There's a picture of goth icon and Bauhaus singer Peter Murphy from the early 90's that reminds me of this scent. In the picture, his head is lying in a bed of leaves with his ashen white face and shadowy eyes peering through the leaves. It's almost as if he's emerging from a grave, rising with the full moon. All that's missing from the photo is the logo for Zino.
To me, Zino is about dark red roses growing deep in the forest on cool October night. The air is moist with sweetness and Autumnal death. Little Red Riding Hood is lost and has dropped her basket of flowers as the big, bad Wolf beckons in the distance.
It's what Ungaro III wants to be if only the rose wasn't so suffocated by the pacthouli. Here, Zino cleverly uses the patchouli to bring out the earthy tones in the woody/ vanillic drydown. If the term "deadly" could be applied to just one scent, it would have to be used for Zino. Apply when feeling moody.
To me, Zino is about dark red roses growing deep in the forest on cool October night. The air is moist with sweetness and Autumnal death. Little Red Riding Hood is lost and has dropped her basket of flowers as the big, bad Wolf beckons in the distance.
It's what Ungaro III wants to be if only the rose wasn't so suffocated by the pacthouli. Here, Zino cleverly uses the patchouli to bring out the earthy tones in the woody/ vanillic drydown. If the term "deadly" could be applied to just one scent, it would have to be used for Zino. Apply when feeling moody.
