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I must admit that I have a slight problem with Sophia Grojsman's work. Whilst her compositions ofter work rather well, they all seem to share a rather chemical and strident nature. Paris is no exception starting off with a blast of violets and a rose that is so sweet and cloying that i feel like i need to step out for air. Even when she is allowed a much larger budget than usual, as she probably had for frederic Malle, she produced Outrageous!, as chemical and cheap as any of her previous offerings. Sorry, no can do.
25th January, 2011