In tribute to some of the stunning beauty I've found in the Serge Lutens line, I wanted to post my thoughts on two of these gorgeous fragrances, if it's not too selfish to do so
In my short years as a fragrance enthusiast, I've smelled several fragrances now, and several from Serge Lutens and Christopher Sheldrake in specific, but have realized I'm a bit late to the party in discovering a few of the more gorgeous fragrances they have to offer.
Ambre Sultan has always been a favorite and always will be. Its herbal, sweet amber goodness is well known here at Basenotes. And though I am equally impressed with the somewhat controversial Arabie (the Lutens/Sheldrake aesthetic pushed to what might seem its logical ceiling point), I wanted to focus on two recent discoveries of mine that have really enraptured me.
Fumerie Turque includes currants, white honey, candied Turkish rose, Egyptian jasmine, smoked leather, beeswax, Balkan tobacco, Peru balsam, patchouli, tonka bean, styrax, juniper, and vanilla. When I look at those notes it is like reading poetry to me.
I can only describe Fumerie Turque as it occurs to me and what I sense is a very tightly constructed, sweet, compact and dense incense fragrance. Not incense as a note of course, but rather, a composition which might yield the perfume used to scent incense meant to be burned. For me the impression of Fumerie Turque is that of an ever so slightly smoked sweet amber mixed with an earthy, leathery, tobacco accord. A beautiful and contemplative fragrance. When I wear it I'm whisked away to the place which inspired this incredible fragrance, crowded bazaar spaces and towering Mosques. It's so much more than a fragrance that I marvel at how these images are rendered just by inhaling!
With notes of Mysore sandalwood, cumin, spices, styrax balsam, and caramelized Siamese benzoin, Santal de Mysore opens with an almost aggressive sweetness, but if one can hold on for a few moments, it rewards its wearer by transforming beautifully into a delicious, luxurious, undulating blanket of textures and sensations. The combination of creamy sandalwood densely packed with dry Indian spices enveloped by a layer of rich sweetness that in my mind's eye takes on an almost glowing, hot red hue is enough to take me to a different place. A hot day, a crowded market, whiffs of spices, cooking, arid air, it's all present in this amazingly transportive (I'm making up a word) fragrance that again, is like inhaling a world of experiences, textures, sights, and sounds.
I really hope some of you would like to discuss your impressions of these fragrances or others that have given you a similar poetic or "transportive" feel or impression. Fragrances which you think are more than just the sum of their ingredients somehow.
Thanks for reading!
In my short years as a fragrance enthusiast, I've smelled several fragrances now, and several from Serge Lutens and Christopher Sheldrake in specific, but have realized I'm a bit late to the party in discovering a few of the more gorgeous fragrances they have to offer.Ambre Sultan has always been a favorite and always will be. Its herbal, sweet amber goodness is well known here at Basenotes. And though I am equally impressed with the somewhat controversial Arabie (the Lutens/Sheldrake aesthetic pushed to what might seem its logical ceiling point), I wanted to focus on two recent discoveries of mine that have really enraptured me.
Fumerie Turque includes currants, white honey, candied Turkish rose, Egyptian jasmine, smoked leather, beeswax, Balkan tobacco, Peru balsam, patchouli, tonka bean, styrax, juniper, and vanilla. When I look at those notes it is like reading poetry to me.
I can only describe Fumerie Turque as it occurs to me and what I sense is a very tightly constructed, sweet, compact and dense incense fragrance. Not incense as a note of course, but rather, a composition which might yield the perfume used to scent incense meant to be burned. For me the impression of Fumerie Turque is that of an ever so slightly smoked sweet amber mixed with an earthy, leathery, tobacco accord. A beautiful and contemplative fragrance. When I wear it I'm whisked away to the place which inspired this incredible fragrance, crowded bazaar spaces and towering Mosques. It's so much more than a fragrance that I marvel at how these images are rendered just by inhaling!
With notes of Mysore sandalwood, cumin, spices, styrax balsam, and caramelized Siamese benzoin, Santal de Mysore opens with an almost aggressive sweetness, but if one can hold on for a few moments, it rewards its wearer by transforming beautifully into a delicious, luxurious, undulating blanket of textures and sensations. The combination of creamy sandalwood densely packed with dry Indian spices enveloped by a layer of rich sweetness that in my mind's eye takes on an almost glowing, hot red hue is enough to take me to a different place. A hot day, a crowded market, whiffs of spices, cooking, arid air, it's all present in this amazingly transportive (I'm making up a word) fragrance that again, is like inhaling a world of experiences, textures, sights, and sounds.
I really hope some of you would like to discuss your impressions of these fragrances or others that have given you a similar poetic or "transportive" feel or impression. Fragrances which you think are more than just the sum of their ingredients somehow.
Thanks for reading!







). thats exactly what i love about lutens. same with Tauer, although, Tauer seems a bit more raw in his approach...but he sure does transport the wearer to a new level..think LAdDM, Lonestar memories, Vetiver Dance, Incense Rose et al...
