As of late, this has been bothering me quite a bit. So many scents get written off as Aqua Di Gio clones and even moreso, so many Basenoters seem to lump all fresh scents together. It's as if some people sniff any scent with an aquatic note and instantly turn off any further scrutiny and just mentally write it off as another AdG. I should know, I used to do the same - I felt that fresh scents were more or less all the same - the equivalent of pop drivel in music. Of course, they may be the equivalent of pop music, but then even pop music stretches from Josh Groban to Madonna to Eminem and beyond.
The last week or so I've devoted to re-trying the samples of all the fresh scents I had. My intent was to find the right match for me, and so I was scrutinizing them much more carefully than I had in the past, or is possible in the store on a card. I think fresh scents are especially difficult to differentiate on a card in the store; sure it's not hard to tell a lime opening from a bitter grapefruit, but take two orange openings and the differences are going to be harder to detect (not to mention the rest of the scent's development, something that is almost impossible to get an accurate read of from a tester strip).
Fresh and aquatic scents, as a whole, are unquestionably more limited in their diversity by the simple fact that if they stray too far from the guidelines, they become something besides a fresh scent. This is inevitable, but I don't think it's anymore reason to lump them all together than it would be to lump all haikus together because they share the same underlying syllabic structure.
I just get frustrated when I read reviews that say, for instance, that Versace Pour Homme is quite similar to Pi Neo, when nothing is further from the truth. The former is a bitter, sage heavy fresh scent with a light aquatic note in the form of hyacinth and a base of woods while the latter is a sweet citrus aquatic with a fair dose of vanilla. Saying those two are quite similar is like saying Gucci Pour homme and L'Anarchiste are similar because they both make use of a strong cedar note at some point in their development. Writing Z by Zegna off as "just another fresh scent like AdG" (hypothetical example, I'm not taking anyone to task here!) is just willful ignorance on the part of a reviewer as they are really nothing alike.
It just bothers me to see so many reviewers of various fresh scents write them off so quickly without taking the time to analyze the scent and really compare and contrast it - if not in the review then mentally, at least - with other fresh scents. It would be absurd to say "well, all of the CdG incense series feature incense, so if you've smelled one, you've smelled them all" - and yet that kind of mentality seems to be accepted and indirectly promoted (via acceptance) when it comes to light, fresh, aquatic scents. Again I say, like haiku, or any limited form such as the 12 bar blues, the genre as a whole has limitations but that is what makes it what it is (nobody complains that a fougere is built around lavender, oakmoss and coumarin), and that I think we do a disservice to ourselves and especially to others when we write reviews in haste, quickly judging a frag for superficial similarities to something else when we didn't have the intent to try and appreciate it for what it is in the first place.
Are fresh scents unfairly discriminated against as a whole? Am I alone in feeling this way? Well, I should hope not, and I hope that I can urge some others out there who may be just like I was - 'above' fresh scents and unwilling to sniff another 'generic consumer oriented concotion' more than superficially since that is all it deserved - into actually evaluating them in detail. It will help us get clearer reviews and direct people to the fresh scents most suitable towards them, but perhaps most importantly, it will help us all grow our noses and grow our ability to differentiate subtle differences in all scents, and hence increase our appreciation for this passion as a whole.
The last week or so I've devoted to re-trying the samples of all the fresh scents I had. My intent was to find the right match for me, and so I was scrutinizing them much more carefully than I had in the past, or is possible in the store on a card. I think fresh scents are especially difficult to differentiate on a card in the store; sure it's not hard to tell a lime opening from a bitter grapefruit, but take two orange openings and the differences are going to be harder to detect (not to mention the rest of the scent's development, something that is almost impossible to get an accurate read of from a tester strip).
Fresh and aquatic scents, as a whole, are unquestionably more limited in their diversity by the simple fact that if they stray too far from the guidelines, they become something besides a fresh scent. This is inevitable, but I don't think it's anymore reason to lump them all together than it would be to lump all haikus together because they share the same underlying syllabic structure.
I just get frustrated when I read reviews that say, for instance, that Versace Pour Homme is quite similar to Pi Neo, when nothing is further from the truth. The former is a bitter, sage heavy fresh scent with a light aquatic note in the form of hyacinth and a base of woods while the latter is a sweet citrus aquatic with a fair dose of vanilla. Saying those two are quite similar is like saying Gucci Pour homme and L'Anarchiste are similar because they both make use of a strong cedar note at some point in their development. Writing Z by Zegna off as "just another fresh scent like AdG" (hypothetical example, I'm not taking anyone to task here!) is just willful ignorance on the part of a reviewer as they are really nothing alike.
It just bothers me to see so many reviewers of various fresh scents write them off so quickly without taking the time to analyze the scent and really compare and contrast it - if not in the review then mentally, at least - with other fresh scents. It would be absurd to say "well, all of the CdG incense series feature incense, so if you've smelled one, you've smelled them all" - and yet that kind of mentality seems to be accepted and indirectly promoted (via acceptance) when it comes to light, fresh, aquatic scents. Again I say, like haiku, or any limited form such as the 12 bar blues, the genre as a whole has limitations but that is what makes it what it is (nobody complains that a fougere is built around lavender, oakmoss and coumarin), and that I think we do a disservice to ourselves and especially to others when we write reviews in haste, quickly judging a frag for superficial similarities to something else when we didn't have the intent to try and appreciate it for what it is in the first place.
Are fresh scents unfairly discriminated against as a whole? Am I alone in feeling this way? Well, I should hope not, and I hope that I can urge some others out there who may be just like I was - 'above' fresh scents and unwilling to sniff another 'generic consumer oriented concotion' more than superficially since that is all it deserved - into actually evaluating them in detail. It will help us get clearer reviews and direct people to the fresh scents most suitable towards them, but perhaps most importantly, it will help us all grow our noses and grow our ability to differentiate subtle differences in all scents, and hence increase our appreciation for this passion as a whole.










