Quote:
Originally Posted by
Addict 
"Old" as in 1980's, not as in Empress Sissi of Austria old.
Doubful. Things weren't that rough in the '80s. Those look more like '60s bottles. No, make it '70s - I'm looking at them again, and it's the labeling that tells it for me. No way to know I guess. Weird how the bottles are the same shape as today's 4 oz Creeds, but there doesn't seem to be any overtly specific scent title. Wonder how they smell.
Quote:
Originally Posted by
Zizanioides 
If they have they've never actually shown them to anyone. All of the royal warrants are from the century before Henry Creed SA was founded and were won by various Creeds for their excellent tailoring skills. If you look at the legible ones that's what they say.
Yeah, Creed was a tailoring company long before it ever entered the fragrance world. However, I would caution against using Wikipedia as the source for this information - as far as I can tell, Wikipedia is the only site that elaborates on this, and that's a publicly written forum that irritates me to no end because of how rife with factual holes it always is. Images of Creed's royal warrants do illustrate their tailoring. More on that in a sec . . .
Quote:
Originally Posted by
Zizanioides 
You can't just lie about how old your company is, otherwise I'd start up the oldest Cognac distiller next year and brag about serving Charlemange. (Back off, Olivier, this is my idea).
This is entirely true. However, as you stated above, the royal warrants are evidence of just how old Creed is, and I'm sure the public hasn't seen all of them. Is the house of Creed old? No doubt about it. How old? Tracing the history, as it appears by Olivier's lineage, it's hundreds of years old.
That said, the
mainstream perfume
industry is not hundreds of years old. It's a fairly recent market. Perfumes and perfume sales have been around since the dawn of man, but if anyone expects Creed to produce a shelf of 19th Century Creeds, dust-covered and cob-webbed, then they're barking up the wrong tree. In 1760, scents that were commissioned were not offered to the general public. To expect dignitaries to save empty flacons for the museums is like expecting them to save the kerchiefs they dabbed them with - totally unrealistic. While there's virtually nothing offered to the public on Creed's behalf to prove that they created scents for royalty over 200 years ago, the tailoring firm can be proven to exist, and as everyone knows, such firms were likely to offer "toilet waters" to their clientele as an added source of income. Knize is another example of this.
Quote:
Originally Posted by
Addict 
An example of how such things are done professionally, without fraudulent claims.
http://www.parfumsgres.com/coll_dietrich.htmlThe first celebrity to whom Parfums Grès has dedicated its fragrant homage is Marlene Dietrich. The actress and singer ideally embodies feminine elegance coupled with self-assurance and the art of seduction. It is understandable that the American Film Institute acclaimed her as one of the greatest stars in history. There are innumerable photos of Marlene Dietrich in the marvelous robes of Madame Grès.
These pictures, as well as copious reports about Marlene Dietrich and her eccentricities and preferences, served as sources of inspiration for three young French perfumers in their work on the fragrance compositions. They also wanted to capture the chic, by-gone Parisian times and interpret them in a modern way.
No lies. No false claims. No BS.
I have the box of My Passion in front of my eyes. (I bought all three for gifts to friends of female persuasion.)
Parfums Gres Collection
Homage to stars and famous personalities
clothed by Madame Gres.
Use of name and picture of Marlene Dietrich under license of Die Marlene Dietrich Collection GmbH, Munich, and Marlene Inc., New York
Compare this honest sale-pitch with all the unsubstantiated gibberish about Angelique Encens (which used to be a good feminine fragrance, by the way, if you don't mind vanilla) being launched in 1933 (no kidding) and being favored by Marlene Dietrich. No reference anywhere (yes, I am a Dietrich buff and read many books about her in multiple languages) except for Creed propaganda materials.
Once again, I fail to see how Addict's argument is relevant. So because Parfums Grès dedicates a scent to a dead actress, the perfume is a product of honest advertising? Let me ask you something - how would the perfumers know what the "chic, by-gone Parisian times" smelled like? (Dietrich was German and spent her youth and early career in Berlin, not Paris - why not try to sell you on Berlin?) Were they there? Nice to see that they can interpret the smoke-smothered silver screen in a modern way. It makes me think of the street I lived on in Prague, which was named after Ms. Dietrich. It smelled of diesel exhaust and dog sh_t. Had they not dedicated this fragrance to Dietrich, would you have had any interest in it?
With that said, I'll grant you that this is verifiable advertising. It is lily clean in its conceptualization. Much more honest in the sense that they're not trying to make you think Ms. Dietrich herself wore this particular fragrance. It also explains why this fragrance isn't nearly as popular as any of the Creeds. Where is the intrigue factor here? The controversy? In the end you liked that this company dedicated something to this actress, and I suppose that came before you actually smelled and liked the fragrance itself. In this regard, between the two houses, My Passion is more niche than anything from Creed. If it conjures up images of early 20th Century Europe for you, kudos.