Ever so often, there are some juicy ones on here, and I have to answer: Even when, at any rate, as many of you know, I am asleep.
#1: Poster: So many things were "frowned upon" while I was growing up, notably, the very idea of putting up a poster on the wall, even though, in those years, that was very much a "done thing." How I handled this: Many of you may have wondered what my choice of Avatar could possibly represent. Here is the story: When that album came out, I was 7 I think. The blown up image of Mick Fleetwood standing and...is it Lindsey Buckingham, or the other one? as a "pretend" little person throwing the crystal ball knocked me for such a loop, that I never quite grew out of it: First of all, more iconic photography in Rock History, there is not. It is Hall of Fame. Everything about the image captivated me as child, and there was no escaping it: It was everywhere, and I loved every single detail about it. I grew up too tall too fast, and so I think the first thing was that somehow I related to the specificity of it, and how this oddity of height was rendered "cool" in this beautiful photographic study. It also created a fascination with crystal balls that continues to this day, as I collect these, and the seeds of this collection took root at the very epoque of the photo. When, two years later, "Rumours" came out, not only was I then old enough to actually listen to the music and enjoy it, (not the case with the first) but the same phenomenon occurred with the image: Mick Fleetwood dressed as a Neo-Romantic in knee breeches, tights, ballet flats, and a pirate shirt, and Stevie Knicks in the debut of what would become, and remains to this day, her signature black chiffon: I thought to myself, "Wow. I want to be Mick Fleetwood." Somehow, that happened, as much as "being" someone you're not ever does: I may look more like Frank Zappa in the face, or so I am constantly told, but physically, I have become Mick Fleetwood. I have an hand painted bigger than life size mural of this, the "Rumours" image, without the logo, which font I also loved and still do, in my consulting room colour coded just as was the original album cover: Pale lemon background, sepia image. Anyone less than 30 that sees it says "Wow! That's an awesome picture of you! who's the girl?" which comment I find hilarious. How could anyone not know that image, I wonder? So there were those two images: Obviously, I "related" heavily: Someone was way too tall and much too thin and wiry yet was actually cool. It gave me hope. Then, that beautiful image of Kris Kristoferson holding the newly-permed Barbra Streisand in a torrid "Silent Screen Era" tribute montage hit in 1976: I was mesmerized. Again, though I cant say I am today a great fan of any of these people, these images seared themselves into my brain. I still have my "A Star is Born" T-shirt and I wear it often, just as I have a "Rumours" T-shirt, all from the time: Both are reserved for "Special Occasions." {Very recently, I actually saw "A Star is Born." (I was never able to see it back in the day) Though it's nothing like Hollywood's third remake of this famed story, with James Mason and of course the impish Judy Garland, at her vocal prime, Barbra kicks some very serious ass in this flick, and so does Kris, who, as I understand it, was not really an actor at all: Surprisingly, A great movie! I was so surprised. I told the story above related to a colleague who then gave me the DVD + CD "Box Set" of "A Star is Born." I had no idea Babra Streisand could rock out with such gusto. Remarkable movie, an historical study visually: This "is" what 1976 looked like: I remember. I was there. Great albums, all three iconic and history changing in each their own specific ways. (For a close look at what 1978 looked like, re-visit another forgotten Blockbuster: the excellent "EYES of Laura Mars,"--Faye Dunaway is superb in this-- ironically, another, like "A Star is Born," -Hollywood remake #4- product of the novice hairdresser Jon Peters, who's singular, and remarkably deft vision was principally empowered and obviously financed by his then status of being Barbra Streisand's BF, a hot, and clearly rewarding spot to fill in those days.)
I just turned 47. Unlike my 45th birthday, two days before which I began a four day suicide mission style bender that remains legendary in my social circle, as on the second day, my actual birthday, I disappeared entirely, putting everyone in a state of frenetic panic. This birthday, on the other hand, was actually sort of fun: Someone threw me a "Limo Party," including dinner in a sexy Restaurant marocain, and the whole event was a joyful one: I feel elated to be "Frankly Middle Aged," and I love the way I look. Time has proven: As I get older, I don't get more conservative, I just get weirder. At this point, everyone knows I'm going down the Mick Jagger/David Bowie way, and proud. (Hopefully not the Keith Richards way) Making abstraction of the oft repeated and meaningless "You're only as old as you feel" (Obvious nonsense, as I would then be either 12, or 21, according to the day/my mood) do we not all agree that, at this stage in history/culture, we are now all free to make of age what we chose? I know I am. People regularly think I'm in my twenties! I may be "Middle Aged," but my 28" waist jeans are not getting any less aggressively fitted. Sorry.