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Jean Claude Ellena vs Francis Kurkdjian - Page 2

post #61 of 107
It is silly to compare them .... however Francis Kurkdjian speaks to me more
post #62 of 107
Quote:
Originally Posted by pour_monsieur View Post

it is silly to compare them .... However francis kurkdjian speaks to me more

lmao!
post #63 of 107
Speaking of perfume critics, I wonder who's style he thinks has become "anorexic" ?

Golly, I can't imagine who it might be....

post #64 of 107
It's funny that Kurkdjian wants us to consider the "frame" - which is nigh impossible since we have no access to this information and the industry surely does all it can to keep all of this secret so that they can keep selling their illusions. Of course, the kicker is, he has his own company now, and he could disclose tons of behind the scenes info on the creation of his scents and really allow us to see and consider this frame which is - according to him - so important for the consumer to keep in mind. But does he do this? No.

I understand his feelings towards the egocentrism inherent in many of the blogs, along with the chemical name dropping and other posturing to inflate the perception of the reviewer by their audience (and I admit, I'm prone to doing these things, too), but I don't see how responding in an equally egocentric manner is furthering his cause any.

It's funny how he talks about reviewers attempting to "prove their legitimacy" by dropping chemical names and such, when he's essentially doing the same thing in parallel by now (finally) jumping on the oud bandwagon. Next up, MFK Vetiver?

Also, he contradicts himself left and right. We, the consumers, don't know what it is to compromise for a brand? Ok - perhaps true (but I think we all have an idea of the compromises, budgets, etc that go on in the business.) Then he arrogantly dismisses the question he gets asked "over and over" about if he's free to create what he wants, and states that he's entirely free to do so during the early stages of a brief. And then, in the next sentence talks about knowing what the brand wants, and working within that frame. Working within the frame of the brand, whether you are choosing to do so or being forced to do so, is not the definition of 'entire freedom.'

Honestly, his responses really piss me off. He's biting the hand of the people who at least try, within the confines of their knowledge and the knowledge available to them (and again I reiterate that the world of perfume is one of the most secretive around), to treat his creations as art worthy of a deeper-than-surface analysis and exploration. Maybe he really does prefer those who just treat it as a product - it is those same people that made him "famous" by buying up Le Male in droves, after all.
post #65 of 107
Quote:
Originally Posted by Birdboy48 View Post

Speaking of perfume critics, I wonder who's style he thinks has become "anorexic" ?

Golly, I can't imagine who it might be....


Tee-hee!
post #66 of 107
Quote:
Originally Posted by SculptureOfSoul View Post

It's funny that Kurkdjian wants us to consider the "frame" - which is nigh impossible since we have no access to this information and the industry surely does all it can to keep all of this secret so that they can keep selling their illusions. Of course, the kicker is, he has his own company now, and he could disclose tons of behind the scenes info on the creation of his scents and really allow us to see and consider this frame which is - according to him - so important for the consumer to keep in mind. But does he do this? No.

I understand his feelings towards the egocentrism inherent in many of the blogs, along with the chemical name dropping and other posturing to inflate the perception of the reviewer by their audience (and I admit, I'm prone to doing these things, too), but I don't see how responding in an equally egocentric manner is furthering his cause any.

It's funny how he talks about reviewers attempting to "prove their legitimacy" by dropping chemical names and such, when he's essentially doing the same thing in parallel by now (finally) jumping on the oud bandwagon. Next up, MFK Vetiver?

Also, he contradicts himself left and right. We, the consumers, don't know what it is to compromise for a brand? Ok - perhaps true (but I think we all have an idea of the compromises, budgets, etc that go on in the business.) Then he arrogantly dismisses the question he gets asked "over and over" about if he's free to create what he wants, and states that he's entirely free to do so during the early stages of a brief. And then, in the next sentence talks about knowing what the brand wants, and working within that frame. Working within the frame of the brand, whether you are choosing to do so or being forced to do so, is not the definition of 'entire freedom.'

Honestly, his responses really piss me off. He's biting the hand of the people who at least try, within the confines of their knowledge and the knowledge available to them (and again I reiterate that the world of perfume is one of the most secretive around), to treat his creations as art worthy of a deeper-than-surface analysis and exploration. Maybe he really does prefer those who just treat it as a product - it is those same people that made him "famous" by buying up Le Male in droves, after all.

excellent post SoS
post #67 of 107
Jean Claude Ellena! I got 3 fragrances he made and no one by FK.
post #68 of 107
Quote:
Originally Posted by SculptureOfSoul View Post

It's funny that Kurkdjian wants us to consider the "frame" - which is nigh impossible since we have no access to this information and the industry surely does all it can to keep all of this secret so that they can keep selling their illusions. Of course, the kicker is, he has his own company now, and he could disclose tons of behind the scenes info on the creation of his scents and really allow us to see and consider this frame which is - according to him - so important for the consumer to keep in mind. But does he do this? No.

I understand his feelings towards the egocentrism inherent in many of the blogs, along with the chemical name dropping and other posturing to inflate the perception of the reviewer by their audience (and I admit, I'm prone to doing these things, too), but I don't see how responding in an equally egocentric manner is furthering his cause any.

It's funny how he talks about reviewers attempting to "prove their legitimacy" by dropping chemical names and such, when he's essentially doing the same thing in parallel by now (finally) jumping on the oud bandwagon. Next up, MFK Vetiver?

Also, he contradicts himself left and right. We, the consumers, don't know what it is to compromise for a brand? Ok - perhaps true (but I think we all have an idea of the compromises, budgets, etc that go on in the business.) Then he arrogantly dismisses the question he gets asked "over and over" about if he's free to create what he wants, and states that he's entirely free to do so during the early stages of a brief. And then, in the next sentence talks about knowing what the brand wants, and working within that frame. Working within the frame of the brand, whether you are choosing to do so or being forced to do so, is not the definition of 'entire freedom.'

Honestly, his responses really piss me off. He's biting the hand of the people who at least try, within the confines of their knowledge and the knowledge available to them (and again I reiterate that the world of perfume is one of the most secretive around), to treat his creations as art worthy of a deeper-than-surface analysis and exploration. Maybe he really does prefer those who just treat it as a product - it is those same people that made him "famous" by buying up Le Male in droves, after all.

Great post. I agree.
post #69 of 107
Quote:
Originally Posted by Dorje123 View Post

...........I'd have a hard time personally judging who the better perfumer is, but technically I think it's JCE for his expertise in synthetic aromachemicals. It's just that I'd rather my frags be mostly natural materials with synthetics used only where really needed, and JCE along with most designer perfumers are the opposite, producing primarily synthetic frags....

Some smell more natural than others but most of today's fragrances are close to 85% synthetic, regardless of how much they cost.

Synthetics can also smell more natural than naturals, but it would obviously be better for perfumery if perfumers were able to use whatever quantity of naturals (and other things) they need. Most of the time they're just working around IFRA restrictions.
post #70 of 107
Do remember the twinkle in his eye and cheeky grin , maybe he was having a little fun ???
post #71 of 107
Quote:
Originally Posted by SculptureOfSoul View Post

It's funny that Kurkdjian wants us to consider the "frame" - which is nigh impossible since we have no access to this information and the industry surely does all it can to keep all of this secret so that they can keep selling their illusions. Of course, the kicker is, he has his own company now, and he could disclose tons of behind the scenes info on the creation of his scents and really allow us to see and consider this frame which is - according to him - so important for the consumer to keep in mind. But does he do this? No.

I understand his feelings towards the egocentrism inherent in many of the blogs, along with the chemical name dropping and other posturing to inflate the perception of the reviewer by their audience (and I admit, I'm prone to doing these things, too), but I don't see how responding in an equally egocentric manner is furthering his cause any.

It's funny how he talks about reviewers attempting to "prove their legitimacy" by dropping chemical names and such, when he's essentially doing the same thing in parallel by now (finally) jumping on the oud bandwagon. Next up, MFK Vetiver?

Also, he contradicts himself left and right. We, the consumers, don't know what it is to compromise for a brand? Ok - perhaps true (but I think we all have an idea of the compromises, budgets, etc that go on in the business.) Then he arrogantly dismisses the question he gets asked "over and over" about if he's free to create what he wants, and states that he's entirely free to do so during the early stages of a brief. And then, in the next sentence talks about knowing what the brand wants, and working within that frame. Working within the frame of the brand, whether you are choosing to do so or being forced to do so, is not the definition of 'entire freedom.'

Honestly, his responses really piss me off. He's biting the hand of the people who at least try, within the confines of their knowledge and the knowledge available to them (and again I reiterate that the world of perfume is one of the most secretive around), to treat his creations as art worthy of a deeper-than-surface analysis and exploration. Maybe he really does prefer those who just treat it as a product - it is those same people that made him "famous" by buying up Le Male in droves, after all.

Yes. Good post. I agree on all points but didn't want to say too much, considering he will be reading it. I think you put it very diplomatically and it will hopefully give some food for thought. IMO, it sounds like he's whining a lot, and as I said before, HTFU Francis!
post #72 of 107
Quote:
Originally Posted by pluran View Post

Some smell more natural than others but most of today's fragrances are close to 85% synthetic, regardless of how much they cost.

Synthetics can also smell more natural than naturals, but it would obviously be better for perfumery if perfumers were able to use whatever quantity of naturals (and other things) they need. Most of the time they're just working around IFRA restrictions.

A lot of my favorites these days are either all natural or mostly natural. By Kilian is actually some of the most synthetic of what I enjoy now, and they range from 70-90% natural ingredients depending on the frag (from what I read online, not directly from Kilian's mouth so IDK if this is 100% accurate). I have no idea what Puredistance M is composed of, but I still like it a lot... Others from Soivohle are either all natural or mixed, and my agaraura mukhallats are 100% natural. Agaraura also doesn't follow IFRA guidelines... my Oud Chypre has beautiful, natural oakmoss in it.

I don't have anything against synthetics per se, but I find most designer frags come off as "synthetic smelling", and frags that feature synthetics as a main accord that I used to like (Terre d'Hermes, aquatics etc) I am losing interest in... mostly because the synthetic accords aren't interesting.

My theory is that naturals have a greater variety of scent molecules vs. synthetic accords, so many times the synthetic accords are less complex and thus don't hold interest. I think a perfect example of this is synth vs. real oud oils. A real oud almost seems alive as it changes on the skin and really is a frag in and of itsself. Synthetic ouds just can't match up and seem like they are best used in a non-oud centered frag, as most western ouds are.
post #73 of 107
Quote:
Originally Posted by Dorje123 View Post

A lot of my favorites these days are either all natural or mostly natural. By Kilian is actually some of the most synthetic of what I enjoy now, and they range from 70-90% natural ingredients depending on the frag (from what I read online, not directly from Kilian's mouth so IDK if this is 100% accurate). I have no idea what Puredistance M is composed of, but I still like it a lot............my Oud Chypre has beautiful, natural oakmoss in it.

I don't have anything against synthetics per se, but I find most designer frags come off as "synthetic smelling", and frags that feature synthetics as a main accord that I used to like (Terre d'Hermes, aquatics etc) I am losing interest in... mostly because the synthetic accords aren't interesting....

Perfume houses say all kinds of things. By Kilians are no different than the rest. Same with Puredistance, Creed and most others. If you run their fragrances through gas chromatography–mass spectrometry they'll almost always come out at 80-85% synthetic.

Real oakmoss isn't banned, but it can only be used in small amounts. Many people use it, just not in the same quantities as they used to. Same goes for a long list of other naturals. You're right, complex naturals like oakmoss are always hard to replicate with synthetics, and Evernyl and other substitutes don't smell anything like oakmoss.

Perfumers need to be able to use more naturals, but without synthetics fragrances wouldn't have any backbone. Synthetics have been doing that job for over a hundred years. But these days synthetics are relied on to do almost everything.
That's why over the last fifteen years especially there's been a move from complexity to simplicity. Many of them make a big smell, but there is far less complexity in modern fragrances. It won't be long before what's 80-85% synthetic is 100% synthetic.
post #74 of 107
Thread Starter 
Quote:
Originally Posted by SculptureOfSoul View Post

It's funny that Kurkdjian wants us to consider the "frame" - which is nigh impossible since we have no access to this information and the industry surely does all it can to keep all of this secret so that they can keep selling their illusions. Of course, the kicker is, he has his own company now, and he could disclose tons of behind the scenes info on the creation of his scents and really allow us to see and consider this frame which is - according to him - so important for the consumer to keep in mind. But does he do this? No.

I understand his feelings towards the egocentrism inherent in many of the blogs, along with the chemical name dropping and other posturing to inflate the perception of the reviewer by their audience (and I admit, I'm prone to doing these things, too), but I don't see how responding in an equally egocentric manner is furthering his cause any.

It's funny how he talks about reviewers attempting to "prove their legitimacy" by dropping chemical names and such, when he's essentially doing the same thing in parallel by now (finally) jumping on the oud bandwagon. Next up, MFK Vetiver?

Also, he contradicts himself left and right. We, the consumers, don't know what it is to compromise for a brand? Ok - perhaps true (but I think we all have an idea of the compromises, budgets, etc that go on in the business.) Then he arrogantly dismisses the question he gets asked "over and over" about if he's free to create what he wants, and states that he's entirely free to do so during the early stages of a brief. And then, in the next sentence talks about knowing what the brand wants, and working within that frame. Working within the frame of the brand, whether you are choosing to do so or being forced to do so, is not the definition of 'entire freedom.'

Honestly, his responses really piss me off. He's biting the hand of the people who at least try, within the confines of their knowledge and the knowledge available to them (and again I reiterate that the world of perfume is one of the most secretive around), to treat his creations as art worthy of a deeper-than-surface analysis and exploration. Maybe he really does prefer those who just treat it as a product - it is those same people that made him "famous" by buying up Le Male in droves, after all.


Really well written buddy.
post #75 of 107
Quote:
Originally Posted by Dorje123 View Post

Yes. Good post. I agree on all points but didn't want to say too much, considering he will be reading it. I think you put it very diplomatically and it will hopefully give some food for thought. IMO, it sounds like he's whining a lot, and as I said before, HTFU Francis!

I hope he does read it. I respect his outspoken manner and his willingness to say things that will surely offend; honestly, nothing is worse than this ubiquitous modern fear of offending anyone and trying to be politically correct 24/7. Of course, that doesn't mean I don't vehemently disagree with what he says. Hopefully he can respect my lack of fear with regard to being outspoken in my disagreement. Otherwise, it's as you said - HTFU Francis!
post #76 of 107
I just posted the comment over on Persolaise's blog as well. Hopefully he will approve it, as I have a feeling it says what a lot of people are thinking but are perhaps too afraid to say.
post #77 of 107
Quote:
Originally Posted by pluran View Post

Perfume houses say all kinds of things. By Kilians are no different than the rest. Same with Puredistance, Creed and most others. If you run their fragrances through gas chromatography–mass spectrometry they'll almost always come out at 80-85% synthetic.

Real oakmoss isn't banned, but it can only be used in small amounts. Many people use it, just not in the same quantities as they used to. Same goes for a long list of other naturals. You're right, complex naturals like oakmoss are always hard to replicate with synthetics, and Evernyl and other substitutes don't smell anything like oakmoss.

Perfumers need to be able to use more naturals, but without synthetics fragrances wouldn't have any backbone. Synthetics have been doing that job for over a hundred years. But these days synthetics are relied on to do almost everything.
That's why over the last fifteen years especially there's been a move from complexity to simplicity. Many of them make a big smell, but there is far less complexity in modern fragrances. It won't be long before what's 80-85% synthetic is 100% synthetic.

Interesting. So do you think that the ingredient lists on Kilian's website are completely fabricated and have nothing to do with what's actually in the bottle?

Also, I know oakmoss is restricted and not banned, my point was that the limitation on allowable concentrations were disregarded.

I agree with what you are saying about complexity, many modern frags are not complex enough to hold my interest. I cannot believe anyone would wear something like Molecule 01 more than a couple times. It is a VERY interesting aromachemical but to wear this on its own is incredibly tedious. And frags like TdH that feature it are mostly iso-e super in the drydown, which is annoying. As far as no "backbone" without synthetics, I agree for the most part, but there are some all natural frags that can pull it off that I've sampled. They are very concentrated and expensive though, i.e. Underworld by Soivohle.... 30%+ concentration and $12/mL. Ouch...

And thanks for your posts, pluran, I appreciate it. I'd rather have the facts as it were...
post #78 of 107
Quote:
Originally Posted by Dorje123 View Post

And frags like TdH that feature it are mostly iso-e super in the drydown, which is annoying.

Oh crap, did I just "name drop"! Apparently that means I'm trying to prove my legitimacy as an anonymous internet user who claims no real knowledge of anything.
post #79 of 107
Quote:
Originally Posted by pluran View Post

But these days synthetics are relied on to do almost everything. That's why over the last fifteen years especially there's been a move from complexity to simplicity. Many of them make a big smell, but there is far less complexity in modern fragrances.

Nicely put.

There's a discussion somewhere nearby about 'going trad' in the face of a lot of 'modern' stuff and I think this is the key to it. Maybe I'm just seeing what I want to see but I have noticed quite a few people lately commenting on how some of their favourites are wearing a bit thin after a while - all relatively recent and quite popular names, from memory. I think at a certain point stuff that has no inherent 'life' in it begins to feel a bit two dimensional - the lights are all on but there's nobody home.

Not knocking anyone who is happy with relatively linear or overtly synthetic work but for me, personally, MEGO if there is no sense of space happening - shifting dynamics and a timely natural decay are inherent in living things . . . I just can't handle a chemical half life situation where something overstays it's welcome.

To be honest I do find this to be the case more often than not with a lot of both JCE & FK's work, despite enjoying many of the accords. I'm becoming more of a purist in my dotage.
post #80 of 107
The written word has great power. The skill is a great gift. Be grateful for the talent and have regard for those whom the perfumes are for. A perfumer without critics and perfume enthusiasts would be like a composer with an orchestra but no audience.

I think they both have great talent but a humble nature is the shining facet.
post #81 of 107
I am a huge fan of Kurkjdian's work and own bottle or decant of everything by MFK except for Le Matin (have a sample but don't like it) and the Oud. The others are all fantastic!
post #82 of 107
I vote for Ellena, though I have the impression he is running out of steam. At least he is not trying to sell us scented soap bubbles.
post #83 of 107
Hi everyone. Just in case you're interested, I posted the third part of the interview today.
post #84 of 107
I read it earlier today Persolaise , thanks for the interview it was a fun read . I very much enjoy FK's tongue in cheek attitude
post #85 of 107
Well, after all I read, I tending to JCE side...
post #86 of 107
Excellent Part 3 Persolaise . A controversial perfumer is our Francis Kurkdjian . I still love his Absolue Pour Le Soir.
post #87 of 107
Interesting read Persolaise, thanks for the link.
post #88 of 107
I wonder why he dismissed the idea that ingredient quality matters? He must use some basis for deciding what materials he's going to use, and I'm sure "quality", whatever that means to him, must be a factor. I would guess there are a lot of people employed in the business of producing aromachemicals or natural oils whose entire job is related to improving the quality of their products, so it's not like the question is entirely trivial. To use his analogy of paintings, I think most artists would be familiar with the tools and materials at their disposal, and I doubt many artists would think of their selection of these things as being so trivial. Seems like he was being asked the "wrong" questions and wanted to talk about something else.
post #89 of 107
Thread Starter 
Quote:
Originally Posted by Dorje123 View Post

I wonder why he dismissed the idea that ingredient quality matters? He must use some basis for deciding what materials he's going to use, and I'm sure "quality", whatever that means to him, must be a factor. I would guess there are a lot of people employed in the business of producing aromachemicals or natural oils whose entire job is related to improving the quality of their products, so it's not like the question is entirely trivial. To use his analogy of paintings, I think most artists would be familiar with the tools and materials at their disposal, and I doubt many artists would think of their selection of these things as being so trivial. Seems like he was being asked the "wrong" questions and wanted to talk about something else.

This really is a farce. Ok, I agree with his comments on JCE, but that is only personal opinion not fact, in this case I agree with him that less is not always more. Also, its really ironic that he found this thread funny, (JCE vs FK which do you prefer?) and subsequently interpreted it as 'who is better" and commented how reviewers such as ours don't really serve a bit purpose and somewhat are jokers. Yet later he expresses his opinions on JCE; doesn't this simply imply that he thinks he is better in a way? We just went full circle here.

On ingredients, really ridiculous. If we are not to care, then please please please, lower all your MFK fragrances to Le Male prices and I will happily be less selective and purchase your entire line. A prime rib can taste good, and so can a rump steak. But guess what, the input cost is different and thus the selling prices!!!! Its one thing to say that its hard to differentiate different Jasmines, but another to say that almost the entire community, aka his customers can't differentiate between what is higher quality and it makes no difference in the composition of a fragrance.

Based on what he says, what he is suggesting is that in all of his creations, the materias,l be it natural or low quality/high quality should not even be a consideration. Fine, if that's the case then MFK must be ripping all of us off because Narciso Rodriguez for Him is selling at much much much lower prices and now we have FK making a mockery out of us for the huge premiums he is charging for his own line...

Ridiculous...
post #90 of 107
It's obvious that the quality matters. I'm not going to get into the subjective 'this is better than that' argument - a synthetic jasmine can beat a real jasmine if that's the effect you're looking for. You can't duplicate hedione with natural anything. If we don't think of the word quality as a spectrum from bad to good, but merely as the quality - or rather qualities - of the material, as you'd discuss the qualities of a person or the qualities of a programming language or what have you, it's clear that the quality of the perfume is an amalgamation of the qualities of the ingredients, coupled with the quality of the vision of the perfumer and the quality of his execution.

He seems like he is being contrary just for the sake of being contrary. While I can understand his point that the consumer may not need to talk about the quality of individual ingredients versus the quality of the composition as a whole, I would think that he would have the foresight to see that the reason people are talking about quality of ingredients within a composition is because we don't fully understand just how to judge the quality of a composition. Where are the rules? Where are standards of criticism that are usually so clearly delineated - for better or worse - for other mediums? We are trying to piece together these standards ourselves with no help from "them" - in fact they continue to employ all manner of smoke and mirrors to keep the standards completely unclear so that they can redefine them however they wish, whenever they want.
post #91 of 107
Thread Starter 
Quote:
Originally Posted by Dorje123 View Post

I wonder why he dismissed the idea that ingredient quality matters? He must use some basis for deciding what materials he's going to use, and I'm sure "quality", whatever that means to him, must be a factor. I would guess there are a lot of people employed in the business of producing aromachemicals or natural oils whose entire job is related to improving the quality of their products, so it's not like the question is entirely trivial. To use his analogy of paintings, I think most artists would be familiar with the tools and materials at their disposal, and I doubt many artists would think of their selection of these things as being so trivial. Seems like he was being asked the "wrong" questions and wanted to talk about something else.

Also, the analogies of paintings is not complete. You can use subpar materials for a painting and still it can be beautiful, artistic and expensive. Why? Because it is it is composed beautifully. This applies to fragrances too, a cheap cologne can be made well made despite the cheaper input costs say, Cool Water. But am I wrong to say that using subpar paint or canvas will also mean that there will be a drag on longevity/durability of the art piece? Would you rather have Picasso paint on rotting canvas and water soluble oils or with thicker less grainy canvas and higher quality paints? O wait? I forgot he's Picasso and pricing of his artwork is high because of supply/demand imbalances so it doesn't matter.

Can we say the same to fragrances, that we are short in supply for Absolue Pour le Matin?
post #92 of 107
I kept thinking it was a joke. I kept checking whether to see if it was April 1st.

Wasn't he blatantly , what's the word, rude ?
post #93 of 107
Quote:
Originally Posted by hedonist222 View Post

I kept thinking it was a joke. I kept checking whether to see if it was April 1st.

Wasn't he blatantly , what's the word, rude ?

It may not be just entrepreneurship that explains his departure from the industry into his own startup!
post #94 of 107
I'm not sure I ever appreciate what I perceive to be rather bad grace, however his point about the quality of materials is interesting. I think that the quality of the ingredients matters more than anything in a perfume if you are talking about a natural ingredient like a jasmine, but does he mean aromachemicals in this interview? Can you get a good or a bad quality molecule? It either is that molecule or it isn't.... is that correct?
post #95 of 107
Quote:
Originally Posted by SculptureOfSoul View Post

It may not be just entrepreneurship that explains his departure from the industry into his own startup!

I appreciate one who speaks their mind but with some diplomacy. Otherwise one appears arrogant.
post #96 of 107
...............
post #97 of 107
Didn't know basenotes was so sensitive, especially with the critical nature that these forums have toward fragrances.

Those who live in glass houses....
post #98 of 107
I got the following jist:

What do you care what i use in my perfumes?
Just enjoy the perfume without asking too many questios. lol.
post #99 of 107
I don't think I do care so I shall not find out.
post #100 of 107
Now I'm with you Jean-Claude Ellena (actually I always were). I do like his interviews and would like to read more about and from him. Would also like to know his daughter's creations.
Then, Mr.Ellena, as I'm your partisan, how about sending me the Hermessence samples? All of them, please!
post #101 of 107
Hey, Jean-Claude Ellena! Are you out there? I'm waiting for your PM, man. I need to know what you've created without my help.
Huuuum, I guess he's not here! He may be at his wonderfull French-top-of-montain-house, laughing surreptitiously from FK's words!
Please, can someone translate this to French, please? Thanks since now.
And I forgot, tell him:
- If he doesn't PM I will take back the formulas of Terre D'Hermès and Un Jardin Sur Le Nil!
- I will report him;
- I will add him to my ignore list.
post #102 of 107
Quote:
Originally Posted by moore View Post

Hey, Jean-Claude Ellena! Are you out there? I'm waiting for your PM, man. I need to know what you've created without my help.
Huuuum, I guess he's not here! He may be at his wonderfull French-top-of-montain-house, laughing surreptitiously from FK's words!
Please, can someone translate this to French, please? Thanks since now.
And I forgot, tell him:
- If he doesn't PM I will take back the formulas of Terre D'Hermès and Un Jardin Sur Le Nil!
- I will report him;
- I will add him to my ignore list.



Now I wonder if anyone will step forward & claim responsibility for Eau de Gentiane Blanche?
post #103 of 107
I do not like JCE current style, do not know about his previous works but the stuff he produces for Hermes are boring as hell, the only one I like is Iris Ukiyoe
post #104 of 107
Quote:
Originally Posted by Marais View Post



Now I wonder if anyone will step forward & claim responsibility for Eau de Gentiane Blanche?

Yeah! That's great, but I didn't help him on that!!!
post #105 of 107
They are both excellent perfumers!
post #106 of 107
Quote:
Originally Posted by Mondamin View Post

They are both excellent perfumers!

Here we go for some healthy diplomacy
post #107 of 107
Fleur Du Male & Narciso vs Declaration & Terre. Ellena might just win. Else I have more Kurkdjian in my cupboard, it seems, unless Ellena made the Declaration flankers, then it would be even.
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