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    Baldessarini by Baldessarini

    I find Baldessarini linear. Disliking a linear fragrance is somehow worse than disliking a scent with a traditional top, middle and base. Whereas the three-tiered fragrance might surprise you and win you over, for a linear scent, the first sniff becomes the lasting impression. A linear fragrance must have notes that can connect at various points to keep your interest. It allows for reconsideration from different perspectives and in different lights. Here is where a good linear fragrance can hold its own against a known classic.

    In Baldessarini, I found the saccharine sweet note unpleasant, the nose equivalent of a high-pitched whistle. The cedar-like tobacco note has no connection to this sweet note, and so the two sit uneasily side by side for the duration of their mutually linear paths. Another difficulty with the tobacco note: a botanically derived material evolves over time. When it doesn’t, a ‘reference’ note must be used carefully. If it simulates tobacco, but is not tobacco, and the other components to the fragrance don’t enhance it, the nose may recoil, as mine did.

    18th December, 2010 (Last Edited: 03rd May, 2012)

Loving perfume on the Internet since 2000