Hi all!
I was at an exhibition today of artifacts that were recovered from the wreck of the Titanic. Included was a set of perfume vials that belonged to perfumer Adolphe Saalfeld. Sixty-four vials were recovered, many of them still intact. Of the selection on show, one had cracked allowing scent of the perfume to escape, and it could be smelled through holes in the side of its display case. This was an amazing experience for a perfume geek -regardless of what the perfume smelled like. As it happens, the perfume itself was fascinating. It really was the scent of a different era.
I went unscented, as I didn't want my own fragrance to alter the way I smelled the perfume, which was just as well, as the scent was quite faint -although very distinctive. It took a while for my nose to really latch onto it and separate it from the usual smells of whatever the passers-by were wearing. Sometimes it was stronger than others, and after a couple of hours I was able to get a very clear picture of its various facets.
At first I could smell flowers. The perfume has been described as smelling of roses and violets, and while I agree, I found it to be more complex and abstract than a simple floral. The floral bouquet had a sweetness that reminded me of Crown Heliotrope, along with something that seemed like a dark version of peach. Underneath all of this there was something with the "rootiness" of iris. I kept getting flashes of other perfumes, but I couldn't remember which ones, and then it dawned on me that they were all Crown Perfumery fragrances, especially Malabar and Matsukita. Yet the overall composition was quite different from the Crowns. The mood was more like Après L'Ondée with just a touch of that eerie solemnity which seems perfect for a scent that finds itself cast in the tragic role of a long lost perfume. I also found the fragrance very grand, with a soft animalic base that was both deep and gentle.
I don't know how much of what I smelled came from a single vial. Maybe the other vials altered the scent, but it smelled like a single perfume to me, and according to the tour guide the other vials on display were still sealed. I feel extraordinarily privileged to have smelled smelled this perfume, but now I want to know what's in the other sixty-three vials...
I was at an exhibition today of artifacts that were recovered from the wreck of the Titanic. Included was a set of perfume vials that belonged to perfumer Adolphe Saalfeld. Sixty-four vials were recovered, many of them still intact. Of the selection on show, one had cracked allowing scent of the perfume to escape, and it could be smelled through holes in the side of its display case. This was an amazing experience for a perfume geek -regardless of what the perfume smelled like. As it happens, the perfume itself was fascinating. It really was the scent of a different era.
I went unscented, as I didn't want my own fragrance to alter the way I smelled the perfume, which was just as well, as the scent was quite faint -although very distinctive. It took a while for my nose to really latch onto it and separate it from the usual smells of whatever the passers-by were wearing. Sometimes it was stronger than others, and after a couple of hours I was able to get a very clear picture of its various facets.
At first I could smell flowers. The perfume has been described as smelling of roses and violets, and while I agree, I found it to be more complex and abstract than a simple floral. The floral bouquet had a sweetness that reminded me of Crown Heliotrope, along with something that seemed like a dark version of peach. Underneath all of this there was something with the "rootiness" of iris. I kept getting flashes of other perfumes, but I couldn't remember which ones, and then it dawned on me that they were all Crown Perfumery fragrances, especially Malabar and Matsukita. Yet the overall composition was quite different from the Crowns. The mood was more like Après L'Ondée with just a touch of that eerie solemnity which seems perfect for a scent that finds itself cast in the tragic role of a long lost perfume. I also found the fragrance very grand, with a soft animalic base that was both deep and gentle.
I don't know how much of what I smelled came from a single vial. Maybe the other vials altered the scent, but it smelled like a single perfume to me, and according to the tour guide the other vials on display were still sealed. I feel extraordinarily privileged to have smelled smelled this perfume, but now I want to know what's in the other sixty-three vials...










