of Interlude Man is of a classic leather-velvety fougère with herbal and incense notes (on the polished-synthetic-woody side), reminding me of other contemporary niche fougères for man like Fetish pour Homme by Roja Dove. Decent and pleasantly plain, and a bit derivative too, as it basically smells like the drydown of any leathery masculine scent from the '70s or the '80s, even if (obviously, I'd say) less powerful and compelling. Nonetheless, it is surely balanced and pleasant, the leather is refreshed by balsamic notes and softened by incense, green notes and a hint of amber - all a bit plain and synthetic to my nose to be honest, but pleasant, refined and classy ("it smells expensive", shortly). Given the pretenses and the price, it's just not that worth it in my opinion.
This is perfume on steroids - a super sweet and smoky incense that hammers away at you for days like a man with a bellyful of Viagra. Impressive at first, and then progressively tiresome. I wanted it to be over at some point, tried to scrub it off, but the damn thing kept going and going.
As for the smell, well, one day I might summon the energy I need to trace the lineage between Interlude Man and Dzhongka, but for the moment, suffice it to say that there is a smell of roasting sweet red peppers that links the two. I find Dzhongka insufferable for this (but mostly for other) reasons, but at least Interlude does the pepper note well.
There are not many advantages to living in the arse end of the Balkans, but there are certain smells here that do provide a kind of consolation - the smell of raw tobacco leaves curing in the sun, the smell of the coffee houses roasting raw beans in the morning, and every September, the smell of those long, sweet Balkan peppers (capsicums for you Americans) being roasted on open fires, often out on the street, prior to them being used in winter preparations such as Ajvar. The smell is delicious, intoxicating even - the burning point at which the natural sugars in the peppers sizzle, turn black....well, it's one of nature's best smells, in my opinion. Interlude Man smells like my neighborhood when they start roasting the peppers, for at least the top half of the scent. Thing is, I am torn between finding this attractive and nauseating in perfume form - some wonderful smells in real life are not supposed to find their way into perfumes, I think. Sweet peppers are one of them, I feel.
Anyway, the scent becomes smokier, more incense-based, and less about those red peppers as it goes on. It seems to grow sweeter and more syrupy, too. I am not sure how wearable this is, ultimately, but it sure is a compelling type of smell. Maybe a bit too strong, too sweet, and just...too too. Men, please, if you do be wearing this, please do be doing the one spray thing.
Genre: Woody Oriental
I’m afraid I have to break with the pack on this one. Frankincense, opopanax, an oudh reconstruction that smells of burnt hair, and a whole lot of patchouli add up to a very loud, crude composition, which I really don’t enjoy. This fragrance seems to have too much going on, all at once, and all at stentorian volume. The frankincense and patchouli fight one another like two mismatched paint colors, the opopanax is a bit too powdery and sweet, and the oudh just feels like superfluous decoration in a composition that’s already too baroque and monumental by half. Perhaps most damaging of all is a piercing reconstructed sandalwood base note that creaks like a rusty hinge, and which has no business smelling so cheap in a fragrance that costs roughly $150 US per ounce. To my nose, this is simply one of the weakest offerings Amouage has released in years. I’d much rather wear the vastly superior Interlude Woman.
Very dark combination of Ambre and Oud mainly , Incense gives it a smoky touch, Absolutely not everyday fragrance especially in day time coz Oud alongwith sweetness of Ambre makes it dense and dark.
Interlude also reminds me a little of Black Afgano by Nasomatto,due to Oud i guess , otherwise its a way better fragrance than BA.
I really appreciate the blending of notes and quality of ingredients and like to smell it on others but personally i m not a fan of Oud/Ambre dominating fragrances.
Not much to add to what has already been said. Except, on me... it last forever. I mean, Interlude is bomb proof. It stayed on my skin for well over 24 hours. I showered 4 times that day and, the scent refused to go.
I like it but, not for that long a time.
I have a 100ml bottle and, I fear, my great, great grandson will inherit the best part of 90ml.
I would have given it a positive. Alas the longevity of Interlude is just overkill!
02nd May, 2014 (last edited: 05th March, 2015)
Interlude Man strikes me soon for the olfactory juxtapositions of diversely consistent and "oriented" spheres since a dark woody/oriental resinous basement is by soon counteracted by a weirdly fresh, hesperidic and mineral first approach. The overmentioned juxtaposition conjures me more than vaguely the wonderful Jacques Zolty by Jacques Zolty's structure. (I detect also many points in common with the interesting but probably less "fresh/warm" in perception Nemo by Cacharel because of the common interaction between fresh spices, pepper, lavender, patchouli, olibanum, herbal notes, leather and woods). The previous two scents (Amouage and Zolty I mean) are extremely close each other as sharing a huge number of notes (a musk/patchouli common backbone, a bunch of mineral secret elements, bergamot, oregano, mild spices, probably lavender, ambergris, woodsy resins, olibanum, sandalwood, suede end further). Probably Interlude Man smells more finally smokey and resinous being Zolty on the contrary more initially aromatic, floral (rosey) and mineral. The Interlude Man's beginning (following a really close to Zolty evolution process) starts with a really aromatic, musky, mineral and peppery (almost "Nu_besque" in the approach) "ambiental" accord (almost silent and holy in expression) embodied by an oregano/lavender/fresh bergamot/soft musk/cistus agreement. The note of oregano is heady and perfumed (really aromatic I mean), a dominant realistic element in the top of the structure. The cistus in particular provides an herbal and humid undertone throughout as it is supported by a dark and earthy patchouli stout presence. The note of olibanum (never too much churchy or sacramental) starts soon contaminating the elements with its smokey aromatic mild exhalations (a dull, soft, progressive, harmonic burning perfumed incense treated with burning sweet spices and aromatic mild resins). By soon the mineral muskiness is turned out such a craggy, somewhat spongy, carnal, slightly fruity and herbal one by the costus/ambergris intervenction itself. The note of olibanum is averagely smokey/spicy and it melds perfectly its substance with the musky/ambery resinous basement providing such a resinous and mossy accord mastered by a main smokey/spicy temperament (a vague conjuration about the Piguet Casbah's incensey/spicy/resinous consistency). I still detect a musk/ambergris/myrrh main basement on which the mineral and aromatic patterns still jump and sparkle. There is a mild spiciness enriching the cloud which is basically in my opinion elicited by pepper (in particular) and cinnamon (may be coriander). I don't feel in particular a sheer final oudh apparition (since a sort of resinous woodsness is operating throughout) while is easily catchable a disclosing completing suede touch managing to soften the scretchy ambery muskiness while leading it towards a velvety/silky woody sphere. The sandalwood (but even the oud note) in particular emerges at distance averagely dry, barely fruity and never syrupy or overly resinous. Interlude Man possesses for sure an intricate structure in which each note performs greatly its individuality and owns its autonomy though in the meanwhile partaking to a complex harmonious olfactory game, that's plain. The creation is a modern oud/olibanum rendition in which the previous elements are such of baptised and deprived of their classic medicinal or overly liturgical characteristics. This fragrance is a solid composition with its dark spicy/incensey and musky appeal but is in the things to underline as its lack of uniqueness and the slightly synthetic final vibe surrounding the agarwood resins in particular turn it out unworthy of its abnormal € 195 for a 50 ml bottle. Great longevity and slightly more than discreet (but constantly lingering as a ghost) projection on my skin.
19th March, 2014 (last edited: 07th January, 2015)
Just tried my sample and initial thoughts are
sweet / smoky / leather and a little pungent...i like the opening :) have a local indian attar oud mulhallat blend which smells somewhat similar but Interlude seems to be more refined and richer whereas the attar smells kind of thin
is there any oud in this, seems to catch a tiny whiff of it now and then
will post more thoughts as i spend more time with it
I'm late to the party on this one but I will still share my opinion. Opens very fruity and medicinal. Medicinal as in Vicks Vapor Rub but truly intoxicating. This stage stays for about an hour. Them it transitions into a smoky sweet smell that I cannot get enough of. Easily my favorite part of the fragrance. Interlude Man then proceeds to effortlessly transition between these two stages for the duration, which is extremely long. Easily 12 hours. Very well blended. I detect the leather, Opponax and cistus mostly in this fragrance(based off of the description of the aforementioned as I have never personally smelled them. Incredible Longevity and siliage. A FB may be in the future...
England may now be a smoke-free land, but this fragrance by Amouage is an Interlude from normality. This is not your everyday designer fragrance or one that you will find everyone wearing on the bus.
Interlude (which graced us with its presence in 2012), primarily dominates with an opening of smoke along with a cleverly designed oregano note that is most unusual in modern perfumery (that's Amouage for you all over!). It's very carefully hidden, but you can be sure it's there!
But my favourite note in this extremely long lasting (and by that I mean 12 hours at least!) is the incense. This is no ordinary incense though. This is actually 'sweet incense' or 'sweet myrrh' which is commonly referred to as Opopanax. This is quite a contrasting combination with the earlier smoke that accompanies the opening of the scent, but it nonetheless works beautifully!
I have to agree with others that the bottle of this fragrance and the box are just sheer royalty. It's a thumbs up from me.
Smells like oppoponax.
Dry down is a copy/paste of Ambre Fetiche.
I give it a neutral rating because it's not bad.
Nice oppoponax based perfume but it could've been more complex.
I see a lot of notes mentioned but in reality it smells crammed.
A skanky oud and incense which is pretty good. I would buy a full bottle of this stuff if it wasn't so expensive. I get the leather and woody notes in this one. One of the best Amouage scents thus far IMO.
Powerhouse lovers heaven..
Too much leather..
I can't detect anything else in the drydown..
Not modern IMO in anyway..
Great scent for the construction type of guy but not me!!
Pros: lasts forever
Cons: Smells Terrible"
An Interesting Experience
I'm not much of a reviewer, but wanted to comment on this one. I wore it yesterday, and yes it might have been one spray too many, as the smokey incense generated a few comments.
But to me most of the experience was marked by a constant wafting back and forth between the sweet resiny root-beer scent of the opoponax and the oudy facet of the frankincense (like the oud element of Creed's Royal Oud, which is criticised as not being real-oud enough). Made for a fascinating experience, which not enough fragrances deliver. Don't even know if I really LIKE the root-beer aspect, but do look forward to trying it a few more times..........
Alpha scintillating leather
Amouage Interlude Man is a fragrance that I have a personal preference for because I am such an easy target for well adjusted patchouli especially when some leather is added and the essence of this fragrance formulation is the cooling but dominant patchouli leather over incense base. The fragrance never relaxes into a mellow interlude that I can find - but it keeps a smooth sharp cutting edge of scintillating spice honed incense woods and leather. The intensity is definitely on all the time - don't have to read between the lines with this one. One spritz will do, trust me. Interlude Man is a thoroughly enjoyable expressionistic fragrance. Those who are looking for warmth and comfort may not like this one, but I like the bold character of it.
Pros: distinctive, clean, penetrating, cooling, dominant
Cons: very bold with tendency to intrude on others space"
Oregano. Check. Blast of thundering incense. Check. A small application blasting the senses of loved ones. Check.
How anyone could go through much of this, I do not know. It is intense, powerful, and I really like it a lot. I could spend a long time just sitting with this one out in the open, by the sea.
The problem is, my family hated it; I mean, not mere dislike, but hate. It might be a solitary guilty pleasure of a small sample while traveling.