Thread: Iconic perfume/cologne bottles |
This is a funny one but adorable![]()
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Last edited by sophi; 16th May 2010 at 03:36 PM.
LOVE IS BESThttp://sophiloves.simplesite.com/429114763
" I think part of my success as an editor came from never worrying about a fact, a cause, an atmosphere. It was me—projecting to the public. That was my job. I think I always had a perfectly clear view of what was possible for the public. Give 'em what they never knew they wanted." DiANA VREELAND
LOVE IS BESThttp://sophiloves.simplesite.com/429114763
" I think part of my success as an editor came from never worrying about a fact, a cause, an atmosphere. It was me—projecting to the public. That was my job. I think I always had a perfectly clear view of what was possible for the public. Give 'em what they never knew they wanted." DiANA VREELAND
LOVE IS BESThttp://sophiloves.simplesite.com/429114763
" I think part of my success as an editor came from never worrying about a fact, a cause, an atmosphere. It was me—projecting to the public. That was my job. I think I always had a perfectly clear view of what was possible for the public. Give 'em what they never knew they wanted." DiANA VREELAND
LOVE IS BESThttp://sophiloves.simplesite.com/429114763
" I think part of my success as an editor came from never worrying about a fact, a cause, an atmosphere. It was me—projecting to the public. That was my job. I think I always had a perfectly clear view of what was possible for the public. Give 'em what they never knew they wanted." DiANA VREELAND
LOVE IS BESThttp://sophiloves.simplesite.com/429114763
" I think part of my success as an editor came from never worrying about a fact, a cause, an atmosphere. It was me—projecting to the public. That was my job. I think I always had a perfectly clear view of what was possible for the public. Give 'em what they never knew they wanted." DiANA VREELAND
LOVE IS BESThttp://sophiloves.simplesite.com/429114763
" I think part of my success as an editor came from never worrying about a fact, a cause, an atmosphere. It was me—projecting to the public. That was my job. I think I always had a perfectly clear view of what was possible for the public. Give 'em what they never knew they wanted." DiANA VREELAND
and the 100 ml bottle
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Last edited by PawelL; 8th July 2010 at 07:53 PM.
I love the Piguet bottles. Deco gorgeousness.
LOVE IS BESThttp://sophiloves.simplesite.com/429114763
" I think part of my success as an editor came from never worrying about a fact, a cause, an atmosphere. It was me—projecting to the public. That was my job. I think I always had a perfectly clear view of what was possible for the public. Give 'em what they never knew they wanted." DiANA VREELAND
LOVE IS BESThttp://sophiloves.simplesite.com/429114763
" I think part of my success as an editor came from never worrying about a fact, a cause, an atmosphere. It was me—projecting to the public. That was my job. I think I always had a perfectly clear view of what was possible for the public. Give 'em what they never knew they wanted." DiANA VREELAND
i think rive gauche looks like a deodorant bottle.
to me the most iconic ever is Le Male off course!
WTF
Also i love the Gaultier Limited Edition, as i tried to discuss on this topic:
http://www.basenotes.net/threads/264...le.?highlight=
If anyone can move it to here i think it will be better
i think this one is pretty much a classic and a must-know for every fragrance aficionado...
For me these are iconic ( as it took 20+ years, until I could name them "mine")
and last but not least :
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kind regards,
La Tanguera
http://duftreise.blogspot.com/
None other than twilight
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LOVE IS BESThttp://sophiloves.simplesite.com/429114763
" I think part of my success as an editor came from never worrying about a fact, a cause, an atmosphere. It was me—projecting to the public. That was my job. I think I always had a perfectly clear view of what was possible for the public. Give 'em what they never knew they wanted." DiANA VREELAND